Zhongshan Ruzi leans on new makeup, and Yan Ji, the daughter, plays alone. Sing Wang Xianchun Yuefu together, and the moon outside the golden beam bridge is like frost. There is such an explanation on the edge: the actor in Zhongshan is dressed brightly, while the actress Ji in Zheng Yanlai has her own superb skills. They came to Bianjing from different places. They all sing the scripts written by Zhou Xianwang. It seems that there has been a layer of self-frost on the ground of Jinliang Bridge.
Appreciation: This poem was written by the author while watching the Lantern Festival in Bianjing. Through the description of the wonderful performance scenes of Ruzi Zhongshan and Yanji Zheng, the poet showed readers a picture of many zaju competing in the moonlight during the Lantern Festival, reflecting the lively scene of Bianjing Yuan Opera singing. "Sun Yat-sen Xunzi leans on new makeup, and Yan Ji, the daughter, is good at it." Starting with actor BLACKPINK from all over the world.
First, write about the northern young man-"Zhongshan Ruzi". These young men who were chosen to sing were already beautiful, and then they put on fashionable new clothes and dressed more handsomely. First write the northern woman-"Zheng Nv Yan Ji". Of course, these women who participate in singing are also selected beauties. They surpassed everyone and overwhelmed the audience. Zhongshan boys and Yan Zheng girls are good at performing traditional operas, which shows the grand occasion of the spread of zaju at that time.
Although the first two sentences are intended to point out the singer, they are not purely objective introductions. In the poem, "relying on new makeup" and "acting alone" should be intertextual, and the words "relying on new makeup" and "acting alone" both imply a kind of competition and contention, and the modality of men and women has been vividly expressed.
At this time, although their singing skills have not been written, people can imagine that the singing skills of these handsome men and beautiful women should be very wonderful. The struggle of young men and women to pretend to be characters in Zhou Xianwang's plays also made readers understand the atmosphere of the drama industry at that time. From the side, it reflects that Bianjing, as an ancient metropolis, recovered its vitality and reappeared its prosperity after the disaster of the Jin and Yuan Dynasties, and its folk customs were also revealed through these two sentences.