The light didn't go out
I stood at the bottom of the pit.
Who gets out of the mud and doesn't get stained?
I'm covered in mud.
see
Water gun and mud pump
This is my weapon.
Spray wildly
sucks
There is only mud opposite me.
here
Here, the sun is not easy to understand
The river stinks and is boring.
Even if it occasionally becomes less smelly, or less smelly.
A huge blank appeared on the citizens' faces.
Especially when it's coming.
How hard the rich work.
Buy insurance, press the button and fly around.
Here, money, luck and strength are all useful.
It's no use complaining here.
The fence is too high, and it is full of filth and pain.
Every day, every day, the nerves are tense and collapse.
Flowers are planted in the center and around the square.
I don't know who to show it to.
Every day, every day, they need watering just like us.
Brother, at this time, I cheated on the train station window.
Second brother just pried open the door.
Third brother got married years ago and gave birth to a black child.
Fourth brother lost the last ten dollars in the brick house over there.
Brother Wu was kicked out by the security guard, far away.
This place curses them and spits on them.
How many months is Brother Liu's salary in arrears?
It's no use, sigh an honest man?
They drink at night ... there is no tomorrow.
The streets are getting wider and brighter.
Suits are getting cheaper and cheaper, including ties.
The supermarket is full of shelves.
In the dark corner where you turn away.
Good days are like a cold wind, chasing the wind of the poor
Big sister has to work 365 days a year.
Second sister doesn't cry, although she just broke her finger by a machine.
Third sister can read and write, so what?
Fourth sister is with a rich man, and her life is not bad.
Forget the youngest sister.
One is standing across the street, not knowing what to do.
The other one has long since disappeared.
It's just that the sun here is not so rude.
Between the dormitory building and the factory building
It's just that the rain and snow are not so cruel.
Between the ruins and the construction site
Someone keeps singing on TV.
Laugh, laugh, laugh, clap your hands.
Someone laughed along, which seemed very interesting. ...
We will live no matter what.
It is not surprising that it will be so cold this winter.
Like our hometown, abandoned
Endless land ...
hammer
Dark Horse-Unexpected Winner
A hammer never knows tenderness.
Practice tenacity all your life.
It tells itself:
Okay, the metal is hidden in
In the hardest stone
Once hit, sweat splashes.
The clenched heart chisels the sun.
Seek to be a constant song in life.
Party Party Party Dangdang
Hammer the most beautiful language in life.
A machine is old.
Hao maojun
A machine is old.
It won't listen, it will.
With a temper that we are not used to.
To treat us.
But it's innocent
Like my grandfather.
I can't do anything. I'm deaf, dumb and paralyzed.
The anger in his eyes burned everyone.
It seems that everything is our fault.
His silence
In fact, it is a greater confrontation.
My father and I spent a long time.
Feed him carefully and give him the confidence to live.
A machine is old.
The more difficult thing is not the machine itself.
It is we who have doubts about our habits.
A machine will eventually get old.
Including you and my body.
Calm down and think about it.
Nobody wants the machine to go wrong.
Even if we don't need it anymore.
Keep it intact.
Our mood will be calm and comfortable.
My grandfather is a thing of the past.
Occasionally live in some of my memories.
Why did the centrifuge betray?
line
It has been ignored by the frequency converter.
Control it to suddenly release a series of gases.
Hey, hey, smile like a person.
Become an idle lazy person.
I suspect that this is a sinister guy.
I doubt it knows politics.
Now its shell is burning and there are signs of fever.
The electrician stayed up with a frown and his eyes were red and swollen.
Holding the measuring instrument, he yawned carefully.
Fall flat on the chair.
He closed the switch and pulled it down.
He winked and said happily
"I have to go to bed."
There must be another accomplice in the centrifuge.
The whole production line is paralyzed.
Very quiet, very quiet.
Now no one dares to underestimate.
Cut a piece of time like a leader.
Chew a piece of brown bread carefully.
Symphony of Steel (Option 9)
Wu
one
Steel
Feel the tragic symphony.
Not sad.
two
The breeze is blowing from all directions.
Blow a poem
I heard.
Notes of steel
inside
resound
three
As a steel rolling worker,
Every day and
Symphony of steel
Connect into a whole
Not separated
five
Like grass.
