Slender moon: an undistorted moon, a new moon. Du Gongbu Caotang Poetry Notes: "New Moon also. Gu Yuefu:' Both slender moons are born', Bao Zhao's Poems on the Moon:' When I first saw the southwest building, it was as slender as a jade hook.' "
3 nets: one is "static". "Shuo Yuan": "The Ruzi is playing in the back garden, revealing his clothes." Still use clothes as a piano suit, not necessarily. Xie Tiao's poem: "Static piano hurts again." Zhang: The meaning of drum music.
4 dark water: undercurrent. A hidden stream. Li Bai's medicine poem: "Black water rushes back." Yu Jianwu's poem: "Divide the flower path into the ridge."
⑤ Caotang: In the old days, most literati named their residence "Caotang" to show elegance. Zhang Bofu's poem: "Spring Stars Bring Caotang" is a famous sentence from ancient times to the present. Point out the scene in the air in one sentence. For example, "Jade rope is low to build a chapter", and so is the low character. Take it, drag it. Wen Yi in the North Mountain: "The spirit of thatched cottage."
⑥ Check books: Turn over the books. Jiang Yan's "Fu for Hurting Friends": "* * * Check the letter."
⑦ Look at the sword: make a "fried tea". Lead a cup: raise a glass. Refers to drinking.
⑧ Wu Yong: Jude Wu Ge. "Poets such as Wu Yin.
Meaning: Zhang Fang's Biography of the Sages of Chu in Jin Dynasty: "When the sentence Jian destroyed Wu, he said,' I will share it with my son.' Li said, "I will do whatever you ask me to do." I crossed the five lakes by boat and never came back. "Because determined to" ship "as a secluded place. The poem's first couplet "Lin Feng is thin and the moonlight falls, and the clothes are clean and the piano is open" is naturally refined. The last sentence is about the night scene, and the next sentence is about the banquet. The image is harmonious and well described. There is a book called Lin Feng in Lin Feng, and Du Yi is regarded as "Lin Feng" because he is on an equal footing with the following "Louis". The detailed notes of Du Fu's poems even speculate that "Lin Feng" is small, but it is very big, but the word is reversed, but the weight is different ",and it will soon be called" Lin Feng ".In addition, Du Fu's" Lin Feng and the Lake Light in the Clear Moon "(the poem" Book Hall invites Li Shangshu to dismount, and the poem is given under the moon after drinking at night ") is also a night banquet scene. Taking "Lin Feng" and "Lake Moon" as examples, considering the poet's thinking habits, it may be used as evidence of "Lin Feng". The slender moon is a crescent moon born at the beginning of the month and at dusk, so it can set at midnight. When judging that this poem was written in the early scene (Detailed Notes on Du Fu's Poems), Cheng not only reversed the time sequence, but also misunderstood the poem, so his interpretation was quite good. As Huang Sheng said, "When there is a moon, the night scene is easy to be beautiful, and when there is no moon, the night scene is difficult to be beautiful" ("Detailed Interpretation of Du Shi"), that is, the whole poem describes the night scene rather than the previous scene.
