Interpretation of Nalan Rongruo's "Golden Thread Song·Gift to Liang Fen"
Nalan Rongruo's "Golden Thread Song·Gift to Liang Fen" said: "Virtue also grows wildly. . Occasionally, in the dusty capital of Wuyimen, who can live like this when there is wine to pour on the soil of Zhaozhou? If you don’t believe it, you will become a confidant even before you are old, and you will wipe away your tears as a hero. . If you don't see it, the moon is like water. You must be intoxicated this night. It's the same as in ancient and modern times. I just sneered and thought about it. The calamity is here, and I am afraid that I will end up in another life. However, the promise is important, and you must remember it. "This is a gift given by Rong Ruo when he first met Gu Liangfen. Rong Ruo's nature is devoted to love. Mr. Gu Liang Fenji praised him in his article and said, "He is also very true in morality. He especially takes elegance as his life and friends as his heart." It was completed in Bingchen (1676), when Rong Ruo was twenty-two years old. At that time, Gu Liangfen was forty years old. He was a black-headed official and settled in Nalan Mansion. He had no ambition. However, Rong Ruo was the young master of Nalan Mansion and was a close friend of Gu Ding. , we must first clarify our aspirations in order to eliminate the barriers of great disparity in status.
At the beginning of the poem, he calls himself "crazy", and "crazy" refers to being generous and inspiring, forgetting the secular world. I still look at Liang Fen's memorial article praising him for "his grandeur, but his taste for the world is very weak. He looks directly at his honorary title like dross, and his snobbishness is like dust." Rong Ruo has a distinguished family, but he thinks that he was born into the hairpin family in the capital by chance. Zian Chen's sentence comes from Xie Tiao: "Who can stay in Beijing and Luo for a long time, Zhen Chen dyes plain clothes." Wuyi refers to the rich and powerful in the Wuyi Lane of Xie Zhujia's house, the king of Jin Dynasty. This shot starts with the word "缁dust", and Rong Ruo regards fame, wealth and honor as dirt, and his noble feelings are beyond words. Then he used the original sentence from Li He's "Hao Ge" "Buy silk and embroider to be Pingyuan Lord, and have wine to pour on Zhaozhou soil" to show that he admires Pingyuan Lord for recruiting talented people, and goes like this: "When you see talents, you will pity them, and when you see talents, you will admire them." "No one understood the feeling! Then he asked back, using "do not believe" and "actually" repeatedly. His joy at meeting his confidant was beyond words. Then he used the poetic meaning of Lao Du's "Dan Ge Xing", "The blue eyes are singing high to look at my son, and the person in the eyes is old", rejoicing that the two of them are still in their prime, drinking heavily in front of the banquet, pouring cakes, telling the story of life, heartily and heartily singing. cry. The shooting ends and the scene ends with a scene. The moonlight is as clear as water, symbolizing friendship and sincere friendship, and exaggerating the noble and desolate atmosphere.
The next film started to echo the words "Xiang Zunqian", from himself to Liang Fen, as a word of comfort. The ballad about Yu's eyebrows comes from "Li Sao" "The girls are jealous of Yu's eyebrows, and there are rumors that Yu is good at lewdness." The taboos suffered by Liang Fenzhi were incorporated into the general rule, and he was advised to be cold-faced and cold-hearted. The "sameness" in "the same taboos in ancient and modern times" includes oneself. Don't ask about the past or the future, who is your family or what your official position is. Youyou's life experience is really unknown. If you want to think about it, you are wrong from the beginning. Fortunately, close friends meet each other, and in one day's heart, this friendship will last forever, and will not change the original intention through thousands of tribulations; but unfortunately, we meet each other too late, and we hope to form a bond for the rest of our lives. The knotting uses the phrase "a promise of a thousand gold" from "Historical Records·Ji Bu Biography" to show the loyalty and sincere friendship. Gu Liangfenhe wrote a note in his poem, "I was secretly surprised that he would marry again in this life, so it was so ominous. It was a prophecy for Yichou in May (the year of Rong Ruo's death in 1685). It's so sad!" The main style of Rong Ruo's poem has a light and gentle rhyme. It is sad and graceful, but there are also heroic words. Xu Gui's "Ci Yuan Cong Tan" commented on this word as "Jin Ji Ji Luo Luo, no different from Po Lao and Jiaxuan, who are all competing to write it."
