Appreciation of these two poems: These two poems show boating on the river at dawn. This association has always been very popular. When the night has not subsided, a red sun has risen from the sea; The old year has not passed, and the river has shown spring. "Day after day" and "Spring into the Old Year" both indicate the alternation of time series, and in a hurry, I can't help thinking of this poet who walked on the "guest road". These two sentences are also very kung fu. The author regards "the sun" and "spring" as symbols of new beautiful things from the perspective of refinement, emphasizes them by mentioning the position of the subject, personifies them with words such as "life" and "ru", and endows them with human will and emotion. The beauty is that the author has no intention of reasoning, but he has a natural interest in reasoning when describing landscapes and festivals. The sea is born in the dead of night, which will drive away the darkness; Jiang Chun, the "spring" of river scenery, will break into the old year and drive away the severe winter. Not only is the scenery vivid and accurate, but it also shows the universal truth of life: the natural phenomenon that old things will be replaced by new things.