Wang Fu called Cao Pi's poems immortal because he had an extraordinary poetic heart, which later generations could not imitate. That is a kind of sensitivity to things. Deciduous geese fly, time sequence conversion; People's happiness and sadness, the survival of things, can cause the poet to sigh. "The mountain is limited, the tree knows, the sorrow comes from nowhere, and people don't know", which expresses an indescribable sadness. Since it is indescribable, it is also insoluble and even stagnant. When the poet turned around and thought, "Life is like a post, why worry?" Therefore, when you "drive with your car and talk about forgetting your worries", you will have deeper sadness in deliberate resolution. Cao Zihuan never had a chance to realize the grief and indignation of returning to his hometown to worry about hunger; Never experienced the misfortune and ups and downs of the country. "Poetry is poor and backward" doesn't suit him. His poems are rarely preserved, but only the most eternal themes in the world: short happiness, long sadness, love parting and missing. ...
Of the three Caos, Huan Zi's works are the most like literati. As a poet and an emperor, most of the time can be divided. In poetry, he sometimes likes to become an affectionate woman, feel sorry for her husband who has not returned, and "help the piano and sing the strings to do clean things" on the autumn night of "Hate Taiwan Pure Love"-such a short song is naturally soft and gentle; Or become a homesick wanderer, and "hesitate to put on clothes" when growing up at night-such a sigh can be described as a cool breeze in Xu Lai. His favorite images-autumn geese, hay, bright moonlight, clear water waves, whining harp, empty bed ... are all so beautiful and so sad-* * * are connected in series to create a gentle atmosphere. However, this ethos is different from "the wind blows clouds" after all, so it is no wonder that future generations laugh at him as "a sign of nobody's control". However, Cao Zhi's style is romantic and enterprising, more like a beloved aristocratic family, full of talent. Cao Pi, who is young, is more sensitive to hurting spring and mourning autumn, which is inconsistent with his image as an emperor-you know, he also shot down this country, and his life as a military commander is completely different from that of Li Yu, the queen of the Southern Tang Dynasty.
Miscellaneous poems are words of wanderers. It is worth noting that the author has a strong sense of life in the sigh of homesickness, and has the unique sadness of poetry in the Jian' an era. Poetry rises with floating clouds, and the fate of wandering in a foreign land is compared to floating clouds walking with the wind, unable to control themselves. While lamenting the fate of the wanderer, it also implies a kind of deep feeling that life is like a floating cloud, which makes the inner meaning of poetry higher than the general homesickness sigh. The whole poetic thinking is drifting, just like "the wind goes to the clouds, dazzling the sky and blowing away" ("Selected Poems of Chuanshan"), which paints the wandering depression of life like a floating cloud, with an understatement and no trace.
In Miscellaneous Poems, the poet describes the wanderer in the long autumn night and bleak north wind, paving the way for the wanderer to express his homesickness, and then shows a picture of the moonlit night in late autumn: the clear water is full of waves, the bright moon falls in Yin Hui, the cold weather flows west, ginseng and crystal stars are scattered in the night sky, the insects in the mid-autumn in the grass cry sadly, and the lonely geese flying alone to the south. Quiet, bleak late autumn moonlit night, bleak, lonely environment and atmosphere, let this uprooted person feel homesick. Although it is a scene, it is full of affection. The artistic conception described is far-reaching and unique, and it is no exaggeration for Chen Ruoming to praise it as a "poem on the grid" (Selected Ancient Poems of Caijitang).
Due to social unrest and life pressure, many scholars left their homes, abandoned their wives and children, and wandering and thinking about women became a common phenomenon in Jian' an era. Cao Pi's poems profoundly reflect the life consciousness in the sense of hardship in this era.
Wandering abroad, lonely and helpless, it is difficult to return to China, especially for the cold world and the cold life. Two miscellaneous poems show the wanderer's painful and unspeakable mentality. At the time of "the long autumn night is long and the fierce north wind is cool", the wanderer wanders in the wilderness and his feelings tend to his hometown. The homesickness complex troubled him, and he was "full of sadness and homesickness". His hometown is the harbor where he longs to berth in the helpless drift. There are his relatives and the roots of his life. However, he can't go home, so he can only "sigh and grieve." Cao Pi's wandering theme shows the loneliness of life, among which there is a desolation.
Cao Pi in Dian Lun? The paper says: "Life sometimes ends, so does happiness. Both of them will come to a permanent period. Finally, if the article is endless ... The author of "Ancient Times" lives on calligraphy, sees what the article wants, is loyal to the words of good history, and does not support the trend of flying. " Fame is autobiographical. "It is his own portrayal that the imperial career has long been a part of the twenty-four history; However, through articles and poems, he can still touch people's hearts after thousands of years.