Take root in this land
Like a cloud
Embrace this blue sky
Although it is barren.
six
steel
This is a huge painting.
1300 million parts
De me
Bear the same burden
This burden
Enjoy this one.
Spur and encourage
seven
Steel melts and sadness.
nine
An arm
Woven with steel
Become a memory forever.
Having a warm blood cavity.
Sprinkle it on the steel
Fly out of the charming melody
They are the only people in the steel symphony.
The most touching thing
Think about them.
These people who are disabled and killed at work
My poem
Tears filled my eyes.
eleven
On steel
Close to the blue sky
Because of the height of steel
On steel
Acacia memories
Because of five thousand years' hardships
A long road
thirteen
Father is steel.
Gave everything.
I took my father's place
From a distant country
Steel is the glory of my father.
One of my milestones.
I passed with solid steps.
Across to another century—
A symphony that melts into steel
A force.
grand
A noise
A kind of brilliance-
May Day International Labor Day is a holiday for all workers. Labor creates the world, and laborers are always the indispensable subject in literary works. With the continuous enrichment of literary themes, the position of ordinary workers in literary works has become somewhat marginalized from the "protagonist" before the Cultural Revolution. In our country, the working class, as the leading class, should occupy a place in literature because of its excellent quality of hard work. In fact, there are still some writers who, with deep understanding and love for the working people, strive to write some good works that express the theme of workers and attract ordinary readers.
Zeng Zhennan, a critic, believes that the working people and the working people have always been the description objects of progressive writers in China's new literature since the May 4th Movement. Deep sympathy for the situation of working people, respect and praise for their excellent qualities and praise for their great achievements occupy an important position in our literature. Gorky once said: "The basic themes of our works are: socialist labor as the organizer of new human beings and new human beings as the organizer of socialist labor." He also said: "We should choose labor as the main hero in our book." After the founding of New China, the creative concept of literature and art serving the workers, peasants and soldiers was implemented and practiced nationwide, and the new people's literature and art with labor as the theme and laborers as the description object flourished. Judging from the industrial novels with the most characteristics of the times, although there are still some unsatisfactory places, there are also many works that are remembered by history. Cao Ming, a writer who devoted his life's talent and energy to describing the lofty cause of the working class, published the first novel with a new historical point of view in the history of new literature, Motive Force, at 1948. After liberation, he wrote famous novels such as "Locomotive" and "Riding the Wind and Waves". Among the industrial novels of 1950s and 1960s, Zhou Libo's Hot Metal Rushing, Ai Wu's A Hundred Tempers into Steel, and Rega's Trilogy: Spring Comes to the Yalu River, Standing at the Forefront, and Blue-green? Lin and Ai's Endless Struggle, Floating and Sinking, Xiao Jun's Mine in May, Rodin's Dawn of the Storm and Boiling Mountains, etc. Among them, "A Hundred Tempers Makes a Steel" and "Floating and Sinking" by Ai have achieved high artistic achievements and produced international influence. In 1950s and 1960s, a number of outstanding workers' writers appeared, mainly short stories, among which Hu Wanchun, Fei, Lu Junchao and Wan had great influence. There are also some famous writers who have written many excellent industrial novels, among which Du Pengcheng's In peacetime is the most famous. Other influential works include For a Better Tomorrow by Blanc, Splendid Mountains and Rivers by Yang Shuo, Changhong on the Ground by Xu Huaizhong, Master by Ge, Honor by Lu and Second Meeting in Zhou Tai.
In the literature of the new period, the creation of industrial theme is combined with the theme of reform, showing a new era style and artistic brilliance. Representative works include Jason's Heavy Wings, Sun Li and Yu Xiaohui's Romantic City, The Day of the Director of Electrical and Mechanical Services, Joe's Keeping an Appointment, Celebrating the New Year, Sun Shaoshan's 800 meters deep, Chen's Eye of the Phoenix and Shao Hua's Rolling Waves. Of course, the theme of works describing laborers is not limited to industry. Such as "Wild Goose Flying North", "Grass in the Northland" by Cong, and "Sunny Days Showing Tianshan Mountains" and other works describing the labor of soldiers in military reclamation. Zhao Shuli's Unfettable Hands, which describes rural laborers, and Wang Yuanjian's Ordinary Laborers, which reflects the new concept of labor. Known as the "oil poet", Li Ji's poems praising oil workers also occupy a unique position in the history of contemporary literature.