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A very interesting phenomenon occurred in the poetry world of the Qing Dynasty; many poets competed to use the word "Jinlui Qu" to write lyrics. Like Chen Weisong, who wrote hundreds of "Golden Thread Songs" in his life. Among the many "Golden Thread Songs" written in the Qing Dynasty, the one that attracted the most attention was one written by Nalan Xingde and presented to Liang Fen. According to Xu Yi's "Ci Yuan Cong Tan", as soon as this word came out, "everyone competed to pass it down, so among the songs in the Jiaofang, there was no one who didn't know the "side hat word"."
Na Lan Xingde, also known as Rongruo, was an outstanding poet in the early Qing Dynasty. When Liang Qichao evaluated his poetry, he said that he was "directly chasing after Master Li". Kuang Zhouyi also believed: "Nalan Rongruo was the first poet in the early years of the country." There are more than 300 poems by Nalan Xingde in existence. Some of these words describe the anguish of love, some describe the troubles of officials, some describe the scenery outside the Great Wall and Jiangnan scenery, and some express the sense of loss of the knowledgeable people of the landlord class when the feudal society is about to collapse. Many of the poems are written in a sad and touching way, and they are also filled with an upright and unfair spirit, which is unique in the history of poetry. It is a pity that Nalan Xingde only lived to be thirty-one years old. As a noble prince and a royal guard, his life was relatively narrow, which had an impact on his creation. At the age of twenty-four, Nalanxingde compiled and selected his poems into a collection called Side Hat Ci. Gu Zhenguan later republished Nalan's poems and changed the name to "Drinking Water Ci". [Golden Thread Song] "Gift to Liang Fen" is a shining swan song among Nalan's poems.
Liang Fen is Gu Zhenguan’s nickname. Gu Zhenguan was also a famous poet in the early Qing Dynasty. He was depressed throughout his life. In his early years, he served as secretary of the Provincial Department of Classics. He resigned in anger because he was despised and excluded. Li Yu said in the poem "Gift to Gu Liangfen Classics": "The tweezers and mustaches refused to abandon Chang'an, and they admired your beauty and suddenly resigned from the official position; their reputations deserve their heavy responsibilities, and their talents are so high that they can get the highest officials." This shows that Gu Zhenguan's resignation Ren, it is really a last resort. Nalan Xingde said in his poem: "The ballads on the eyebrows are the same taboo in ancient and modern times." It was precisely because of something.
Gu Zhenguan only met Nalan Xingde when he was forty years old. He said: "At the age of Bingwu, he looks like twenty-two, but he hates it when he sees it." At that time, Gu Zhenguan went to Beijing again and was introduced to Nalan Xingde as his tutor. The two met each other late in life and became close friends.
Nalan Xingde and Gu Zhenguan have a close affinity. The important reason is that they have the same understanding of reality. According to Gu Zhenguan, when Wu Zhaoqian was falsely accused of being exiled, Nalan Xingde read the two "Golden Thread Songs" given to Wu by Gu and was extremely moved. He decided to participate in the rescue of Wu Zhaoqian and wrote this heart-breaking poem to Gu Zhenguan. .
"Virtue also grows wildly," is a very strange sentence, which makes people suddenly startled; because Nalan Xingde's father, Mingzhu, was the powerful prime minister at that time. Nalan Xingde was a prosperous man with both civil and military skills. A smooth road to glory and wealth was paved in front of him. However, he actually called himself "Kuan Sheng" in a rather disdainful tone. This caught the readers' hearts and forced them to pay attention to their taste.
The following three sentences are his views on his life experience, "Occasionally, in the capital of Zhenchen, the family of Wuyi." Zhenchen means dust and dirt, which is a metaphor for the dirt of the world. Nalan Xingdehua used Xie Tiao's poetic meaning of "Who can stay in Beijing for a long time, and the pure dust dyes plain clothes", saying that he grew up in a wealthy family in the capital and suffered from the filth of the world. The word "accidentally". It shows that he does not care about the bustling and bustling life of the Jinfen family. At the beginning of the poem, he frankly told Gu Zhenguan his disdain for wealthy families, hoping that his friends from humble backgrounds would understand him and not regard him as an ordinary noble gentleman.
