In the poet's works, the bright moon is often represented as the natural moon, but more often it is endowed with rich and profound symbolic significance. Therefore, the bright moon is highly personified by the poet and endowed with human thoughts and feelings. "Jing Quan enters the boudoir in the moon, and the golden urn glows with sadness" (Sitting at Night), "The moon desires to go to the long hall, but the deep palace is not worried for the time being", "Hanging the clear sky at night, taking pictures of Nagato imperial ladies alone" (Nagato's two complaints), "When the moon sets, the candle ends in the low porch, and the flying flowers settle and laugh at the empty bed" (Spring Complaint). Through it, ladies-in-waiting and ladies-in-waiting miss the moon, making poetry more vivid and interesting, showing unique artistic charm. As Mr. Zhang Fuqing pointed out: "Whenever poets write about the moon, they often regard the moon as friends, relatives and lovers, pour out their feelings to it, communicate with it with their own hearts, open their hearts to it naively like children, and embrace the moon with the purest, most sincere and warmest feelings." [4] (pp. 166- 167) also shows that the poet does not agree with the secular noble personality. The symbolic significance of the moon in Li Bai's poems mainly includes the following aspects, which the author briefly expounds.
The moon symbolizes beauty and love. In ancient times, people thought the sun was the sun, so they called it the sun. The moon is cloudy, so it is called lunar. Therefore, people often use the month to describe the beauty of women's appearance, posture and sentiment, such as "the beauty of the month" and "the shame of closing the moon". In The Book of Songs, there is a poem "The Moon is Beautiful, Shu Yao corrects it and works hard", which sets off the purity and beauty of women with a bright moon. The moon image in Li Bai's poems also has this symbol and metaphor. For example, "Bright eyes and bright moon, smiling in the whole city" ("Antique" 26), using metaphor and exaggerated brushwork to write the beauty of women; "Walking on the pavilion road, the beauty is worried about the smoke" ("Back to the Top") describes a woman in a palace wandering in the moonlight on the pavilion road where the tower meets the sky in the dead of night. Her sadness lies in that her wish for good luck to the king has been shattered again and again, showing an ethereal image of a worried beauty; The moon is exquisite, people's grievances are lined up, and the pen is written from the opposite side, which is not a loss. "A cup reflects a sail, like a moon cloud" ("Meeting the Moon"), which is a metaphor for people and the moon, and people and the moon. The shy appearance of the songwriter who covers his face with a song fan is like the moon in the clouds, sometimes covered with dark clouds and sometimes half exposed. "Cuie Chanjuan shines in the first month, and the beauty sings and dances" ("Remembering the past"). The songwriter is beautiful and refined, just like the brilliance of the new moon, with outstanding dancing skills and sweet singing. "The breeze blows songs into the air, and songs fly around" (ditto). In fact, this also reflects the best feeling in the world, that is love, which is not superfluous.
The bright moon symbolizes the yearning for hometown, relatives and friends. The poet is far away from his hometown relatives, wandering abroad all the year round, and can't help homesick for the bright moon. "Days borrow the bright moon, blue sky and white clouds. Hometown is invisible, heartbroken and looking to the west. " ("You Qiu Bai Pu's Two Wrong Poems") I miss my hometown relatives for the bright moon and have deep feelings. Silent Night Thinking is such a masterpiece of chanting the moon. The poet is deeply impressed by the "cliff inclines to the bright moon" ("Hundred Zhao Mountain in Anlu"), so "If it snows on a moonlit night, it is thought-provoking" ("Autumn Mountain as Comfort"), and he misses his relatives and friends because of the moon. "I am worried about the bright moon, and I will go to Yelangxi with the wind." ("I heard that Wang Changling moved to Longbiao Kiln to send this letter") The poet turned his deep affection for his friends into whimsy, and asked Yue Ming to visit his friends in Yelang to convey his sincere concern for his old friends. It can be called the eternal swan song of expressing friendship by chanting the moon. Li Bai's greatness lies in that he often extends his personal love affairs to show the thoughts and feelings of all people in the world, especially the homesickness of people under the moon, such as: "The moon shines with a bow shadow, and Hu Jian blows frost flowers" ("Song of the Frontier"), "The moon hangs over the capital and is washed with a hammer. The autumn wind blew Yi Dao's voice, and every household remembered the people guarding the border. Oh, when will the Tatar army be conquered and when will my husband come back from the long battle! "(Midnight Wu Ge) is about a thoughtful woman in Chang 'an, who is busy making warm clothes in the moonlight and giving them to her husband in the frontier. They are eager for the early end of the war, let their husbands return home as soon as possible, and express their deep feelings of missing their husbands on a moonlit night. The poet expresses the common aspiration and voice of the people.
