At the age of fifteen or sixteen, Li Shangyin was sent to Yuyangshan by his family to learn Taoism. In the meantime, he met and fell in love with Song Huayang, a female Taoist priest in Yuyang Mountain, but their feelings could not be known to outsiders, so he could only remember them with poems. Most of Li Shangyin's poems on Untitled are about their love. This poem is one of them.
Style characteristics:
1. Expressing love psychology in a feminine tone, there is a burning desire and persistence in sadness and pain, and the emotional realm is profound and rich.
The word "difficult", the first refers to the difficulty of meeting, and the second is pain and embarrassment. Emphasize the difficulty of reunion, lament the pain of parting, and explain that the difficulty of parting is because it is difficult to meet each other-it is difficult to give up and the pain is unbearable.
The poet used the word "difficult" twice in one sentence, and the appearance of the second word "difficult" gave people a slight sense of suddenness because of repetition, which made the whole poem interlocking and made the parting pain of reunion after a long separation particularly profound and lingering because of the low expression.
2. The lyrical way in the scene.
The phrase "the east wind rises and a hundred flowers blossom" not only describes the natural environment, but also reflects the poet's state of mind. Things blend with me, and the mind and nature reach a subtle fit. This kind of description that reflects people's situation and feelings with scenery is common in Li Shangyin's works.
For example, the first two sentences of "A note to friends in the north on a rainy night" say: "When you come back, it rains late in the autumn pool. (Interpretation: When you ask about the date of return, it's hard to say clearly. A night of heavy rain in Bashan filled the autumn pool. ) "not only symbolizes that the poet stayed in Bashu, but also reflects the boredom of leaving people.
The same is "and the east wind rises, and a hundred flowers bloom" (interpretation: What's more, in this late spring when the east wind is weak and a hundred flowers wither. ), realism and symbolism are integrated, giving feelings an external form that can be felt.
3. One is more than one.
The phrase "Spring Silkworm" is first of all the association between the lingering attachment of human beings and the endless spinning of spring silkworms, and then from the spinning of silkworms to the ending of "death" and then to the unswerving love of human beings. So writing "silk to death" gives this image various metaphorical meanings.
Burning candles is a metaphor for painful suffering, and "every night candles will cry the wick away" is also a metaphor for candles, but it is not simply to compare pain with wax tears. On the contrary, "starting from ashes" further embodies the painful feelings. Lenovo is much more profound and complicated than previous people, and its image is much richer.
4, imagine concrete and miss deeply.
The sentence "Xiao Jing" in Untitled is about worrying about "the change of Yun 'an" when looking in the mirror in the morning, and it is "but worried"-just worried. This vividly describes the spiritual activities of graceful songs, rather than simply describing the fact that youth is consumed by pain.
The night is haggard because of pain, and the morning is haggard and painful. The pain at night is because the pursuit of love cannot be realized; The next day I was worried about haggard, hoping to stay young for love. In short, I am haggard with love, but I am depressed with pain. This lingering feeling day and night still shows a painful and persistent heart.
The phrase "nocturne" is to put yourself in the other person's shoes and imagine that the other person is as painful as himself. He guessed that the other party would probably suffer from insomnia at night and often sang poems to mourn, but he was so worried that he couldn't get rid of it, so he felt that the environment was getting more and more desolate, the moonlight was cold, and his mood was even more bleak. The hue under the moon is cold, and "feeling cold in the moonlight" reflects psychological desolation through physical coldness.
The word "should" is a tone of conjecture and expectation, indicating that all this is my imagination of the other party. The imagination is so vivid that it reflects her eagerness and deep understanding of her lover.
Extended data:
Untitled time was long before I met her, but it was longer, because we broke up.
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and candles will drain the wick every night.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .
Explanation:
It's hard to meet each other, and it's even harder to leave, not to mention in this late spring when the east wind is weak and the flowers are withered. Spring silkworms don't spin silk when they die, and wax oil like tears can drip dry when candles are burned to ashes. Dress up in the morning and look in the mirror. I'm only worried that the clouds in my hair will change color and my face will disappear. I can't sleep alone in the long night, so I must feel Leng Yue's aggression. Penglai Mountain is not too far from here, but there is no road to cross. Please visit me diligently by a messenger like the bluebird.
Introduction:
This poem is full of pain, disappointment, lingering and persistent feelings from beginning to end. Every couplet in the poem is a reflection of this emotional state, but the specific artistic conception of each couplet is different.
They repeatedly show the complex emotions throughout the poem from different sides, and at the same time reflect the psychological process with this complex emotion as its content vertically with their close connection. This continuous, implicit and profound lyricism successfully reproduces the deep affection in my heart.
Li Shangyin had similar descriptions in the first, third, fourth and fifth sentences of his previous poetry creation. The poet was inspired, inherited and used for reference by his predecessors.
However, he did not simply imitate his predecessors, but took a big step forward with high creativity, transforming the original simple means of expression into more tortuous and vivid, so as to reflect richer and deeper thoughts and feelings. In fact, he has removed the old traces and become a new creation. It can be seen that the poet's rich literary accomplishment and exploration of artistic conception and means of expression are important conditions for the success of this poem.