Tang Li Bai
Shu once heard of Zigui bird,
Xuancheng also has azaleas.
A call, an ileum, a rest,
Think back to three buses in March and March.
[Edit this paragraph] The author's life
Li Bai (70 1-762), born on February 8th, 70 1, Han nationality, 6' 6 ",Taibai native, famous violet lay man, Mianyang, Sichuan, was a great romantic poet in the Tang Dynasty, and was called a poet in the history of China. His poetic style is bold and elegant, with rich imagination, fluent and natural language and harmonious temperament. He is good at absorbing nutrients from folk songs and myths, forming his unique magnificent and gorgeous colors, which is the new peak of active romantic poetry since Qu Yuan. He and Du Fu are also called "Du Li", and he is the greatest poet in China history, also known as "Poet Fairy".
Li Bai's ancestral home is Ji Cheng (now Jingning County, Gansu Province). At the end of Sui Dynasty, he moved to Broken Leaf City in Central Asia (now near tokmak in northern Kyrgyzstan), where Li Bai was born. At the age of five, his family moved to Zhangming County, Mianzhou (now Jiangyou, Sichuan). At the age of twenty, he left Sichuan alone and began to wander widely, reaching Xiangjiang River in Dongting in the south and wuyue in the east, and living in Anlu (now Anlu City, Hubei Province). He traveled around, hoping to make friends and pay homage to celebrities, so as to get an introduction, climb high in one fell swoop and realize his political ideals and ambitions. However, after ten years of wandering, I have accomplished nothing. Continue to go north to Taiyuan and Chang 'an, east to Qi and Lu, and live in Rencheng, Shandong (now Jining, Shandong). At this time, he has made many celebrities and created a lot of excellent poems, which are famous all over the world.
[Edit this paragraph] Translation
I have seen rhododendrons in Shu and rhododendrons in Xuancheng. Once the cuckoo crows, my tears flow once, and my heart aches. It's a beautiful spring in March, and I've been thinking about the No.3 bus in my hometown.
[Edit this paragraph] Appreciate
Yelang, after he came back from forgiveness, now lives in Jiangnan and lives in a sponsor's house. Soon I got sick again and had a miserable night. It is human nature that people will be homesick when they are old, not to mention that the poet is old and sick, so a strong homesickness hit the poet's heart.
Poetry is aroused by feeling things. "Shu once smelled birds and Xuancheng also saw azaleas." In late spring and March, Li Bai, who was staying in Xuancheng, suddenly felt that his dim eyes were red. On closer inspection, it turned out that the azaleas were in bloom. Isn't this cuckoo the flower of my hometown? The poet's homesickness was touched in this way.
In Shu, whenever the cuckoo is in full bloom, the Zigui birds begin to crow. Zigui bird, also known as cuckoo, has the same name as bird, which is also a reason for the poet's association. This bird is said to be the soul of Du Yu, the ancient Shu emperor. Du Yu, who was called "",thought he was weak in virtue, so he abdicated and died. After his death, he became a cuckoo. In late spring, it whines, as if calling, "It's better to go home! It is better to go home! " Day and night, I kept crying and my mouth was bleeding. At this moment, the poet seemed to hear the hoof of Zigui bird and called him home one after another.
One or two sentences in the poem form a natural antithesis, which truly reproduces the process of touching homesickness from the comparison and connection between geography and time. The word order of these two sentences is reversed: originally, I saw the azaleas in Xuancheng first, and then I thought of the Zigui birds in Shu, but the poet reversed it, writing the virtual scene in memory first, and then writing the real scene in front of me. In this way, the thought of the old country is placed in a prominent position, indicating that the thought of the old country is trapped in the heart, and once it is aroused today, it will be extremely bitter and intense. However, how can a poet who is tortured by homesickness return to his hometown now? In his youth, he "fought bravely to serve the country, resigned from his relatives and traveled far away" and wanted to realize his grand ambition in the vast world outside his hometown. I want to retire and return to my hometown. Who would have thought that he had accomplished nothing and come to this step? How can he meet his elders in Shu? What's more, Li Bai is now trapped in Xuancheng, dragging his old and sick body and unable to embark on a journey. A poet who has been wandering all his life, in the end, not only has no home in politics and career, but also has no sustenance on him. Looking at my hometown thousands of miles away, I can imagine the sadness in my heart.
