Poetry in the dream curtain, all!

Qin Guan, a poet in the Northern Song Dynasty, wrote "Eight Six Children Leaning against Danger Pavilion";

Rely on the dangerous pavilion and hate it like grass. Still alive.

After bidding farewell to Liu Waiqing, I was stunned when the water became red.

There is no reason for heaven and graceful demeanour. Jathyapple has a quiet dream, and the spring breeze is ten miles gentle.

But the joy gradually follows the current, the string breaks, the fragrance decreases, the flowers fly late, and the smoke and rain are bright.

Just as the pin fell, the oriole sang several times.

I am leaning on the dangerous pavilion alone, resenting like spring grass. I have just been cleaned up and have grown up unconsciously. I feel sad when I think of riding a horse outside the willow and leaving the beautiful woman in tea by the water.

Beauty, why did God give you such a beauty? Let me get stuck in it? When we were in jathyapple, we were drunk in a dream, and the gentle spring breeze blew you and me.

Really helpless. The joy of the past has gone with the running water, the fragrance on the green scarf has faded gradually, and your sweet piano sound can no longer be heard. Now is the late spring season, patches of residual red dancing in the night, after a storm comes a calm with a little Mao Mao rain, foggy. I was heartbroken when suddenly there came the cry of an oriole.

Extended data:

Appreciate:

This word expresses the parting and lovesickness of the author and a singer he once loved. The whole word begins with love, and suddenly rises, during which it is vividly narrated, or remembering the joy of parting, or the pain of parting, or sighing the sadness of reality, and expressing a "hate" word in my heart.

The greatest feature of Qin Guan's ci is "attaching importance to emotion". Lyricity is originally the feature that ci is longer than poetry. Qin Guan made this feature very big and it was very obvious in this word. The first poem overlooks the pavilion, thinking of breaking up with a beautiful woman, and goes straight into it with emotion, pointing out that the word lies in a "hate"

It is also a sight to get rid of hatred with the metaphor of "fragrant grass". Recalling that "Liuwai" and "Waterfront" broke up, the poet used "sadness and shock" to express his feelings, and he fell into reality and was infinitely sad. The next paragraph of the word is set to write "hate"

With words such as "Why not do it", "Nakan" and "Huang Li cried several times again", the feelings of parting after breaking up with beautiful women and the "hate" of life experience that one's talents can't be displayed are further integrated in one place, and they are concretized and visualized, so as to achieve the realm of scene blending.

References:

Baidu Encyclopedia-Baliuzi Yiwei Pavilion