First, the origin of Chen Wenjing's chirping of Free Baby:
Jiao Ying, who is sui generis, cried out from "Seven Flowers Alone by the River" (the sixth one). The whole poem is: Huang Si's maiden is full of flowers, and ten thousand flowers are low. The butterflies in the flowers are dancing, and the soft yinger in freedom is just singing happily.
Second, the interpretation of this poem:
The roadside around Huang Si's maiden is full of flowers, and thousands of flowers are pressing the branches. Butterflies don't want to hover in the flowers, and free little orioles keep singing in the flowers.
Third, poetry appreciation:
In the first year of Shangyuan (760), Du Fu lived in Xiguo Caotang, Chengdu. After the troubled times, he began to have a place to live, which made the poet feel gratified. In spring, he walked alone along the river, and his feelings were born with the scenery, which became seven poems. This is the sixth group of poems.
The first sentence points out that the place to look for flowers is on the path of "Huangsiniangjia". This sentence is written in a poem by a famous person, which has a strong interest in life and a folk song flavor. The second sentence "a thousand flowers" is the embodiment of the word "full" in the previous sentence. "The branches are very low", which depicts the flowers bending the branches heavily, and the scenery is lifelike. The words "pressure" and "low" are used accurately and vividly.
In the third sentence, colorful butterflies on the flower branches wander around, and they "linger" because they love flowers, suggesting that the flowers are fragrant and fresh. The flowers are lovely, and the dancing of butterflies is also lovely, which inevitably makes people who walk "linger". But he may not stop, but move on, because the scenery is infinite and there are many beautiful scenery. "Always" is not an occasional sight. Using this word, the fun of spring is rendered.
Just when it was pleasing to the eye, a string of beautiful songs by oriole happened to wake up the poet who was intoxicated with flowers. This is the artistic conception of the last sentence. The word "jiao" describes Yinger's soft voice. "Freedom" is not only an objective portrayal of Jiao Ying's posture, but also a pleasant and relaxing psychological feeling.
The poem ends with Ying Ge's "Chen Wenjing", which is full of charm. Reading this quatrain, I seem to be walking on the road to "Huang Si's maiden" in the suburbs of Chengdu thousands of years ago, enjoying the infinite beauty endowed by spring with the poet.
This poem is about appreciating the scenery, which is common in the quatrains of the prosperous Tang Dynasty. However, it is rare to see such a poem with exquisite description and unusually beautiful colors. For example, "Home is by the Peach Blossom River until the stream flows in front of the door" (Chang Jian's "Looking for Li Jiuzhuang in Three Days") and "Last night, the wind opened the peach well, and the moon was high in the front hall of Weiyang" (Wang Changling's "Spring Palace Song"), all these scenes appear "beautiful".
After Du Fu's Flowers Blooming, a Thousand Flowers, butterflies and songs were added, and the scenery was beautiful. This kind of writing is unprecedented.