Li Bai has a considerable number of poems describing the psychology of thinking about women, among which Spring Thoughts is a famous one. In China's classical poems, the word "spring" is often a pun. It refers not only to the spring in nature, but also to the love between young men and women. The word "spring" in the poem "Spring Thoughts" contains such two meanings.
The first two sentences: "Your grass in the north is as green as jade, and my mulberry leaves are twisted with green silk branches" can be regarded as "Xing". Generally speaking, it should be based on the scenery in front of us, but these two sentences are quite unique because of the spring scenery of Yan and Qin, which are far apart. "Your grass is blue as jade in the north" is the suspense of thinking about women; "All the mulberries here are bent into green branches" is what the master saw with his own eyes. Logically speaking, it seems a bit unreasonable to put the imagined distant view and the immediate close view on the same picture, and both of them are written from the side of thinking about women, but from the perspective of "writing feelings", it is feasible to imagine that mulberry leaves are lush in mid-spring, and the homesick woman who is alone in Qin is moved by the scene in front of her, looking forward to the early return of her stationed husband; Based on her loving relationship with her husband in the past and her deep understanding of her husband, she predicted that her husband in Yan Di would miss home when he saw Beth-like spring grass at the moment. I feel homesick when I see spring grass, so I say "Songs of the South Recruit Hermits": "Wang Sun swims without returning, and spring grass grows!" The first sentence translated into the language of Chu Ci is naturally seamless. The poet profoundly grasped the complex emotional activity of thinking about women, revived the lovesickness between the two places with two spring scenery, and combined imagination and nostalgia with the real scene in front of him, thus creating a wonderful scene of poetry. It not only plays the role of setting off the emotional atmosphere played by ordinary sentences, but also shows the sincere feelings of thinking women for their husbands and the intimate relationship between them, which is not easy for ordinary sentences to do. In addition, these two sentences also use homophonic puns. The combination of "silk" and "thinking", and the combination of "branch" and "knowledge" is just related to homesickness and heartbroken, which enhances the aesthetic feeling and implicit beauty of poetry.
Three or four sentences directly come from the logic of Xing's sentence, so I still write from two places: "And you finally want to return to China, and now my heart is breaking." Husband's homesickness in spring is enough to comfort people's worries. It stands to reason that the heroine in the poem should be happy, but the next sentence is the acceptance of "heartbreak", which seems to violate the psychology of ordinary people. However, if you carefully understand the above sentence, you will find that this way of writing makes the thinking and feelings about women enter a new level. Xiao Shiyun commented on Li Baiji in the Yuan Dynasty: "It is cold in the north of Yan, and the grass grows late. When Qin Dynasty was soft, mulberry was low and green, swallow grass was born, husband anxious to return was born, swallow grass was born. I think you've thought about it for a long time, but it's still green. " This comment reveals the subtle relationship between sentences and sung words. The seemingly unreasonable place in the poem is the place with the strongest feelings.
The value of the heroine lies in the deeper feelings after separation. The last two sentences of this poem are: "Spring breeze, since I dare not know you, why should I separate the silk curtains beside my bed?" ? "The poet grasped Sifu's psychological activity in Spring Breeze, and showed her unswerving noble sentiment. As Xiao Xiaoyun said: "The last sentence is a metaphor for the chastity of this heart, which is not moved by external things." From an artistic point of view, these two sentences make the passionate thinking woman speak to the ruthless spring breeze, which seems unreasonable, but they are used to express the modality of thinking woman in the specific environment where she lives alone in spring, which makes people feel true and credible. Spring breeze is provocative, the idea of spring lingers, and spring breeze is reprimand, which is why it is clear and alert. It ended just right.
Unreasonable and wonderful are common artistic features in classical poetry. It is not difficult to see from this poem of Li Bai that the so-called unreasonable and wonderful refers to the more profound expression of various complex feelings in the description that seems to be contrary to common sense and natural feelings.