Long song line/long song line
Tang Dynasty: Li Bai
Peaches and plums will bloom in the sun, and glory will shine in that year.
The east wind moves everything, and the grass speaks the heart.
Dead branches have no ugly leaves, and dry water spits out clear springs.
Heaven and earth were vigorously transported, and xi's whip did not stop.
If you don't become famous early, what will Zhusi say?
When Tao and Li were young, who could live their lives?
Wealth and immortality are wasted into two losses.
Stones are still on sale, but the wind and frost have no long-term quality.
Fear of the sunset, singing and drinking are strong.
Autumn frost suddenly invaded Liu Pu at any cost.
translate
Peach blossoms and plum blossoms bloom in the sun, colorful and decorated the Spring Festival.
The east wind revived everything, and everything seemed to be blooming.
Beautiful new leaves have grown on the dead branches, and fresh spring water is flowing in the dry stream, which is full of vitality.
Naturally running the world, the sun keeps running on the Japanese train.
If you don't make a name for yourself early, how can you make your name go down in history?
Peach and plum must stay in spring, but who can make spring stay forever?
Time waits for no one, and the rich and the immortal will pass.
The power of the stone will be worn away, and nothing will last forever in the wind, frost and sun.
I was so afraid that the sun and the moon would fly, so I sang and drank, thinking it was fun.
Just like the willow trees in first frost in autumn, suddenly, I am old and my health is failing!
To annotate ...
(1) Long songs: an old topic in Yuefu. Thirty volumes of Yuefu Poetry are listed in Harmony Song and Pingdiao Song, which belongs to one of the seven songs of Yuefu Harmony Song. The title says: "Yuefu Solve Problems" says: "As the old saying goes,' Sunflowers in the Green Garden' means that you are getting rich soon. You should be happy if you work hard, but you should be sad if you don't reach the boss." The song "What's the Height of the Western Hills" given by Emperor Wen of Wei Dynasty said that the immortal's way is unknown, such as, red pine, etc., which are all empty words, pedantic and hard to say, just keeping the holy way. If Lu Ji "died in broad daylight, bringing the land into Sichuan is sad", then people's short life will take advantage of Long song and merge with ancient prose. The ancient song Long Songs has not been circulated today, but there are nearly ten songs, among which Li Bai is one.
(2) Waiting: one is "getting".
(3) Glory: lush vegetation and flowering. Xunzi Wang Zhi: "When the vegetation is lush, the axe can't cut into the mountain."
(4) East wind: spring breeze. One of Li Bai's poems "Solitude in Spring": "The east fan is graceful and restrained, and Shui Mu Rong Chunhui." Everything: still everything. Rites of Sacrifice: "The Yellow Emperor was famous, and Zhuan Xu Xu Can praised him for his wealth."
5. "Dead branches" sentence: It means that dead branches give birth to new leaves, all of which are lovely.
⑹Xi(xρ) and: characters in ancient myths and legends. The god who drives Japanese cars. "Song of Li Chu Sao": "Why should xi be cautious? Look at it without pressing it." Wang Yi's note: "xi He, the Japanese emperor."
(7) Bamboo and silk (bó): Bamboo slips and white silk. In ancient times, there was no paper, but they were written with bamboo and silk. Extension refers to books and historical rides. Biography of Historical Records and Filial Piety: "Then write the merits and demerits of our ancestors on bamboo and silk, and apply them to all generations, which will last forever. Thank you very much."
(8) service: need. Youth: refers to spring. In spring, the vegetation is lush and the color is green, so it is called. "Songs of the South Zhao Da": "Youth fades, and the day shines." Wang Yi's note: "Green, the location of Dongquan, its color is also green."
(Stone): Borrow, lend.
⑽ (cu υ) (1) (tuó): frustrated; Xie Tiao's "Wang Changshi died of illness" in the Southern Dynasties: "Time flies, hate flies."
⑾ Shu: melting and wearing. Han Meicheng's Seven Hair: "Although there is a stone, it will be sold out, which is quite understandable."
⑿ Huan "drink".
[13] Shu (shū) suddenly: a quick talker, unexpectedly quick to describe. "Lu Chunqiu wins the decisive battle": "I come and go suddenly, and I don't know its side." Liu Pu: Populus davidiana, a tree that withered in autumn. Both cattails and willows shed their leaves early, which is used here to describe people's premature aging. In the Southern Song Dynasty, Liu Yiqing wrote "Shi Shuo Xin Yu Yan": "The posture of Liu Pu, looking at autumn, has fallen, and the posture of pine and cypress has been frosted."
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Li Bai's Long Songs is deeply influenced by ancient words on the same topic. Long song can write it in time and make contributions. Don't be sad. Or write about wandering immortals taking medicine to prolong life, or write about wandering homesickness and sentimental life is short; Lu Ji's "Long Songs" hates fame and fortune, and bamboo and silk are not announced; Xie Lingyun's "Long Songs" feels the flow of time and kills ambition. Liang wrote Long Songs, Eat, Drink and Be Merry. Shen Yue's "Long Songs" is a journey of falling in love with Jinhua Temple, but his fame is unknown, and bamboo and silk are hard to announce. In short, before Li Bai, those who wrote ancient poems with long lines expressed their sadness, pinned their pursuit of a better life and pinned their melancholy and sentimental hearts when they touched the scene. From this, Li Bai realized life and associated himself with nothing in his career, failure in wandering immortals, repeating the mistakes of the ancients and falling into pain and suffering.