Clothes dew is generally interpreted as revealing clothes in the middle of the night. In Shuo Yuan, there is an allusion of "a boy playing in the backyard and revealing clothes", which is related to playing the piano. Du Fu may be taking advantage of this matter, but it is also easy to remind people of the poem "Hu Wei is exposed in China" in the Book of Songs. Dewdrops can be stained with clothes, which shows that there are many dewdrops, and it is a spring night, or it can be modeled after Li Bai's scene of "spring breeze blowing the threshold and dew is thick", but the vitality is slightly similar, and Du Fu's poems are more simple. A pure piano is a static piano. In The Book of Songs, there is a poem "The harps and harps are in the imperial court, so they are all quiet and good" (The Book of Songs, Zheng Feng, the female says "the cock crows"), and Xie Tiao also has a poem: "Quiet and sad" (Xie Xuan's collection, following the Six Highnesses), which seems to be "quiet and good", but "Qin Jing" shows that the pipa is full of sound. And Du Fu loves the word "quiet". His poems such as The Book of Changes in Han Ming (Spring Eye in Taiping Temple), The Book of Clearing Frost in Tian Yu (White Water Cuiming Mansion on the 9th of Yang Fenghui) and The Book of Washing Juanjuan in Rain (Gong Zhai in Yan Zheng communicates with Zhu Yong) are all excellent examples of his use of the word "Jing". "Zhang" seems to set a situation and skillfully point out the beginning of the banquet. A word "Zhang", needless to say, sounds beautiful. Li Bai has a poem, "Monks in the middle of Shu go west to Mount Emei with Bess pipa". What has been brought to me by the touch of the strings is the breath of thousands of pines "("Listening to Shu Monk Zhuo Playing the Piano "). The words "Zhang" and "Hua" are general, not only vivid, but also endless in meaning. The first couplet is clean and elegant. Against the backdrop of the forest wind and the slender moon, it rises naturally in the melodious piano sound in the quiet night of the atrium.
If the artistic conception of the first couplet is beyond things and dust, the sentence of "underground water flows and flowers flow, spring stars bring thatched cottage" by Jaw Lian is interesting and fascinating. You can recognize the "dark water" at night, but you should smell its trickle; The "flower diameter" is covered by darkness, which is also undetectable by its fragrance and fragrance. Although the flower diameter of dark water does not speak of sound, the sound is looming. Since the moon sets and there are countless spring stars, the "starry sky article" will naturally have the illusion that the stars are hanging low, and the word "belt" has been refined by Du Fu, which is fascinating. Cheng mistakenly thought it was morning and gave a new explanation to the word "Dai". He thinks that the word "Dai" has the same sound and meaning as "death", which means that at dawn, the moon sets and the stars sink. Although it seems to be in line with the meaning of the text, it is quite contrary to the artistic conception of Spring Water Stars. The meaning of the word "Dai" is similar to that of Wu Du Fu's "seize the morning and night to enjoy the lush garden in Changzhou", with the note "Dai and Pei are close to each other", while Du Fu has a poem "When the moon sinks, the stars are near the building" (Sleepless). So, this usage of "Dai" is also found in Du Fu's poems, such as "Jiang Cheng Yue" (listening to Yang's song). As a poet's subjective feeling, Caotang Spring Star depicts a fantastic night scene under the cover of brilliant starry sky: dark water flows along the flower path in a dissolved way; In spring, the stars are shining brightly, according to the thatched cottage of Mao rafters. As Huang Sheng commented, "the beauty of the former sentence lies in the word' dark', which makes you feel the sound of water in your ears", and "the beauty of the latter sentence lies in the word' belt', which makes you feel the starlight reflected in the distance." Du Fu's choice of such scenes and pictographs is not only elegant, but also full of wild interest.
As soon as the narrator finished, the words "short book and short candle, long sword and long cup" on the necklace began to describe the scene of the banquet, and the guests and the host enjoyed themselves. Searching for books is about searching for books when the subject and object are writing poems. The reason why he chose the image of "looking up books" may be that Du Fu also expressed his preferences and interests. It can be inferred from Du Fu's love for things that Du Fu attached importance to learning and naturally loved reading, such as "reading thousands of books" (Twenty-two Rhymes of Wei Zuocheng) and "reading in the same room" (one of the ten poems "Congratulations to General Lin Zhonghang"). The image of burning candles to find books in the clear night here has a special affinity for readers. The walls are silent and the lights are dim, so everyone can't stand its cold and loneliness. Readers' reading pleasure will not change, not to mention "appreciating and writing strangeness and analyzing doubts" with comrades ("Tao Yuanming's Collection, Two Movements, Part I"), which is naturally more enjoyable.
