Poetry is centered on the window and unfolded layer by layer. The first section sets up the environment and position of the lyric hero, and shows the first love scene of young people falling in love through description; The second section focuses on "her" eyes, which are also the eyes of poetry and the glory of poetry; The last paragraph of "I" is also in the window of her fantasy, echoing the front at a distance. More importantly, the two sides are opposite and the light of love shines on each other.
Co-pregnancy increases the intensity of love and fully embodies poetry, which is also reflected in the orderly structure of poetry style. This poem is different from other poems of the same period in theme, conception and style, and its conception is very strange and beyond ordinary people's imagination.
Creation background
Loneliness in the window of China ancient poets is not loneliness in the individual sense. They may find the friendly interpersonal feelings of Confucianism in "Looking at the Moon", or integrate the peace of Taoism and the unity of man and nature into the landscape. Dissatisfaction with things outside the window and fear of things inside the window are dominated by Confucian aesthetic psychology of "complaining without anger, mourning without injury" and Taoist natural psychology of "returning to simplicity"
The news is mostly in the silent "window" and scenery. Since the 20th century, modern poets in China, especially those who accepted western romanticism, symbolism and other ideological trends, have of course sent their beautiful thoughts out of the window under the condition of "pre-exile" of traditional culture. This poem was written by the poet during his teaching in Changzhou, and published in the third issue of the first volume of New Poetry in June 65438+0936+February 65438, with the signature Ega.