Three or four sentences, followed by one or two sentences respectively, further enhanced the deep homesickness. The first sentence says "I have heard of it", and the third sentence emphasizes the truth: Zigui bird is commonly known as heartbroken bird, and the poet's sorrow is broken inch by inch. At the end of the period, the seasons are distinct, and the second sentence adds the words "March March"; The word "Memories of March 38" highlights the theme of homesickness, integrating the blooming of azaleas, the sad cry of Zigui and the heartbroken pain of the poet, and enveloping the whole poem with boundless sadness. Three or four sentences in the poem seem to be antithetical, but they are not quite correct. The poem connects the words "one" and "three" respectively, which makes people feel extremely sad and painful when homesickness strikes.
Stay on the mountain, Tang Zhangxu.
The state of mountain light makes spring glow,
Don't go back for lightness.
Even if there is no rain mysteriously,
Into the depths of the clouds with clothes on.
[Edit this paragraph] Note:
1, in the mountains: do a "mountain trip".
2. Mountain light: the glory of the mountain.
3. Material state: the setting of the scene.
4. Hui: Sunshine.
5, light yin: slightly yin.
I'm going back: I'm going back.
7. Cloud: Actually, it refers to fog and haze. From the last sentence, it doesn't mean the real cloud.
8. Even if: Even if, even if.
[Edit this paragraph] Author introduction
Zhang Qian, a native of Suzhou, was once the magistrate of Changshu County. Great calligrapher of Tang Dynasty. It is famous for cursive writing. Tang Wenzong once issued a rare imperial edict to the whole country: Li Bai's poems and songs, Zhang Xu's cursive script and Fei Min's sword dance can become the "three wonders" in the world.
[Edit this paragraph] Translation
Spring is beautiful, and everything in Shan Lan is showing its beauty, so please don't plan to come back just because it is cloudy. You know, even if it doesn't rain in the unfathomable weather, if you go deep into the clouds, water vapor will still wet your clothes.
[Edit this paragraph] Appreciate
The title of this poem is "Stay in the mountains", and its focus is of course to stay in the mountains. But because this is not staying at home, but "staying in the mountains", the purpose of staying is undoubtedly to appreciate the scenery in the mountains, so I have to write about the beautiful scenery of Spring Mountain, but writing too much will dilute the theme of "staying in the mountains". How did the poet solve this problem? He only used a poem to describe the mountain scenery positively: "the state of mountain light makes spring glow." Because there is only one sentence, the poet is not describing a spring, a stone, a flower or a tree, but starting from the whole, focusing on the whole face of Chunshan, and rendering a vibrant and fascinating artistic conception from the updated weather of Vientiane. After the winter passed, the spring breeze put on new clothes for the bleak mountain forest, and everything was bathed in the warm sunshine, full of vitality, dazzling and competing for wonders. The word "agriculture" gives everything a harmonious and active modality and interest. "The state of mountain light makes spring glow" is very general, but not abstract. You can imagine the state of mountain light. Are you thinking about green branches and leaves? Is it the fragrance of mountain flowers blooming in the wind? Is it a hundred birds singing in a hundred flowers and leaves? Is it a flowing stream? ..... are contained in this poem. This is an inspiring and inspiring poem. It is also quite ingenious for the poet to put it at the beginning of the poem.
Because only by writing this sentence very strongly, taking the lead and forming an overwhelming advantage, "staying" makes sense, and the problems that the guests are worried about are insignificant. Therefore, the first sentence deserves careful study in terms of performance and structure. Because the first sentence is rich and weighty, the second sentence "Don't plan to return for lightness", although it has already decided the guest's idea, it seems effortless to go downstream. Yes, facing this beautiful scenery, how can you plan to go back just because there is a cloud on the horizon?