Zeng Zhennan said: "In recent years, as far as I can see, the novels with industrial themes are well written by Shanghai writer Yin Huifen, Hunan writer Xiang Bengui and Hubei writer Jiang Xing. Among them, novellas and short stories that are more influential are Dachang and Factory Director 26 of Chen Chong this year. Since the new era, there have been fewer well-written industrial works, and popular bestsellers are all urban and emotional. As a literary critic, I still hope to see more works describing laborers in our creations, reflecting their lives and thoughts and feelings. "
Labor is one of the eternal and lofty themes in literature. The situation and fate of workers have always been the focus of attention in different times and countries. In ancient times, there were Bai Juyi's The Charcoal Man, and foreign writers had Steinbeck's The Grapes of Wrath and so on. The feelings of workers in their survival and development are also the most common feelings of human beings and should be the theme of literary works. Paying attention to the working people is a writer's bounden duty. Cheng's The Iron Giant caused great repercussions in the 1960s, when he was only in his twenties. From technician to engineer, he later served as chairman of Heilongjiang Writers Association and editor-in-chief of People's Literature. Cheng always takes every opportunity to feel, get in touch with life and keep close contact with workers. Apart from travel notes, his reportage, essays and novels are basically works with industrial themes. Even if he wrote a work in college, it came from his feelings when he went to the University of Technology. He said: "All works are related to life experiences. I have been in the factory for 26 years, and my whole youth has contributed to the industrial front, which constitutes the keynote of my creation. My works are inseparable from industry, and I have deep feelings for the workers and intellectuals in the factory. I respect these workers. They are masters of life and should also be masters of literary works. "
Why did so many good works reflecting industrial themes emerge in the 1950s and 1960s, but now there are so few? Cheng believes that there were not many writers and works at that time, but it was very good to see the foundation after ten years of grinding a sword. Now life is rich and colorful, and writers come from different levels of life. The observation of life is not as direct and simple as it used to be. Another reason is that today's writers are not deep enough into life and have no pain in the skin. More precisely, I have never touched or shaved in my life, so the artistic appeal is not deep enough. There are also a few writers who are eager for quick success and quick success. Some of them looked good at the time, but they forgot after reading them. Cheng believes that the new historical period should produce works that can profoundly reflect the times and history and give people more aftertaste. For a writer, on the one hand, he should continue to study deeply in art, on the other hand, he should not be divorced from life for a moment, too indifferent to life, and full of enthusiasm for the people, especially the working people living in the front line.
Cities are full of temptations and impetuousness, and few people can calm down. Yin Huifen's "Motor City" really "sank" in the factory, with millions of words collected. This work, which embodies Yin Huifen's hard work for many years, won the "Five One Project Award" in 200 1 year. Before that, her works were all about factories. Her early works describe the joys and sorrows of workers' lives, enrich the original works with a single theme of workers, and reflect the workers' pursuit of good humanity. She stayed in the automobile industry for many years, and later engaged in professional creation, but kept in touch with the workers. She is very accurate about their actions and thoughts, and she feels that she is in contact with the workers. She said: "Of course, I don't express the technical field when I write novels, but occasionally I use it when I say something. Just for one sentence, maybe I want to read something with millions of words, which is equivalent to making myself an expert in this field. The automobile industry, like the sea, is generally unable to conduct in-depth interviews, and it is not an overnight event for novels to write about people's souls and hearts. Only by making friends with workers can we understand the most profound things. " The life style of workers living by machine tools lasted from 1950s to 1980s. They have created wealth for society and never thought that their jobs would be lost one day. This lifestyle has been impacted by the wave of reform, but there are still many connotations to be explored. Yin Huifen said: "Literature is not about curiosity, but about the fate of ordinary people. The rap Zhang Damin's Happy Life and Xue Cun's Northeast People Are Living Lei Feng both touched people's hearts from the perspective of the poor. I think a good work should at least pay attention to scheming. At present, there are relatively few works about laborers. As writers, we should readjust our attention to workers and aim at their hearts. If you write with a charitable eye, you won't leave a deep impression. "
Yin Huifen has just written a long article, which will be published by Changjiang Literature and Art Publishing House. This time, she paid attention to young people and wrote about the changes in people's hearts and emotions during the urban changes. She thinks there is a connection between writing about the Shanghai citizen class and the theme of the factory. Because Shanghai is the first city to produce industrial workers. For the city, everyone is a laborer, a laborer similar to the early industrial civilization in the traditional concept, not a laborer in the E era. The most basic strength of the city is not successful people, and the soul of the city is not built on high-rise buildings, otherwise the city will be the same. The city has its own personality, and most people decide the personality of the city. They are the most basic force in this city.