Use the bright moon to symbolize your persistent pursuit of life ideals. The poet once had great political ambitions and life ideals of "helping the poor", "securing the country" and "worrying about Li Yuan". He also used Dapeng as a metaphor and metaphor many times in his poems. He thought Dapeng was easy to become famous. "We all aim high, want to go to the sky and embrace the bright moon" (Uncle Yun of Xie Tiao Building in Xuanzhou) is a vivid reflection and image portrayal of his lofty ambition. Admittedly, this also reflects the unrealistic fantasy of the poet's way to realize his ideal in life. In particular, his arrogant personality of "indomitable and unwilling to work for others" made him "pay back the money" after his short career as a poet in Beijing and suffered the most serious setback in his life, but he never gave in. In "Dream on Mount Tianmu", he clearly declared: "Oh, how can I bow and scrape to those high-ranking officials whose sincere faces will never be seen?" In order to stick to his ideal, he never indulged in self-degradation, showed contempt and determination for the rulers, and insisted on finding his ideal world: "My heart and dream are in Wu and Yue, and I flew over the mirror lake and the bright moon overnight", which showed his persistent pursuit of the ideal of life.
The bright moon symbolizes the noble quality of people. When the ancients described the moon, they often expressed its brightness, purity and purity. Li Bai often used the moon as a symbol of noble quality. "Clouds see the sun and the moon, casting and smelting fire refined mercury" (Shang Yunle). The poet thinks that the sun is made of fire and the moon is made of mercury, so it is so pure. "In order to see the moon in the water, violets come out of the dust" ("Accompany Uncle Dangtu to visit Huacheng Temple to raise the public and clear the wind pavilion"), and write the elegant and clean nature of violets that come out of the mud but are not stained in the water, in order to compare the upright image of raising the public and "helping others but not helping others"; "Living in a mixed crowd has no reputation. Why should it be as high as the moon or clouds?" (The third part of "Difficult to Go to Heaven") Advise people to be indifferent to fame and fortune, be kind to others, be kind to themselves, and not pursue the so-called lofty reputation; Another example is "The sky is high and the clouds are pale and the moon is white, and seagulls know the silence" (Part I of Supplementary Records for Hanyang), "bloom is warm in spring, and the blue sea and clouds are clear in autumn ... The breeze is clear and the water is bright and the moon is fragrant", "Seeing the clear moon on the roller blind, it is suspected that it is snowing in the night", "Seeing the heart and the water and the moon are in harmony, you get a pearl" (Giving Xuanzhou) and "The moon". The poet used the bright moon to compare the great contribution of Chao Heng, a Japanese monk, to the development of Sino-Japanese cultural exchanges, and to commemorate his noble character and days of our lives when he gave his life for Sino-Japanese friendship, which became a much-told story in the history of Sino-Japanese exchanges. In addition, the poet also used the poem "Qu Ping's ci and fu hung up the sun and the moon, and the once mighty king of Chu only left an ancient grave" ("Song on the River") to show that Qu Yuan's patriotic poems have been passed down through the ages and can compete with the sun and the moon, with clear praise and criticism.
A solar eclipse symbolizes the erosion and shading of light by darkness. Eclipse is a natural phenomenon, but ancient people regarded it as a sign of disaster. "Toad will eclipse the round shadow, and the night will be over tomorrow" (Gulangyou Moon), the poet uses the old saying that "Toad swallowing the moon is not a good omen" to metaphor and imply the decadent essence covered up by the profound crisis of the superficial prosperity and unrest in the Tang Dynasty, which shows the poet's political vision and profound sense of hardship. "Toad is too thin to be feared, eroding this Yao platform. The round light was thrown into the sky, and Dolly was gone. " This poem is similar to the previous poems, and it symbolizes that the emperor was blinded by some treacherous court officials, or that the country declined. Later, the Anshi Rebellion confirmed the poet's point of view, which is another expression of the poet's "past is present" and "severe punishment under the frost" (ibid.).
