A special rhetorical method in classical poetry works, all of which use nouns or noun phrases, and are skillfully arranged together through selection and combination to form vivid and sensible images. This kind of artistic technique can make poetry beautiful, create an unexpected realm in conciseness and conciseness, and show unparalleled artistic tension.
A special rhetorical method in classical poetry works, all of which use nouns or noun phrases, and are skillfully arranged together through selection and combination to form vivid and sensible images. This kind of artistic technique can make poetry beautiful, create an unexpected realm in conciseness and conciseness, and show unparalleled artistic tension.
For example:
Ma Zhiyuan's Tianjingsha Qiu Si
Old vines and faint crows, small bridges and flowing water.
The ancient road is sparse, the sun sets, and heartbroken people are in the end of the world.
This song juxtaposes a variety of scenery into a picture of sunset in the autumn suburbs, allowing a wanderer to ride a thin horse on a bleak background, which reveals a sad mood and expresses a wandering sadness. The three sentences are arranged into three groups by nine nouns, and each group is a close-up. Scenery is very common in nature.
However, once ordinary things are combined by the poet's art, a bleak and bleak atmosphere is strongly rendered by the dyeing method of Chinese painting, which brings readers into a lonely artistic realm. This is a carefully carved three-dimensional space with its three elements, namely depth, breadth and height, which inadvertently became the swan song of landscape writing. The language of the whole song is extremely concise, but its capacity is huge, its meaning is profound and its structure is exquisite, so it is praised as "the ancestor of Qiu Si" by later generations.