Famous sentences describing scenery in poems

Poetry can't be seen in one or two sentences. If one or two fresh sentences are picked out, they are said to be good poems, which may have contaminated the habits of poets in the past. The human body who writes poetry will notice the current scenery and write observations from its own chest, so that readers can get the same feelings as the author and be with the author at the same time. This kind of poem must come from the realm of extreme silence. A person may have few opportunities in his life, so it is rare, so it is worth pondering.

Du Fu's poem: "The sunset is on the hook, and the spring is still by the stream. Fang Fei is on the shore, and the firewood is on the sand boat. " It is really charming to interweave the beautiful scenery of the riverside with your own life and emotions. And "flowers lie in the rain, books are on the couch." The two couplets "Hook the curtain to lodge the heron, Pill medicine flows in vain" are also praised by the ancients (see "Shilin Poetry"). Because these two crossings, some things, scenery and affection are all experienced by the poet himself, which is different from the description of the outside world and the syntax is so beautiful, how can we not tempt people to chew the affection repeatedly? Later, in the Song Dynasty, Qin Guan's poem "Rain builds a dangerous fragrance, and the wind scatters light and flies" also had similar characteristics, and Song people also highly praised it (see Wei Zi's poem). But consciously or unconsciously, it is not as good as Du Fu's poems.

The scenery should be in harmony with the environment, which makes people feel immersive at first sight. The famous sayings of the ancients are very enlightening, such as "the sunset lingers at the ferry, and the midnight snack smoke wafts from the houses", which is indeed the scene of the late village. "The mountains and trees on both sides of the strait meet and crow all day long" is indeed a scene in the mountains. "Huang Yun's spring scenery is broken, and the painting corners are sad", which is indeed a poor border situation. "Birds are singing and flowers are fragrant here, and people's hearts feel quiet in the pond" is indeed the scene of an ancient temple. "Wild trails and clouds are all black, and rivers and boats are bright", which is indeed the scene of Mujiang.

There are some famous ancient sentences that have been passed down endlessly by people. In fact, if you press it carefully, there is no profound meaning or original opinion. In Zhong Rong's poems, several words are quoted, such as "thinking of a gentleman is like running water", "a high platform hates a platform", "going to the dragon in the morning" and "the moon shines on the snow", and it is pointed out that these are just what you see in your eyes and what you think in your heart. The advantage is bland, regardless of allusions, origins and novelty. What he said is very reasonable.

Of course, the quality of poetry is not judged by one or two sentences, especially long ancient poems. But this is not always the case in metrical poems. Although a really good poem does not need innovation and ingenuity, it must be refined and vigorous to be considered excellent because of its short space. For example, in Poem on June 1st, the spring water in Liutang is overflowing, and the sunset in Huawu is late (Wei Yan's sentence), and there are also "Maodian crows, Banqiao frost is deserted" (Wen's sentence). The former describes a harmonious scene in spring, while the latter describes what early pedestrians saw, all of which are deliberately tempered and make people laugh. Liu Fang's "Zhongshan Poetry Talk" is quite critical of the first two sentences: "The sunset is late because of flowers. What is the spring water of willow? " Wang Ruoxu's Su Shinan Dialect even made some inferences: "Tiaoxi also said: Tie the dock instead of the flowers. Otherwise. The sunset is not in the flowers, what about the pier? " This is completely a rubber column.