Symbolizing the enlightenment of philosophy with the image of the bright moon. The poet has a famous sentence about the moon, "Drink poison to quench thirst": "When is there a moon in the sky? I'll stop for a drink and ask. The moon will never reach the moon, but it is very close to the people. Green smoke as bright as a mirror is flying in the palace, emitting cold light. But when you see the night coming from the sea, would you rather know that it is going to the clouds? The white rabbit plays medicine in autumn and comes back to life in spring. Who pitied Chang 'e when she lived alone? Now people are not seen in Gu Yue, but in this month they took the ancients. The ancients said, if people are running water, they look at the bright moon. I only hope that the song is right for the wine and the moonlight shines on the golden urn. "For a long time, a bright moon hung high in the blue sky, shining brightly and emitting endless brilliance. It gets up late and is always at arm's length with people. The moon is long, but life is short. Facing the eternal moon, the poet didn't feel the sudden emotion, so he stopped to ask. Attaching eternal feelings to the moon has triggered its exploration of life philosophy, and put the life topic of the vastness of the universe, the vastness of time and space and the shortness of life in front of the moon and readers. Today people can't see the bright moon in ancient times, and people in ancient times can't see the moon today, which brings people regret that they can't be with the moon. Zhang's "Moonlit Night on a Spring River" also said this truth: "Life is endless, passed down from generation to generation, and Jiang Yue is only similar every year." Although "month" is similar year after year, "person" is different year after year. Life is like fleeting water in the long river of history, short and small. Only the moon and the universe are great and eternal. The poet takes the moon as the reference of life, and through profound philosophical thinking about the eternity and infinity of the moon, he expresses his deep attachment to a better life and persistent pursuit of life ideals and values. The poet's philosophical speculation about the eternity of the moon and the ephemeral life is not detached from or attached to the poem, but a kind of ideological knowledge and sublimation through observing, knowing and understanding the moon, which is an internal spirit and implication that runs through the whole poem, especially the organic combination of philosophical thinking and the description of the moon image, which makes the theme of the poem proceed from emotion, purify from aesthetics and sublimate from philosophical thinking. Another example is "Take a prostitute to the Peach Blossom Garden in Mengshan, Qixia Mountain, Liang Wang": "Liang Wang went to Yue Ming, and the oriole was drunk and crowed in the spring breeze. "Visit to the Ancient Times by Su Tai": "The old garden is deserted, and Yang Liuxin and Ling Ge's oratorios can't be sung in the spring. Only today's Xijiangyue has ever taken care of the people in Wugong. "These two poems are nostalgic works of poets after visiting places of interest. Liang Wang has gone, and the scenery of the Six Dynasties is gone; Su Dai has been abandoned, and the prosperity of that year has rested; Things are different, but Jiang Yue is unbeaten. What the poet expresses is a deep sigh about things and people, the vicissitudes of life and the rise and fall of history. Here, the bright moon witnessed the decline and extinction of Liang Wang and Wu Wang, the change of dynasties and the rise and fall of history. The moon is still there, and once Liang Wudi, except the barren grave, has become a floating cloud of history. This is very similar to Liu Yuxi's famous sentence "Shicheng", "Huai Shuidong old moon, night comes to the female wall." It can be described as a masterpiece of poetry about the moon, continuous and colorful. They not only give readers exquisite artistic aesthetic enjoyment and infection, but also give readers profound philosophical enlightenment and emotional edification.
Analyzing and discussing the moon image and its implication in Li Bai's poems plays an important role in comprehensively understanding and understanding the diverse artistic styles and distinctive personality characteristics of the poet's poetry creation. As Mr. Yuan Xingpei pointed out: "The image of poetry has strong personality characteristics, which can best express the poet's style. Whether a poet has a unique style depends largely on whether he has established his own image group. After an image is successfully created, although it can be used by other poets, it often has vitality only in the works of one or several poets. Even this image is associated with this or these poets, and even becomes the embodiment of the poet. " (5) (page 242) said sincerely. When it comes to poems about the moon, we can't help but mention the great poet Li Bai. His famous poems about the moon, which are well-known and spread through the ages, often appear in textbooks of universities, middle schools and primary schools and become one of the rare treasures of China culture. The poet not only formed his own distinctive personality in chanting the moon, but also was a master and master of chanting the moon who was good at learning from others. He widely absorbed the excellent cultural background and expressive skills of the Moon-chanting poems of The Book of Songs, Cao Cao, Zhang and others, and sometimes even liked to learn from previous poems and innovate and develop them, reaching the peak of the creation of Moon-chanting poems, which had an important and far-reaching impact on the later creation of Moon-chanting poems of Liu Yuxi, Yang Wanli and Su Shi. On the other hand, it also enables us to know and understand the magnificent images such as Dapeng, Gaoshan, Waterfall and Yellow River in Li Bai's poems, and appreciate his lofty and magnificent poetic style. At the same time, we can also know and understand many exquisite images and beautiful poetic styles in Li Bai's poems, such as the bright moon, so as to have a good understanding of poets, poems, poetic styles and poetic images.