"If you have wine, just pour it on Zhaozhou soil." It was originally a poem by Li He, a poet of the Tang Dynasty: "Buy silk and embroider to become Pingyuan Jun, and have wine to pour on the Zhaozhou soil." Pingyuan Jun is Zhao Sheng, the son of Zhao State during the Warring States Period. This man liked to entertain guests throughout his life. Li He wrote these two lines of poems to express his nostalgia for those who can appreciate the wise men. He raised his glass and poured it over Zhaozhou, feeling that in the vast universe, only Mr. Pingyuan was worthy of admiration. Nalan Xingdejing used Li Shi in his lyrics, which also expressed his admiration for those who cherish talents. Of course, he and Li He had different moods. Li Hehuai didn't meet his talents and had no way to cling to him; Nalan Xingde grew up in a famous family and had a path to Qingyun. However, from the experiences of Gu Zhenguan, Wu Zhaoqian and others, he deeply felt the injustice of society, and felt that talents could never escape the fate of being excluded, so he was full of worries and grief. He also knew that his state of mind was difficult to be understood by the world. He shouted: "Who will be born with this intention?", revealing the sadness of loneliness and loneliness. In short, his disappointment, hesitation, and complaints were all contained in his rhetoric.
In the first few sentences, the author writes about his depression, which is just a preparation for the excitement of meeting a close friend. Just when he felt that he was at the end of his rope, he met Liang Fen. "If you don't believe it, you will find a close friend." At first glance, adding the word "Jing" after "disbelief" seems a bit cumbersome, but the repeated emphasis on the sense of surprise is to express the ecstasy of winning a friend. These few sentences are written in a rapid and rapid manner, displaying the wonderful changes of movement.
The next step is to write about the meeting of close friends. "Blue eyes are not old even when you sing loudly. I go before you and wipe away the tears of a hero." Blue eyes are the expression of happiness. It is said that Ruan Ji in the Jin Dynasty could have green and white eyes. When he met a like-minded person, he would reveal his blue eyes. There is a sentence in Du Fu's "Dan Ge Xing": "My blue eyes are singing high to look at my son, and the person in my eyes is old." Nalan Xingde paraphrased this meaning, saying that when they met, they were in their prime, and they were not yet old, so they looked at each other with blue eyes. Sing generously. However, while toasting and drinking, I couldn't help but burst into tears. The hero lost his way, cherished each other, the joy of finding friends and the sadness of being lonely all came to my heart. Xin Jiaxuan once said: "Who is Qian? I call for the green sleeves and red scarf to find the heroes' tears." Nalan Xingde's mood is similar to this. However, the word "揾" in Xin's poem is relatively implicit, but Nalan's use of the word "wipe away" expresses his emotions vividly. In these lines, the poet interweaves songs, laughter and tears, which is more vivid and unrestrained than the poems of Du and Xin.
The poem ends with "If you don't see it, the moon is like water". It is the only scene language in the whole article. That night, the moon was bright and cold, which seemed to reflect their sad feelings and seemed to be a testimony of their pure friendship.
Most people who write lyrics, including Nalan Xingde, always like to describe more about the scenery they see in front of them or inside. Describing scenes based on emotions and creating a mutual interplay of scenes will produce vivid and timeless artistic effects. A lyric with a long structure like "Jinluqu" does not fit into the scene language at all, and is prone to being careless. Nalan Xingde's poem focuses on conveying emotions. The poet expresses his thoughts directly, but he also pays attention to picking up a few scenery words to give a brief touch. Shen Qian believes in "Miscellaneous Comments on Kan Ci": "Long tunes must be controlled freely, avoid rudeness, and be able to add one or two subtle words in the bold, and one or two strong words in the lingering, especially intricate." This is quite interesting. Insightful words of experience. Nalan Xingde had a slight ups and downs during the break, and briefly wrote about the moonlight, which was a combination of boldness and meticulousness. This seems to be an idle stroke, but it makes people feel that the poet's extremely excited emotions contain deep meaning.