The first ten sentences of this poem are the first paragraph; The first two sentences say that peaches and plums bloom early and flowers are in full bloom, which is actually just a year's glory; It is a natural law that peaches and plums spring every year, so bloom is a symbol of spring and beauty. After the claustrophobic cage in winter, I turned to the warm morning light in spring to touch and revive everything on the earth. Showing an active and vigorous vitality, like the spirit of all things, the spirit is multiplied and high-spirited; This is the common sense of things and human nature, so people call the beautiful moment of life youth; However, the author's cognition is not limited to this, but to further explore the spring of peaches and plums in bloom, which requires the delicate cultivation of Chunyang, painstaking efforts, selfless work, and the survival and development can not be separated from the sunshine in spring; From this, the author realizes the interdependence of the relationship between monarch and minister, and paves the way for the reason that "fame is not early"; Japan's descriptive image once symbolized the king in ancient poetry; In spring in bloom, a sage meets a sage. There are similarities between the laws of nature and human common sense. Writing peaches and plums is clearly a metaphor for the monarch and ministers; This may be the hard work of "winning the game"! The description of beautiful images contains beautiful feelings and the pursuit of beautiful things; Although beauty is beautiful, it is particularly lacking because of the glory of that year, so it is more worth cherishing; Then the author praised the wonderful use of spring with four poems, "The east wind moves everything, the vegetation speaks freely, the dead branches have no ugly leaves, and the dry water spits fragrance." The east wind warms everything on the earth, the spirit of the sun germinates, and everything wakes up from hibernation to strive for a new posture, which constitutes a beautiful realm of life rhythm. As a result, the plants tried their best to show their heroic spirit, and the dead branches and ugly leaves in winter disappeared. "No ugly leaves" means "unexpectedly beautiful leaves"; The dried-up spring is also spewing fragrant water columns. These four sentences tell a panoramic view of spring coming back to the earth from bloom. Beautiful peaches, plums and Li Ying are lining the east wind, constantly cultivating everything, making the vegetation look brand-new, drying up in spring, spitting fresh fragrance, showing the beauty of spring and writing the realm of spring. Generally speaking, the six poems are the aesthetic feeling of the poet, and they are also plain and natural words and poems. Painted as the image and artistic conception of spring beauty, the poet came to China, but came from abroad, and he was brilliant and blended with the realm. Plain description embodies profound aesthetic feeling and philosophical cognition, but it is absolutely different from the reasoning of natural textbooks. The last four sentences of this paragraph turn from the description of spring scenery to discussion, express feelings and seek the source of strength that causes this beautiful scenery. "xi vigorously transported heaven and earth, and he kept whipping. If you don't become famous early, what will Bamboo Silk announce? According to the opinions of ancient philosophers in China, the author also thinks that this is the divine power of nature, which touched the world, so there are four seasons: spring, summer, autumn and winter. Thus, the laws of the natural existence, development and death of all things in the universe have been formed, and different scenes in different seasons have been formed. However, people always prefer spring to winter, but this is the law that people can't change this change of yin and yang at that time. Of course, they also observed the birth and decline of everything from the endless flow of time, including human life and death, and realized a life truth. People should show their arms and make contributions in the beautiful moment of youth, just like peaches and plums in spring. People should admire and praise when they are alive, and leave a good reputation in history after death. However, in reality, although Li Bai has a beautiful ideal, the values of being a man and the spirit of unremitting efforts, he can't get the warm care of the "Japanese" (the emperor), but he is the oldest in his youth, driving a six-dragon Sun God car, and the driver keeps urging him to catch up. If he can't become famous early in his youth, he can't stay in the bamboo and silk history books. He died in obscurity and was hated by people. External invisible pressure and internal anger accumulate, and finally generate their own dissatisfaction. From the past, the present situation to the future prediction, it expands the time and space, is simple and profound, elegant and vigorous, and develops the traditional characteristics of five-character ancient poetry. Poetry writing here should stop both poetry and meaning, but what is left to people is why fame and fortune have not been established early and how the ending is suspenseful.