First, Li Bai's Moon World First of all, Li Bai's Moon Poems created a beautiful and moving beauty of the material world. The moonlight described by Li Bai is always beautiful. "From Jinling upstream to the mountain to play with the moon and Tianmen Mountain to send the master book of Jurong Wang", "Cangjiang upstream, white wall to see the autumn moon. The autumn moon shines on the white wall, as white as snow in the mountains. Described the night scenes of the riverside and Baiqiang Mountain, and deliberately highlighted the scene of autumn moon. The mountains in the night were originally dark, but at this time, the reflection of the moon was as bright as snow. This sharp contrast between light and dark makes people feel that the night is particularly deep and the Baibi Mountain is particularly prominent. When poets describe moonlight, there is always water. The moon is reflected in the lake or accompanied by rivers and streams, and moonlight, water and light are intertwined to make each other interesting. For example, "Send Wei Wan, a native of Wuwangshan, back to the palace": "Wanheyan set up a mirror lake. Beautiful beyond description, the river is clear and muddy. People swim around the moon and ships travel in the air. "This lake is like a mirror, and everything in the universe is reflected in it. Boating under the moon, the reality of the lake shore is blurred by the moonlight night. The upside-down landscape in front of me competes with the poet's traditional habitual thinking. The poet feels that he is hallucinating, wandering in the air and swimming to the moon. If the poet enters the fairy mirror, his poems also show "fairy spirit", and his sense of attachment, heaviness and dependence on the earth is gone. The poet's soul and even the reader's mind are also free to wander to the moon, showing an extraordinary realm. Secondly, thinking and environment are harmonious. While describing the beauty of the material environment, Li Bai paid attention to integrating it with the author's subjective "meaning", which made the poetic environment harmonious and unified inside and outside, giving people endless interest and meaning. This constitutes the "heterogeneous isomorphism" between the moon and man. The moon is no longer an objective moon, but a natural humanization. Taken together, Li Bai's poems can be divided into the following categories: 1. As a symbol of light and truth, Li Bai's works show his heroic and free personality, which is unique and interesting. Climb Mount Tianmu like a dream: "The bright moon shines in my shadow, and I will come to Yanhe. "Another example is boating in the East Land Gate:" Teach Mingyue to go by boat, why not go to Tunxi? "The poet regards boating under the moon and traveling in space as the endless pleasure of life. Poets love the moon and even catch it in the sky, such as Uncle Yun, a farewell book from Xie Tiao Building in Xuanzhou: "We are all proud and want to go to the blue sky to embrace the bright moon." When the poet drinks alone with the moon, he is drunk to three points, and it is even more heroic to ask for the moon after drinking, with emotional jumping and exaggerated language. You Bao has a poem saying: "Alas, the immortal died, which is a lifetime of English. Riding against the wind, catching the moon and riding whales. " It vividly summarizes Li Bai's heroic and free-spirited personality characteristics. 2. Expressing his loneliness Li Bai was frustrated all his life and was repeatedly hit in reality. "Yu Hu Yin" says: "Three cups of sword dance autumn moon, suddenly singing and weeping. "He drew his sword and danced under the drunken moon, singing and crying. How tragic!" High light flashing; My thoughts are getting deeper and deeper. I lift the curtains and look at the moon with a sigh. "In Sauvignon Blanc, I use metaphors to describe the painful mood after being forced to leave Beijing. Another example is "Niuzhu Sleeps at Night and Nostalgia": "I watched the autumn moon on the deck and thought of the old general Xie in vain. "In the face of the bright moon, the poet feels infinitely lonely, his political ambitions cannot be realized, and there is nowhere to find a bosom friend. Nautilus Island is full of indignation and complaints about the unreasonable phenomenon that the dark society does not attach importance to talents. 