It is not enough to convince the guests to "make a trip in vain", but also to let the guests really settle down and become more interested. How can we do this? It is said that it doesn't rain today, and there are unexpected events, not to mention seeing "time". I'm afraid this kind of guarantee may not be safe, and it may not solve the doubts in the guests' hearts. The poet pondered the guest's psychology. It's not that he doesn't want to enjoy the beautiful scenery of Spring Mountain, but that he is worried that the rain will get his clothes wet. In this case, the poet will retreat and make progress. Are you afraid of rain and wet clothes? What about fine weather? "Mysteriously, even if there is no rain, clothes will stick to the depths of the clouds." Although it is inevitable to get "stained with clothes", empty mountains and valleys, misty clouds, misty water and lush flowers are another poetic realm! However, this is not far away. It must climb mountains, explore valleys and enjoy it there. Moreover, the word "deep into the clouds" will arouse people's endless imagination and pursuit, because the deeper the word "deep into the clouds", the more they will see, but this "where there is a will, there is a way". It can be seen that the three or four sentences in the poem are not only to passively dispel the doubts of the guests, but also to subtly induce and ignite the fire in the hearts of the guests, and to appreciate the beautiful scenery of Spring Mountain in a euphemistic way and with that fascinating artistic conception.
It is a common phenomenon in life that guests leave and hosts stay. However, it is not easy to solve this contradiction perfectly, vividly and interestingly in four short poems. The poet did not shy away from the questions raised by the guests, nor did he use ordinary pleasantries to retain them. Instead, it guides the guests to broaden their horizons step by step, gallop their imagination, and change their minds with the beautiful scenery in the mountains and the poet's own feelings, so as to let the guests stay. Although things are ordinary, poems are short, but picturesque, affectionate and reasonable, the three are in perfect harmony. Among them, the combination of reality and reality, ups and downs, euphemistic and implicit, shows the artistic charm of quatrains, with profound implications, long and intriguing language and great ideological content. (Zhao comments)
The poem "Stay in the Mountain" expresses the author's love for the beautiful natural scenery and his desire to enjoy the beautiful scenery with friends through the overall description of the beautiful scenery of the Spring Mountain and the denial and persuasion of the guests' desire to leave.
Stay in the mountains
The state of mountain light makes the spring glow, not for lightness.
Even if there was no rain in Mystery, the clothes were dyed deep in the clouds.
[opinion]
This poem focuses on retaining tourists in the mountains and praising the beauty of spring. Language is simple and meaningful.
Zhang Xu, a poet in the prosperous Tang Dynasty, wrote a novel "Stay in the Mountains", which is fresh and enlightening. This is a philosophical observation of everyday things.
Shan guang Wu tai Nong chun hui
When guests come to the mountain, it is spring and quiet time. The natural scenery is beautiful, the vegetation is brilliant, the birds are singing and the flowers are fragrant, the clouds are curling, and the streams are gurgling. All this is a rough beauty of the mountain pass under the cover of spring. The word "agriculture" expresses the scenery in the mountains carefully and accurately. This is because the original intention of "Nong" is to show off, but it is extended here, which is the "Nong" in "dancing to understand the shadow".
Don't plan to return just because it's overcast.
When the guests saw the clouds rising on the horizon, they were afraid of rain. "Go back" means go back. At this time, the scenery has not been seen, but the rain has come. How can the host keep the guests? He said, "Don't go back just because it rained." Then he said, "Even if there is no rain mysteriously, you will get clothes when you go deep into the clouds!" " Instant artistic conception opens!
First of all, there is a lot of rain in spring, the mountains are foggy and the air is humid, so tourists in the mountains become wet as soon as they come out of the clouds. Second, it is to retain guests. Are you afraid of rain? Rain will only wet your clothes. In this mountain, even sunny days won't keep your clothes dry, so why are you afraid of rain? Stay. Why not enjoy the beautiful scenery in the rain, but have a different flavor!
In fact, this test only comes from the "rain" road, but it is full of philosophy. People can't just see one side of things (such as rain) and can't see the other side ("rain" on sunny days). Then, such divergence, in two sentences, gives people a deeper philosophy, and its significance has already surpassed the scenery in the mountains!