Interpretation: I am not happy or sad because of the quality of external things, nor because of my own gains and losses.
Since God has given talents, let them be used! , spin one thousand silver, all back! . -"Into the Wine" by Li Bai in the Tang Dynasty
Interpretation: God has given me a talent that will be applied; A thousand dollars' praise will be regained when it's over.
3, don't be surprised, look at bloom before the court; I have no intention of staying or staying, looking at the clouds in the sky. -Hong Yingming's Caigen Tan in the Ming Dynasty
Interpretation: when people do things, they can be as ordinary as bloom's flowers, so they can be surprised; See if you want to keep the position, it can be unintentional.
4, the mountain is not high, there are immortals. The water is not deep, and the dragon is the spirit. -Liu Yuxi's Humble Room Inscription in the Tang Dynasty
Interpretation: The mountain is not high, but it is famous for its immortals. The water is not deep, and with the dragon, it seems to have aura.
5, an tens of millions of buildings, the poor people in the world are happy, and the wind and rain do not move. -Tang Du Fu's "Cottage is Blown by Autumn Wind"
Interpretation: How can we get thousands of spacious and tall houses that generally shelter the poor people all over the world, make them smile, stand firm despite the storm?
Regardless of success or failure, we should maintain a constant indifferent attitude, and we should not sell ourselves short because of temporary success or failure. We should always keep an open-minded and indifferent attitude, not be elated by external beauty, nor be depressed by our own misfortunes. We should stick to our own principles and not be influenced by the outside world.
I have no intention of staying, and I have no intention of staying, watching the flowers fall in bloom before the court; Don't be surprised, it's a state of mind to follow the clouds in the sky. Since pessimism is useless, why don't we treat life and ourselves with an optimistic attitude from another angle?
2. According to whether the written word is good or bad, there are many choices for the quality of the word. First, look at the whole word: whether there is a contrast between the beginning and the end, whether the writing is clearly described, and whether the rhythm is consistent; Secondly, the expressive force of reading words: many words generally want to express some feelings or artistic conception. If you can't attract the readers or make them understand, you should describe your feelings, mood and artistic conception.
Then your words are not the best; Last but not least, the problem of word sales: this problem is also a problem that you can't completely say whether a song is good or not, because many good works have not been sold well. On the contrary, ordinary or not very good works are very popular, so whether a complete word is good or not is not a constant in one respect. Evidence collection depends on many aspects.
3.{ Kneeling} Beautiful Poem [A Brief Introduction to the Poet] Shu Ting (1952-), formerly known as Gong, has published poetry anthologies "Double Mast Boat" (1982), "Selected Lyrics of Shu Cheng" (1982) and "Aria". [representative works]
Goddess peak.
In the colorful handkerchief waving to you, whose hand suddenly retracted and covered her eyes tightly. When people are scattered, who is still standing at the stern, flying like a raging cloud? Jiang Tao raised his voice and lowered his voice, leaving a beautiful dream, which was passed down from generation to generation. Can the heart really turn into stone? I have missed it countless times because I was looking forward to distant cranes. Jin Ju and Ligustrum lucidum flooding along the river are inciting new betrayal. It is better to cry on your lover's shoulder all night than to exhibit on the cliff for a thousand years. "Motherland, my dear motherland" I am the worn-out old waterwheel on your river, spinning tired songs for hundreds of years. I am a miner's lamp on your forehead. When you grope in the tunnel of history, I am a withered ear of rice. Is it the dilapidated roadbed or the barge on the muddy beach that pulls the rope deeply into your shoulder-the motherland! I am poor, I am sad, I am the painful hope of your ancestors, the flower that has not landed for thousands of years-the motherland, I am your brand-new ideal, I just broke free from the spider web of myth, I am the germ of your snow-covered ancient lotus, I am your tearful smile nest, I am the newly painted white starting line, and the crimson dawn is spreading-the motherland, I am your billion, the sum of your 9.6 million square meters, and you.
To Oak Author: Shu Ting If I love you-I will never show off myself by your branches like climbing Campbell; If I love you-I will never repeat monotonous songs for the shade like an spoony bird; It is not just like the cool comfort sent by spring for many years; Not only does it increase height and set off dignity like a dangerous peak. Even during the day. Even spring rain. No, these are not enough! I must be a kapok beside you, standing with you as a tree. Roots, clinging to underground leaves, touch each other in the clouds. Every time a gust of wind passes, we greet each other, but no one understands us. You have your copper branches and iron stems, like knives, swords and halberds; I have my red flowers, like a heavy sigh and a heroic torch. We share cold waves, storms and lightning; We like mist, flowing mist and rainbow. Seemingly separated forever, but dependent for life. This is great love, this is loyalty: love-not only your stalwart body, but also the position you insist on, the land under your feet. Comment on Shu Ting's poems, which are novel in conception and lyrical; Exquisite language and distinctive personal style. To the Oak Tree is a beautiful and profound lyric poem of hers. The love it expresses is not only pure and hot, but also noble and great. It is like an old and fresh song, which touches people's heartstrings. The poet takes the oak tree as the object, expressing the passion, sincerity and firmness of love. The oak tree in the poem is not a concrete object, but an ideal lover symbol of the poet. Therefore, this poem, to some extent, does not simply pour out one's passionate love, but expresses one's ideals and beliefs about love. It is expressed through a kind and concrete image, which is quite meaningful to the ancients. First of all, the oak tree is tall, charming, deep and rich in connotation-"high branches" and "shade" are one meaning, and the method of setting off is adopted here. Poets don't want the love of vassals, nor do they want to be a smug flower attached to the high branches of oak trees. Poets don't want to give love, to be a bird that sings for the shade all day, to be a fountain of wishful thinking, and to be a mountain that blindly supports the oak tree. The poet doesn't want to lose himself in such love. Love needs to be based on equality of personality, independence of personality, mutual respect and admiration, and mutual affinity. What the poet wants is the kind of love that two people stand shoulder to shoulder and share weal and woe. The poet compares himself to a kapok, a kapok standing side by side with an oak tree. The roots and leaves of these two trees are closely connected. The poet's persistence in love is no less than the ancients' "I would like to be a lovebird in the sky, and I would like to live together on the ground, with two branches in one tree." . Oak and kapok stand quietly and firmly. When the wind blows, swaying branches and leaves greet each other and they are connected.