3. Show that you are noble and bright. The moon is a symbol of nobility and brightness, just in line with Li Bai's innate nature, that is, "there is an instinct to yearn for and pursue bright things, so the moon is the embodiment of Li Bai's ideal" [1]. Drinking the bright moon alone: "until, holding up my cup, I asked the bright moon to bring me my shadow and make the three of us." "I sang. The moon encourages me and I dance. My shadow is rolling in the back. "The poet galloped through his imagination, intending to meet the bright moon as his companion, showing the poet's purity as the moon and his moral integrity beyond worldly customs. In the realistic contradiction between the poet's "birth" and "entry into the WTO", probably only Mingyue can communicate with him spiritually. The moon is a symbol of pure friendship. Li Bai often uses the moon to express his feelings in his poems with friends, which shows the purity and nobility of their friendship. The poet wrote in "Crying for Love": "The bright moon does not return to the blue sea, and the white clouds are full of sorrow. "Li Bai compared Chao Heng, a Japanese friend, to the bright moon, and compared Chao Heng's death in the sea to the bright moon sinking into the blue sea, expressing sincere condolences to his friends. Li Bai heard that his friend Wang Changling was demoted, and expressed infinite concern and sympathy in "I heard that Wang Changling moved to Longbiao Kiln to the left": "I am worried about the bright moon, and I will go with the wind until Yelangxi. "In poetry, sending the bright moon is a very unique way to express concern for friends, and at the same time use the bright moon to symbolize the purity of yourself and your friends. 5. The moon, expressing feelings of parting and missing, is one of the germinal images of ancient parting. In Xie Zhuang's Yuefu in the Southern Dynasties, there is a saying that "a beautiful woman walks away from the dust, thousands of miles away, and the moon is in the sky". The bright moon is eternal, but things are changeable, which inevitably breeds feelings of missing. Many of Li Bai's moon-watching poems not only express the homesickness of husband and wife, but also express deep sympathy for the suffering of the people on the other side. Such as "Yi Dao": "A bright moon hangs in the capital, ten thousand hammers wash away, the autumn wind blows my heart, and I will go to the Jade Pass forever. Oh, when will the Tatar army be closed, and my husband will return from the Long March! . "By describing the feelings of women smashing clothes for their loved ones on a moonlit night, they expressed their deep nostalgia for their expeditionary husbands. On the other hand, Guan Shanyue described the feeling of homesickness at the sight of the moon. " The bright moon rises from the mountains in the sky, in the infinite haze of the sea of clouds. The wind from thousands of miles is beating the battlements of Yumenguan. "In Li Bai's moon world, on the one hand, the poet renders with the moon as the background, thus constructing a detached and quiet physical environment for poetry; on the other hand, the author's emotion and reason permeate the physical environment. As Mr. Buddha said in "A Study of Wang Guowei's Poetics": "Any artistic realm, as a product of refining and sublimating some beauty of life and nature, has infiltrated the poet's own will implicitly or explicitly." "The so-called' pure objective poet' and pure' no self' actually do not exist. "Therefore, what is certain is that in his moon poems, Li Bai never took the moon itself as the theme of the whole poem, but took the moon as the material, which entrusted him with rich and complex emotions. This is not accidental, but has its profound ideological and life foundation. 2. Zong Baihua, an aesthete of Li Bai in Moon World, pointed out: "Poets are good at awakening. He can understand the physics of human feelings, grasp the reality of world life, and spread wisdom, the crystal clear wisdom gained through deep experience. But a poet should be drunk and dreaming. From dreams to poets who lead a drunken life, we can temporarily get rid of the secular, extraordinary and close, and deeply fall into a confusing and mysterious situation in this world life. " [2] It can be seen that Li Bai in the moon world can not only wake up, but also understand human physics with wisdom, lead a drunken life and get rid of the secular temporarily, showing a specific romance and detachment. Xie Mian once said, "Outstanding poets have created miracles that others cannot perceive or are uniquely imperceptible." [3] There are not a few ancient poets who entered poetry by the month, but the number and coverage of Li Bai's monthly poems are indeed unmatched by other poets. In fact, this feature has a lot to do with Li Bai's complex personality and Confucianism's generosity and kindness to the world. When the ideal of saving the world cannot be realized, inner loss and confusion and anxiety about life will come together. At this time, his loss of self-worth in real life can only be compensated in nature. While indulging in landscapes, the moon has won the favor of poets with its unique charm. Next, take Ask the Moon and Drink Alone with the Moon as examples to analyze the basic characteristics of Li Bai's personality in the moon world. When does the bright moon rise in the sky? I stopped my glass and asked now. The moon will never reach the moon, but it is very close to the people. Green smoke as bright as a mirror is flying in the palace, emitting cold light. But when you see the night coming from the sea, would you rather know that it is going to