Panwan
The wind blew all night, and I couldn't help it, but the dawn had come.
Patiently watch the doctor's cranes and moss peck, and send hungry bees around the bamboo to look for it.
The youngest son couldn't stand it, and the old man Somo sat and sang.
The window is the most private place, pick up a piece of hospitable palm.
Pan Qian, a poet in the Southern Song Dynasty, has few literary titles. Legend has it that when he was six or seven years old, he could write a wonderful poem, "Bamboo grows straight, plum dies fragrant." His seven-character poem "Falling Plums" expresses his deep affection for falling plums in a euphemistic and tortuous way.
"The wind blew all night, and I couldn't help it, but it was already urgent at dawn", which means to catch up. Most people who write fallen flowers begin with wind and rain, and so does this poem. These two sentences mean that the poet who has been thinking about plum blossoms all night is uneasy. He went out at dawn, and sure enough, the plum blossoms soon withered and disappeared. The word "fear" shows the poet's anxiety that plum blossoms are about to wither. This association aims to solve problems and pave the way for the next one. "Endure cranes and moss to peck at doctors and send hungry bees around diabolo." The word "forbearance", connecting the preceding with the following, points out that the poet saw the next scene, further portraying the poet's feeling of regretting the plum blossom. When people write plum blossoms, they often use some birds and insects related to them to set off. For example, there are two sentences in Lin Bu's "Xiao Mei in the Mountain Garden": "The frost bird wants to peek first, and the butterfly knows its death." Su Shi once wrote such a sentence in the poem "Two Rhymes of Yang Xianmei Flowers": "Wake up tomorrow and get drunk everywhere, leaving hungry cranes to peck at the plum blossoms." This alliance was formed here. The listless crane pecked at the fallen flowers together with raspberry moss, and the hungry bees flew around the empty branches beside the bamboo. It is sad enough that sick cranes peck at moss and hungry bees surround bamboo. However, all this is caused by falling plums. It is through the description of sick cranes and hungry bees that the poet sets off the pity and preciousness of fallen plums.
"A child despises it, and an old man somo sits and sings." For a child, it means indecision, and "somo" means depression. In the face of Mei's landing, the children who cleaned the yard refused to start work, and the old man sat there singing sadly. This association uses the implication of Zhang Ji's "Don't teach people to sweep the stone, for fear of hurting the fallen flowers" in the Tang Dynasty and Lin Bu's "Fortunately, I have a whisper to share" in the Song Dynasty, which mainly shows the treasure and love of children and the elderly for the fallen plum.
"The window is the most private place, and picking up debris in your hand is diligent." I also know how to pity Mei, but what about the poet? Perhaps the most touching thing is the plum falling in front of the window, so the poet picked up a piece and put it in his hand. This move should include the author's deep affection for Luomei! It is through the description of this typical detail that the author plays the strongest voice of the main poem, which makes people have a long aftertaste.
Throughout the poem, the author rose from the wind to the plum blossom, first writing cranes and bees, then writing children, and finally writing himself, which can be described as step by step, showing the author's unique ingenuity. There are many poets who wrote plum blossoms in ancient times, but few people specialize in profile description of characters like the author of this poem. Liu Kezhuang, a contemporary of Pan Gui, wrote a seven-character poem "Falling Plums", which is also a famous work by Yongmei, but the brushwork is quite different from this poem. For the sake of convenience, I specially recorded the whole poem here: "A touching and heartbroken piece can be as flat as a pile of walls. Gone with the wind, such as moving to Keling, falling like a poet going to Hunan. Stop counting berries and moss, I'll glue my sleeves for a long time. Dongfeng is arrogant in consumption, not arrogant. " Obviously, Liu's poems are all positive descriptions. Of course, whether you write a profile or not, it's just a matter of skill. Can write wonderful poems. Compared with Liu Shi, Pan's poems have their own merits, but they are all excellent works. Liu Qianfu's evaluation of Pan Fang's article "Take off the pen and ink, show exquisiteness" has some truth from this poem.