Cheng Guangwei, professor of Chinese Department of China Renmin University, is a doctoral supervisor, mainly engaged in the study of modern and contemporary literature in China. He believes that after liberation, the reconstruction of workers' image in contemporary China literature depends on two factors: first, workers and peasants began to be described as the subjects of history and the masters of the country; Second, due to large-scale economic construction, workers and farmers need to play a major role. In this case, it is inevitable that industrial themes and agricultural themes will replace other themes and become the mainstream themes of contemporary literature. Agricultural themes started earlier, which can be traced back to Disciples Rules by Zhao Shuli, The Sun Shines on the Sanggan River by Ding Ling and The Tempest by Zhou Libo in the 1940s. However, while explaining the inevitable trend of rural revolution in China, these works more or less retain the portrayal of the backward character of farmers. In 1950s and 1960s, this situation was gradually changed by Liu Qing's History of Entrepreneurship and other works. In their works, not only a number of new socialist images appeared, but also the exemplary leading role of these advanced figures in economic construction was fully emphasized. By Hao Ran's Sunny Days and Cotai Strip, the above tendency was strengthened to the point where it was not true. Cheng Guangwei believes that, relatively speaking, the theme of industry is not as prominent as that of agriculture, but some of its characteristics are also worth noting: in order to show the growth of the working class in the new era, a narrative model of opposition between the new era and the old era, proletarian ideology and bourgeois ideology has been established. For example, Hu Wanchun's short stories "Bone and Blood" and "Family Problems" and so on. There are also good works in the field of novels, such as Xiao Jun's Mine in May, regal's Spring in Yalu River, Du Pengcheng's In a Peaceful Day, and Cao Ming's Braving the Wind and Waves. These long articles reflect the life and spiritual outlook of workers under the background of large-scale industrial production, indicating that on the one hand, large-scale labor-intensive intensive production requires workers and peasants to play a special historical role; On the other hand, their heroic spirit and broad-minded artistic expression are the image confirmation of this historical subject identity.
However, there are also misunderstandings in the image-building of laborers in the 1950s and 1960s, which are characterized by artificially separating intellectuals from the images of laborers, and some works even put intellectuals on the opposite side of workers and peasants' selfless labor dedication. We have noticed that after the 1990s, due to the increasing leading role of the market economy, there has been another kind of "duplication" in the image of workers. Specifically, they began to slide from the center to the edge. In the TV series Zhang Damin, the hero was originally an industrial worker, but he was excluded from life in his works. When he tried to find his place in life again, he suffered a series of failures. The film "Beautiful Mom" is also an example. It is worth pondering that the "beautiful mother" of laid-off workers is no longer the role of social envy, but the object of sympathy. Cheng Guangwei said: "The loss of workers' image in literary and artistic works is closely related to the great adjustment of social structure. This adjustment makes the traditional primary industry quickly replaced by the emerging tertiary industry, and the workers and peasants, as the main body of the primary industry, will inevitably have the dislocation of the above social status. On the surface, the image of workers has been damaged, but in fact it provides us with a historical opportunity to rethink the literature of the 1950 s and 1960 s and to fully understand the image of workers. It further reminds us that with the advent of globalization, the pace of society from simplification to diversification will inevitably accelerate gradually. In this sense, traditional workers began to transform into modern workers on a large scale. The huge group of workers includes not only workers and peasants, but also civil servants, intellectuals, white-collar workers and other broader working classes. This requires us to redefine workers in the modern sense with a broader vision, knowledge and vision of future development, and give them a more objective positioning.
The huge group of workers includes not only workers and peasants, but also civil servants, intellectuals, white-collar workers and other broader working classes. This requires us to redefine workers in the modern sense with a broader vision, knowledge and vision of future development, and give them a more objective positioning.