The last ten sentences of this poem are the second paragraph. The first two sentences take care of the beginning and deepen poetry. Since peaches and plums are dedicated to the pursuit of youth, they should show beauty in youth; Then someone can take the sun away on credit and make it motionless. Isn't youth forever? There can be no doubt about the word "who". Imagine its ability, comfort yourself from fantasy, and enjoy pleasure from fantasy, so as to relieve the inner pressure and get rid of the predicament. But fantasy is temporary, and when it turns into reality, it turns from fanaticism to calmness, filtering the trajectory of life with reason and clarifying the gains and losses, thus creating a painful poem of "riches and immortals, wasting their lives". I have a new judgment on my words and deeds, and I know what I did wrong yesterday. The pursuit of fame and wealth and immortality are the hedonic consciousness and life values of the ruling class. Being an official is a sign of realizing the value of life, and naturally it is either rich or expensive. Here, the illusion of immortality and false demands are bred, aiming at maintaining one's position of power and status and living conditions forever, and gaining both fame and fortune. If you don't want to be an official, you can wander around, which shows that you are detached, self-reliant, equal to the official, and you can also gain a good reputation. But in the Tang Dynasty, it was also a shortcut to be an official in the south, which was commonly used by feudal scholars in the early Tang Dynasty. Li Bai is no exception. He paid homage to officials and visited famous mountains, monks and immortals, earning both fame and fortune. Today, I failed, accomplished nothing, wasted my life, regretted it, and fell into the abyss of pain again. Then I remembered that the ancients once said "life is not a stone" and "how can you live long without a stone?" So it developed into "the stone is still sold, and the wind and frost have no long-term quality." Even if life is rock-solid, stones will crush the whole body into rubble under the long-term wind and frost attack and abrasion, not to mention people are not stones. In spring, peaches and plums, plants and clear springs are naturally difficult to maintain the beautiful appearance of spring. The implication is that people can't live forever, and fame and fortune must be obtained as soon as possible, otherwise there will be no danger; Even if you get it, you can't live forever. Therefore, the ancient people's experience of seeking officials, "according to the Tao and Tianjin early", realized the life value of bamboo and silk. On the surface, these two sentences have nothing to do with the first two sentences, but they seem to be disconnected, which is a denial of the immortal's longevity. The development of poetry, the ups and downs of feelings, and the ups and downs of ideological trends are the portrayal of the leap of poetry, leaving people with suspense, pursuing the ending, tempting and getting to the bottom of it. When he regrets yesterday's mistake, he will definitely change his route and make a new choice. "I'm afraid of singing and drinking after sunset." Eat, drink, sing and drink. Otherwise, you will be behind time, you will not be able to eat, drink and be merry, and you will live in vain. A "strong music" tells the hidden sadness in its heart. It was a reluctant artificial joy, an unhappy artificial joy, a song and wine to dispel the sadness in the chest, and a temporary anesthesia. This conscious anesthesia is a manifestation of more pain in the soul, an extraordinary expression of Li Bai's art, and a deep song that everyone feels but doesn't realize. This is the way for everyone, not the way for small families to be stretched. However, even this hope of self-restraint is difficult to realize and satisfy. I sadly wrote the ending poem: "Autumn frost spared no effort and suddenly invaded the willow." The harsh autumn frost has never been kind, and Xiao kills everything without regret. Suddenly, it came and violated Liu Pu's posture. Liu Pu, in the name of vegetation, is weak and cannot stand the wind and frost. After first frost, it was withered and lifeless. There is an allusion here. According to Shi Shuo Xin Yu, Gu Yue was the same age as Emperor Liang Jianwen, but the ancient method was early white. Ask Gu: "Why do you become white first?" Gu replied: "The posture of the moon looks down in autumn; Pine and cypress pose cream. " Liu Pu's posture refers to self-care, and the posture of pine and cypress refers to Jian Wendi. Li Bai used this code name to match his identity, and his humble body could not stand the wind and frost. Autumn frost is not only a force of nature, but also a cruel blow from evil political forces. The result of attacking the unprepared weak and humble body with irresistible force is self-evident. The conclusion is not only meaningful, but also deeply emotional. Uneven and tearful; When you cry, you can really call it Long song.
Li Bai's Yuefu poems combine the advantages of previous works with the same theme, and are unique and centered on qi. Taking nature as the Sect, it is fresh and elegant, extraordinary and free from vulgarity, and everyone writes it. The poem begins with a poem by Bi Xing, touching the scene. However, it is not a work that talks about peaches, plums, impermanence of life, eating, drinking and being merry in time. Instead, it shows its extraordinary use and expresses the value of life beyond ordinary people's minds. It is by no means the selfish desire of ordinary villains, but the exaltation of the spirit of the prosperous Tang Dynasty. It describes the patriotic aspirations of a generation of elites, praises the beautiful natural spring scenery, pours out the love for beauty and the pursuit of beautiful ideals, opens up his resentment of unsuccessful career and the painful heart of self-liberation, and makes people fully understand his inner feelings. A jumping heart, stirring changes and endless feelings affect the beautiful natural landscape and reveal social injustice. Beautiful ideals are always difficult to achieve, so we are worried and struggling, and it is inevitable to encounter the bad luck of autumn frost. The destruction of beautiful human nature is not a phenomenon of the times, but a phenomenon of class society. This is especially true in the prosperous Tang society, which makes people think deeply.
Li Bai successfully shaped the image of this unlucky genius, and with the help of his fusion of narrative, lyric and discussion techniques of ancient poetry, he applied it to the extreme and became a complete artistic expression system, only seeing the beauty of poetry but not the techniques. This is exactly the halal beauty that Li Bai pursues.