Excuse me, does anyone know the ancient poems with parallelism rhetoric?

I am willing to be the leader of clothes, and I want to be the first in China; I am sad for leaving Romania at night and complaining for the unfinished autumn night!

I am willing to tie my slim body with the belt in my petticoat; It's cool and weird, and it's new!

I am willing to be proud of my hair and brush my head on my shoulders; The repeated bathing of sad beauty has dried up from the white water!

I would like to have fine eyes, I would like to have idle eyes; Sad powder is still fresh, but it was ruined by China's makeup!

I am willing to be a seat in Dongguan, but I am weak in Sanqiu; The sad generation of Wen Yin is an emperor, and only after many years can you see it!

I am willing to walk on silk, persistent enough to cope; Sadness is restrained, before the empty Committee abandons the bed!

I am willing to be the shadow of the day, always following the shape and facing the west; There are many shades of sad trees, and generosity varies from time to time!

May it be a candle at night, and a jade shine on two trees; Sad and sorrowful, the light of mulberries, the election destroys the scenery and hides the light!

I would like to be a fan of bamboo, with a soft grip and sorrow; Worry about the white dew and the morning, the sleeves are full of Myanmar!

I would like to be a tung tree in the forest and a piano on my knee; Sadness, joy and sorrow come, and finally push me to stop!

-Tao Yuanming's Preface to Idle Fu

Chrysanthemum, the hermit in the flower; Peony, blooming with wealth; Lotus, the gentleman of flowers.

-Zhou Dunyi's Love Lotus

Wanli Yangtze River is as white as practice, and Hu Aishan Mountain is as green as a lake. Fan Jiang is like an arrow, and the mountain spring thousands of feet flies like electricity.

-Zhou Deqing's "Xunyang Scene"