Down the line, Nalan began to sympathize with the rough experiences of Gu Zhenguan and Wu Zhaoqian. "Mr. *** must be drunk this night." The word "beard" here is worth pondering. It shows that the poet must consciously numb his nerves. From the writing point of view, this sentence is quite similar to Du Fu's famous sentence "Singing in the daytime requires drinking too much", but the artistic conception is quite different. "Drinking" does not necessarily mean getting drunk, but "getting drunk" means getting drunk to the point of unconsciousness. Why do you have to be so drunk? Follow the answer below. "Leave it to him to spread rumors about me, which is a common taboo in ancient and modern times." Qu Yuan once said: "Women are jealous of Yu's eyebrows, and rumors say that I am good at lewdness." In Nalan Xingde's view, talented people have been excluded throughout the ages. There are so many people who do not use it, and it is inevitable that Gu Zhenguan and others will be treated unfairly.
Since the unreasonable reality could no longer be changed, he comforted his friends. Everyone was too lazy to care and got drunk. This approach of getting drunk to relieve a thousand worries is certainly a manifestation of escaping reality, but the poet's cold mood is a mixture of anger and negativity.
"There is no need to ask about my long life, I just sneer and ignore it." From the experiences of Gu Zhenguan and other ancient and modern talents, the poet thought of himself. In a filthy society, the past life is meaningless, and the future destiny is not worth mentioning, so he sighed, "I start to think about it and regret it all over again." At the beginning of the poem, the poet has revealed his disdain for his family background. Here again, he emphasizes that he and Gu Zhenguan have the same troubles and have the same understanding of reality. Together with Gu Zhenguan, he has endured the unreasonable social rewards. pressure. Here, through the poet's comforting and considerate attitude towards his friends, we also see his dissatisfaction and anger towards real life.
In his excitement, Nalan Xingde pulled back his pen and expressed his cherishment of friendship in a calm and firm tone. "One day's heart expects thousands of kalpas, and the fate of the future may be tied to another life." Kale is the abbreviation of the Sanskrit word kalpa, which is a quantifier for calculating time. At the unexpected moment when you meet your soulmate. He solemnly stated that once we fall in love with each other, our friendship will last forever and last for thousands of years. At the same time, it was too late to meet each other, so we had to hope that the next life would make up for the time missed in this life. There is no need to analyze it, this oath is as hot as fire. The conclusion is "However, the promise is important, you must remember it." He repeatedly warned and strongly expressed his desire to be friends with Gu Zhenguan for generations to come.
Some of Nalan Xingde's poems are sad and beautiful, like "The spring clouds blow away the rain on the Xiang curtain, and the sticky butterflies fly back to stay." It's like "the sudden snow turns over the fragrant pavilion catkins, and the light breeze blows the Danpingmei." It makes people feel fragrant after reading it. However, the greatest feature of Nalan's poetry is that it directly expresses the soul and candid emotions. He has always believed that "poetry is the voice of the heart and a matter of temperament." This idea, reflected in his creation, appears to be free from ornamentation and the sound of nature sings by itself. Wang Guowei said: "Nalan Rongruo sees things with natural eyes and expresses emotions with natural tongue." This more accurately summarizes Nalan Xingde's creative style. As far as [Golden Thread Song] "Gift to Liang Fen" is concerned, we can see that the poet uses his pen like flowing water and clouds, and his pure and abundant emotions are expressed freely at the end of his pen. However, Nalan Xingde's poems are written directly from the heart, and he does not pay attention to artistic refinement and is blindly careless. From the analysis of "Golden Thread Song", we found that the author often used famous sentences and allusions. Liu Xizai said in "Yi Gai": "The use of things in Ci is no obstacle. Hui, skin, many, and board are all obstacles. Jiang Baishi's use of things is wonderful, and the key lies in it. "Shi Shuo" sees it and says: "Those who are familiar with things can make practical use of them, and those who are good at making use of things are those who can live the Dharma through narration and reasoning." "Nalan Xingde. The seamless and smooth use of the story is an example of kindness and living. Because of this, this song [Golden Thread Song] is both hearty and profound, generous and thought-provoking. There are no gorgeous words in this poem, but it makes people feel excited and excited when reading it. It makes people feel that every word of the poem comes from the heart. Its achievements confirm a creative truth: true feelings are the life of poetry.