the clouds? The moon is on the white rabbit's back, autumn and spring, and who is the neighbor of Chang's lonely life? Now people are not seen in Gu Yue, but in this month they took the ancients. The ancients said, if people are running water, they look at the bright moon. Just look at the glass and sing loudly, and the moonlight can grow in a golden cup. The first sentence of the poem "Drinking the Moon" is an eternal question, which shows the poet's yearning for the moon. The word "abstinence from drinking" is a portrayal of the poet's infinite longing for modality, and it is clearly a somewhat drunk problem. The bright moon hanging high in the sky always gives people the feeling that "people can't climb the bright moon". When you have no intention to pursue it, it will be reluctant to part with Wan Li. Three or four sentences, one cold and one hot, write the wonderful feeling that the moon is far and near from people, at arm's length, mysterious and amiable. Then, the poet described the beautiful scenery of the bright moon, which triggered the exploration of life philosophy: life is short and painful, with endless ups and downs and loneliness. Things have changed, and people are not omnipotent. But let me, on my green slope, raise a white deer, sing a song about wine, forget everything in the world and invite the bright moon to accompany me. How rich life is! Although life cannot enjoy life forever, its spirit and reason can enjoy the universe forever. As long as the bright moon is always with us and we forget everything in the world, life will be as vast as the blue sky and as free as the bright moon. There is Confucian ideal of saving the world in Li Bai's thought, but after the disappointment of entering WTO, the poet, under the influence of Taoist thought of "inaction" of Laozi and Zhuangzi, re-conforms to the call of personality liberation, pursues a carefree and comfortable life realm, and even often shows some gorgeous and magnificent fairy worlds in his poems. But people can't become immortals after all, so the poet has a sense of anxiety that time has changed and his achievements have failed. At this time, the eternal moon became the object of the poet's talk about wine. In the world of moon and wine, poets can escape for a while and pursue temporary happiness. If Drinking Poison to Quench Thirst is the poet Li Bai's exploration of the core of self-life, his recognition of self-existence and his soaring spirit of yearning for infinite time and space, then Soliciting the Bright Moon is the poet Li Bai's enlightenment under the moon, experiencing the loneliness in the world and seeking spiritual conversion. Flowers in the next pot of wine, no friends, drink alone. Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people. The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring. The song I sing is bright and wandering, and I dance the shadow before wandering. Wake up and be happy together, and disperse after drunkenness. I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way. Shadow is "me other than me", which exists and disappears with life, so it is easy to arouse the reverie of sensitive poets. The poet is obviously acting alone, but he is biased towards three people, which makes him more unique; However, the poet was not knocked down by loneliness, but shouted "Cheer for me at the end of spring" with his unique detachment and made a romantic and heartless trip with the moon. This is a universal sense of bereavement and a continuation of Lao Zi and Zhuang Zi's thoughts. However, because Li Bai regards the moon as the condensation point of philosophy, it shows the spiritual harmony between the subject and the moon, highlights the poet's desire to transcend reality and yearn for eternity, and makes poetry full of rich natural charm in philosophy. Loneliness and enrichment, ruthlessness and sentimentality, transience and eternity have all turned into silver brilliance in the moonlight rhyme. It should be said that Li Bai lives in all kinds of charms. At one time, he was a Taoist priest who sought immortality in the Five Mountains, at another time he was a madman who "the son of heaven never got on the boat", at another time he was a drinker who drank 300 cups at a time, at another time he was a chivalrous man who mowed grass and killed people, and even had many negative and decadent tendencies. But in either case, the basic characteristic of Li Bai's personality is unchanged, that is, romantic detachment. As mentioned above, it is precisely because of his romanticism and detachment that Li Bai in the moon world overcame the heaviness of the real society and his loneliness, so that he was immersed in the world, and was outside the world, as round as the moon. Third, explore the poet's "moon love knot" The reason why Li Bai has such deep feelings for the moon stems from his "moon love knot". The formation of this complex is not only inseparable from the accumulation of traditional history and culture, but also