One,
Empty fists clenched in sadness without tears, glaring and making a sound of hatred.
I wish I could dream of a strong country as soon as possible, and I would be ashamed of myself.
Second,
The Japanese invaders got more help than they lost, and they were toads.
If you lose your conscience, you will be defeated. Put down your gun and surrender and go home.
Three,
Now that you have a country and a home, don't forget to send flowers.
Pay homage to the anti-Japanese martyrs, and don't forget the national humiliation and him.
Related introduction:
Seven-character poem is the name of a poetic style. The whole poem has seven words in each sentence or seven main words. Folk songs originated in the pre-Qin and Han Dynasties. However, there were few seven-character poems between Han and Wei Dynasties, which gradually developed from the Southern and Northern Dynasties to the Sui Dynasty, and it didn't really develop until the Tang Dynasty, becoming another major form of China's classical poetry. Genealogy of Yuan Family in Suiyang Shangshu (Yuan Keli): "Yuan Jiashan is included in the eight scenic spots of Luoxue Academy.
There are three seven-character poems, one by Fu Keli and his son Yuan Shu, and the other by Yuan Fucheng, his grandson in Xinning, Guangxi. "
Seven-character poems, including seven-character ancient poems and seven-character metrical poems, are one of the ancient poetry genres in China. Every sentence in the whole article is seven words or a poem with seven words as the main body. In the pre-Qin period, in addition to the seven-character sentence patterns in The Book of Songs and Songs of the South, Xiangcheng Pian in Xunzi was a mixed verse with seven characters as the main body, which was an imitation of folk songs.
In the Western Han Dynasty, there were seven popular rhymes, such as Sima Xiangru's Fan Jiang and You's Jiupian, as well as Louhu Song and Shangjun Song contained in Hanshu.
There were many seven-character miscellaneous songs in the Eastern Han Dynasty. For example, Mai Yao, Wu Zaicheng (Sima Biao's Five Elements of Han History) and Huan Er Ge (Bao Puzi's Shen Ju) at the end of the Eastern Han Dynasty are all vivid, popular and fluent folk works in seven languages.