There are thousands of green hills on the pine row and a pearl in the heart of the moon.
Early rice is pumped by the blue carpet line, and the green Luo skirt shows Xinpu.
I didn't throw it into Hangzhou, and half of it was this lake. Translation and Annotation Translation of West Lake in Spring
Spring in the West Lake is like an intoxicating landscape painting. The lake surrounded by mountains on three sides is as clear as a mirror. On the peak, pine trees are densely covered, and Feng Wan, Qian Shan is green. A full moon reflected in the water, like a pearl, crystal clear, jumping and floating.
Early rice was born, like a huge green carpet covered with thick velvet thread; Puye cloak, like a girl's ribbon ball. A landscape painting with fresh style was presented in front of us, and the poet could not help admiring the scenery of the West Lake. Spring is so beautiful that the author is reluctant to leave Hangzhou and return to Beijing. Half the reason is that he can't bear to part with the picturesque West Lake.
Creation background This is a famous sentence describing the spring scenery of West Lake in Hangzhou. The author was appointed as the secretariat of Hangzhou in July of the second year of Tang Muzong Hengli Changqing (AD 822), took office in October, and left Hangzhou for Luoyang at the end of May of the fourth year of Changqing. This poem was written on the eve of the author's demotion to the secretariat of Hangzhou, about the spring of the fourth year of Changqing in the Tang Dynasty (AD 824), before the author's residence in Hangzhou was about to expire and leave. Appreciating the spring of the West Lake is like an intoxicating landscape painting. The lake surrounded by mountains on three sides is as clear as a mirror. On the peak, pine trees are densely covered, and Feng Wan, Qian Shan is green. A full moon reflected in the water, like a pearl, crystal clear, jumping and floating.
Early rice was born, like a huge green carpet covered with thick velvet thread; Puye cloak, like a girl's ribbon ball. A landscape painting with fresh style was presented in front of us, and the poet could not help admiring the scenery of the West Lake. Spring is so beautiful that the author is reluctant to leave Hangzhou and return to Beijing. Half the reason is that he can't bear to part with the picturesque West Lake.
The first three lines of the poem describe the scenery, and the end is lyrical, while the whole poem blends the scenery, and everything is the same. The first sentence is a bird's eye view of the spring scenery of the West Lake, which is called "picturesque". It is no accident that the author entered the poem with such a strong sense of color. When he was a child, Bai Juyi decided to be an official in Hangzhou, and naturally he was pleased with his wish. His deep affection for Hangzhou can be seen here. This poem is not only a good structure in Bai Juyi's landscape poems, but also one of the famous works describing the West Lake in past dynasties.
The following three sentences in Luanfeng describe the scenery as picturesque: surrounded by mountains, the lake is flat; Rows of pine trees decorate the mountains like overlapping emeralds, and the bright moon shines into the middle of the lake like a shining pearl. What an attractive sight! However, the theme of the poem did not stop at the level of Fan Shan's ink, and the sentence "Bitan" unexpectedly turned the pen and tongue to the observation of crops. Embedding farming in landscape poems may be contrary to elegance and vulgarity, which is very uncoordinated, but Bai Juyi poeticized farming in a unique way-the thread drawn from the early rice carpet and the ribbon on the newly paved skirt. Such a subtle and novel metaphor not only reflects the author's concern for the people in the lake area, but also reminds readers that it is this history of thorns that makes him yearn for Hangzhou since he was a child. As soon as he arrived, he sympathized with people's feelings, dug wells to drink water, and turned Hangzhou into a paradise on earth, thus remembering his virtues. At the same time, it is also a change and a valuable innovation in poetry creation. It is more novel in conception and subtle in language than another famous poem "A Spring Tour in Qiantang" written by the author.
The structure of this poem is tortuous and euphemistic, especially the last two sentences, "I am reluctant to part with you at the end and say' leave half', but it is more affectionate." (Poetry of Tang and Song Dynasties) So what is its "moral"? This has to be discussed in connection with the author's related tracks and creations. Bai Juyi used to be a native of Chang 'an, Ren Zhongshu, and a secretariat of Hangzhou. Faced with the reality that the country is short of people, he wrote and said things that were not adopted many times. Seeing that the situation was getting worse, his cronies were getting worse. He asked to go abroad and come to Hangzhou. On the one hand, this is a problem. On the other hand, he thinks it is not good to be a hermit or a Beijing official. Just being busy with the secretariat of Hangzhou is exactly what he wants, that is, the so-called "□ the stream is extremely quiet and there are many tombs." Only in Qiantang County is leisure just right. " This is from the poem "Send money to Huzhou and Li Suzhou", and there are many similar statements in other articles. This is not only the author's heartfelt words, but also the "implication" of this poem.
Because "Huang En can only stay for three years", Bai Juyi left the West Lake with reluctance, which is very infectious in itself. /kloc-Today, more than 0/000 years later, the West Lake has long been known as a land with mountains and lakes, and this poem has spread like wildfire. It is worth pondering that the names of the ten scenic spots in the West Lake today, such as Autumn Moon in Pinghu, Spring Dawn in Su Causeway, and Reflecting the Moon in Santan, are probably derived from the corresponding poems in the poem Spring on the Lake.
Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, Lotte, Xiangshan, and drunk. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu". Bai Juyi's poems have a wide range of themes, diverse forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on. Bai Juyi
The old garden is barren and willow is new, and Lingge sings endlessly in spring. Shake the spring breeze to charm the spring day, read the wind in a hurry, with or without frost. The situation is that youth will be dusk and peach blossoms will fall in red rain. Last year, not now, it was spring, and I don't know how much hair I have on my sideburns. In February, Baling was windy, and the cold spring was not over. In spring, the grass is green and the wild pond is full of jasper. But with silence, fireworks are in March and spring. Pears bloom in the light, and wanderers go out of the city in spring. This spring is coming to an end. When will I go home? Castle Peak is like the east of Dai Yuan Village, and the catkins are tender and green. The spring water in Jinqiao flooded Xia Hong, and the wind blew on the shore. Haiyan will mow the grass in the future, and Jiang Mei has sown catkin cotton. Willows smoke all over the street, drawing a clear February day. The grass is always moistened by drizzle, but the flowers are cold in the spring breeze when they want to spread. In the evening of green, dark, red and thin spring, swallows fly into weeping willows with mud in their mouths.