related to Li Bai's unique psychological tendency. From the perspective of cultural history, the moon became the object of ancestor worship in ancient times. At the latest in the Shang and Zhou Dynasties, there was moon worship in China. In the six belief systems of heaven and earth, luna, as one of the sects in heaven, enjoys sacrifice. After the Qin and Han Dynasties, Yue Bai's folk customs were obviously manifested in the Mid-Autumn Festival every year. In addition, the moon's hidden posture, full moon, eclipse and virtual image in the middle of the month further stimulated people's imagination, and folk legends about the moon spread, further deifying the moon, such as "the Goddess Chang'e flying to the moon", "WU GANG cut down trees", "Moon Jade Rabbit" and "Moon Toad". These myths reflect the ancient people's worship and praise of the moon. Interestingly, in the cultural tradition of China, the legendary luna always appears as a perfect and pure woman with all kinds of tenderness. On the one hand, the moon appears at night, crystal clear and turbid compared with the sun; On the other hand, it also places people's yearning and nostalgia for motherhood. In the history of human development, too much turbulence makes people exhausted, so people leave more memories and nostalgia to the ancient matriarchal society, praising the warmth and femininity of a vanished society, which leads to the formation and development of female aesthetics. People are constantly returning to the spirit, pursuing the feminine spirit of Yue's culture, and creating a flexible atmosphere opposite to the true spirit of Sun God. Therefore, the moon has become a symbolic image of primitive women worshipped by human beings. This series of traditional history and culture accumulated in Li Bai's heart and became the cultural heritage of the poet Li Bai's infatuation with the moon. So, when he was frustrated and lonely, the moon became his spiritual home, and the dialogue between the poet and the moon began. By questioning the moon and personnel, the poet realized a thorough understanding of life, society and the universe. Secondly, Li Bai's love for the moon is also closely related to his psychological tendency. As a talented poet, Li Bai has the temperament or behavior of a ranger, a drinker, a hermit and a Taoist. On the one hand, he accepted the Confucian thought of "being good for the world" and demanded "helping the poor" and "ensuring peace"; On the other hand, Taoism, especially Zhuangzi's thought of independence, returning to nature and pursuing nature had a far-reaching influence on Li Bai. Sometimes, he even mentioned Zhuangzi above Qu Yuan. Moreover, Li Bai tried to establish a reputation by learning Taoism. He lived in seclusion with Yuan Danqiu, Kong Chaofu and Taoist Wu Yun, and finally became an official on the recommendation of Wu Yun. In addition, Li Bai was deeply influenced by Taoism in Li Tang. Therefore, it is the strong Taoist thought in his thinking form that finally leads the poet to fall into the arms of "falling in love with the moon". Although, as a medieval scholar, he will give priority to Confucianism, "but Li Bai's personal feelings and feelings are mainly Taoist." "Because Taoist thought pursues the immortality of the subject, the rapidity of flight, the supernatural, and the relativity of" being or not ",Li Bai's unique psychological tendency is formed: transcendence and unsuitability. Because the moon is eternal and ubiquitous, compared with the limitation of human behavior and the brevity of life, the moon has a fixed character that transcends time and space, which conforms to the poet's inner psychological tendency. Therefore, he wrote such a poem: "Today, only the Xijiang Moon once photographed the people in Wushi Palace." "Today, people don't see Gu Yue, but this month, they photographed the ancients." "Last night, there was a moon in the western market, and the sky was hung with jade hooks." Secondly, because the moon was high in the air, it was out of reach, and the shape of the moon was as bright as a jade plate, or curved like Wu Gou. This change in rain and shine also reflected a meaningful formal beauty. This is also in line with the poet's psychological tendency, and the uncertain rise and fall of the moon has caused the poet's * * * song. For example, "I don't know the moon when I am young, so I call it a white jade plate. "I also suspect that the mirror of Yaotai is flying at the end of the day." Acacia is like a bright moon, unattainable. ""Although Su Hua can be imprisoned, Jing Qing can't swim "and so on. All these factors made him embrace the bright moon wholeheartedly regardless of everything. To sum up, in Li Bai's moon world, the poet and the moon are isomorphic, because the moon creates a blurred and romantic realm; Because of the moon, the romantic temperament of the creative subject is full of brilliance. Li Bai and his moon poems, like Wu Gou in the sky, convey the feelings of the world (including poets).