Nostalgia is a kind of pain that lingers in the heart, just like love between life and death between a man and a woman; homesickness is also a great emotion, which occupies the deepest part of our hearts.
Nostalgia comes from the special remembrance of things from the past. When the rain rings in our ears at night, nostalgia will arrive at the bottom of our spirit as promised. Because every time we return, our homesickness is like the travelers leaving Yangguan in the west, full of the beauty of looking back suddenly.
I once thought about the innocence of nostalgia, but after a nursery rhyme and a story, I could only feel sad for the deconstruction of nostalgia. Nostalgia is either getting further and further away from us, or it has been transformed beyond recognition by modern things. Real life is a material battlefield, a smokeless battle between money and morality, and a refuge that gradually cannot tolerate homesickness. With the complete collapse of spiritual temperament and the invincibility of instrumentalism, is there still a back garden for human beings to relax in our era?
Perhaps everything that exists is reasonable, so when the strait-like nostalgia is slowly obscured by modern high-rise buildings, when the blood-like nostalgia is diluted by popular culture, when the continent-like nostalgia is When sensory pleasure is completely defeated, our bored hearts may have forgotten the direction home. Can homesickness still become homesickness? Looking back, nostalgia was once a spiritual connection with a dusty history. The sound of thunder in the pile of old papers has told the timeless soul of "old friends, stories, and hometown" in the ever-flowing cultural river.
When the setting sun takes away the memory of spring in your life, can you still welcome the joy of archaeologists digging into the sea of ??history in the dusk?
Perhaps the deconstruction of nostalgia is a helpless reality. When it is not a work of art, when it is said to be a luxury of emotion, when it has become an indifferent memory, the unforgettable nostalgia becomes a big lie.
In fact, we are also in a material society without nostalgia. The spiritual monument that supports our character collapsed in a disaster without a storm. We love strange cities, we wander on drunken streets, we appreciate fresh performances, and we cheer for the wanderings of youth.
How beautiful it is to be at home all over the world and wander around the world! Will homesickness just make me flounder? What makes us even more embarrassed is that when we look back, the beautiful flower-like hometown has long since lost its appearance in the wind and sand. How can we be proud of it and write the most true words in the latest encounter after a long separation?
After homesickness is banished by industrial civilization, the emotional substitute for comfort can only be acquired substances manufactured on machine assembly lines. It helps to strengthen the muscles of the body, but does not ask for the warmth and warmth of the soul. no? The modern "nostalgia version" turns out to be so trendy and alternative: the keyboard-typing "Send to the North on a Rainy Night" achieves the future tense of nostalgia with a glimpse of love conveyed online; Modern emotional garbage; checks, remittances, and credit cards dominate the world, sucking up the spiritual fat of love with the most economical and utilitarian exchange.
Is nostalgia really just an empty emotional shell, and is its back garden still deep in the peach blossoms? If the outside world is wonderful, can you put aside the bitter taste of nostalgia and let others drink it for themselves? Remember the nostalgia and let the lifelong love sing more beautifully! "It's okay to meet each other, but I always miss you when I'm not here." There are always times of loneliness in a distant foreign land, so our writing, our singing, and our contemplation will inevitably be overflowing with the fragrance of nostalgia. The hometown I couldn't go back to at that time was so lovely, like the nursery rhyme my mother sang beside her cradle when I was a child.
We will slowly understand that nostalgia is a masterpiece of history. It not only gives us the sweet spring in the desert, but also pours mental dew on travelers in the world. I hope that nostalgia will revive in the spiritual tomb with the rebirth of human thinkers, and we will not let us humans lose the few acres of dream fields.
In the first section, the author at this time is "a young boy who left home" to study. He has not experienced the vicissitudes of life, and has a slight feeling of "a young man who does not know what it is like to be sad", and more of an attachment to his mother;
In the second section, the wife is a relative who has been together for a lifetime, and the bride is the beautiful scenery that she admires most in her life. When reading aloud, you should pay attention to the warmth and watery tenderness in the light sadness;
In the third section, appropriate use of vibrato expresses a deep sadness that is like crying and complaining;
In the fourth section, at the end of the article, the poet sublimates from his personal joys and sorrows to his thoughts about his family and country: At this time, it is like music reaching its climax! So it should be read with soul-stirring twists and turns. Especially the last sentence should be word by word, the intonation should be raised, and the air flow should be continuous in "at that head" to read out the feeling of passion and generosity.
A. The four time sequence words represent the poet’s four life stages. The poet composes the poem based on the changes of time. The four time sequence words summarize the poet's entire life, which means that the deep nostalgia affects the poet's life.
B. When I was a child (youth) - mother and son separated, when I grew up (youth) - husband and wife separated, later (middle age) - mother and son died, now (old age) - wanderer and the mainland Separation
C. The use of unique metaphors turns the abstract and difficult-to-capture emotions of separation into concrete and tangible things. This is a writing technique commonly used in poetry creation: holding things to convey feelings.
In many classical poems, for example, Li Yu's "Yu Meiren" has "asking you how much sorrow you can have, just like a river of spring water flowing eastward"; The water will flow even more when the knife is cut, and the sorrow will become even worse when you raise a cup to relieve your sorrow." Yu Guangzhong chose four images of "stamps", "ship tickets", "graves" and "straits" from his personal life to express his emotions. This kind of imagery may seem ordinary, but it contains full of poetic sentiment:
Stamps - affection between mother and child (strong) Tickets - love between husband and wife (warm)
Grave - separation of life and death (sorrow) Strait - homesickness for country (deep)
"Small stamp", "narrow stamp", "short grave", "shallow strait", and the use of quantifiers such as "one piece, one piece, one side, one bend", does it mean that Yu Guangzhong The nostalgia is lighter?
Although the postage stamp is small, the bond between mother and child is long; although the ship ticket is narrow, it carries a lot of love between husband and wife; the short tomb cannot contain the huge grief; the shallow strait blocks the endless Although the writing is small, it is full of poetry. The nostalgia is concentrated on four small and light objects, which exactly reflects the strong homesickness deep in the poet's heart.
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