Look at the sword, one is "Fried Tea" and the other is "Say Sword". Writing "Fried Tea" does not conform to the level tone in the metrical form, but also takes the sentence of "drawing a cup" as the poetic style, so it is not Du Fu's original poem. Writing "Jian Shuo" and "Zhuangzi" another article Jian Shuo's topic is similar, but Du Fu doesn't seem to want to use the allusions of "Zhuangzi" here. These allusions should be changed by the shallow people of later generations. However, if we look at other articles in Du Fu's poems, we can know that Du Fu does have a preference for watching swords in the middle of the night. For example, the poem "Fan Jian" describes: "How strange, every tiger must soar, and the dragon must hide for a long time?" In the poem "Night", there is "sitting alone with the male sword and lamenting the jacket"; There is a cloud in the poem "Farewell to Judge Liu": "After the sword comes out, the soul pursues it"; Then Su Shi used Du Shi's poem, which said that "it is too long to draw a cup to look at the sword", which all indicated that it was "looking at the sword". Du Fu likes watching swords. In fact, from his ambition and generous personality towards Yao Shun, it is not difficult to see that the heroic firm but gentle, tiger spirit and dragon body are not Du Fu's own conditions. Although he is a cold Confucian, he has his own heroism when he is in full swing. "A Detailed Interpretation of Du Fu's Poems" said: "Heroism is born here because of watching the sword, and it is appropriate to draw a cup." As for drinking cups at night, it seems to be a big hobby of Du Fu. There is a saying in Du Fu's poem that "neighbors have good wine, and children can get credit at night" ("Send Meaning"). If the wine rises occasionally, it will be exhausted. If you are down and out, it is inevitable that "wine debts are common", and reading a paper and seeing a sword is no wine and no joy. Poetry and wine linger, which is a very enjoyable enjoyment for ancient literati. Du Fu has a poem: "Why is it a bottle of wine, it is more important to thin paper" ("Spring Back to Li Bai"); "Poetry can make you tired at night, drunk or stay in the DPRK" ("Gift to Lu Staff"); "Awakening, the breeze blowing in, listening to poetry in the dead of night" (one of the ten poems about the mountains and forests of the general), it seems that you can freely express your feelings with poetry. The Book of the New Tang Dynasty records that Du Fu is "open-minded, unruly" and "good at talking about what's going on in the world". Is it inappropriate to look at a sword and draw a cup?
The first sentence of the necklace, the book is quiet, and the next sentence, the sword is clever and the cup is drawn, which shows that the atmosphere of the banquet is getting more and more warm, and the feelings between the host and the guest are reflected in the words. "Chen Gu said: In a chapter, everyone is happy when reading the sword on the drum and reading the poem" ("Detailed Explanation of Du Fu's Poems"), which is exactly what it means.
At the end of the poem, "I have heard Wu Yong's poems, but I have never forgotten the significance of boating", which reminds me of the author's memory of boating in wuyue before, that is, writing poems. In the 19th year of Kaiyuan (73 1), Du Fu, aged 20, began a four-year trip to wuyue. He visited Jinling, Xiagusu, Zhejiang, Jianhu and Panxi, visited many places of interest and enjoyed the infinite beauty of the water towns in the south of the Yangtze River, which was reflected in Du Fu's poems, such as "A Tour of Zhuang". He used a lot of pen and ink to recall his trip to wuyue, full of nostalgia. Today, there are grievances, so we can't help the poor "and" the stream is beautiful, but we can't forget it ". Another example is an article in "Three Nights" that says: "Take a break and go to jathyapple, sleep for half a day with snuff ... I will temporarily remember the silver carp in Jiangdong and get off the boat with the snow" ("Huting in Jian Zheng"), which shows that wuyue's trip left a very beautiful sum for Du Fu. At this time, when I heard that Wu was thousands of miles away from Qi and Zhao, Du Fu naturally felt a sense of kindness, and recalled his boating in wuyue. In Historical Records, there is a story about Fan Li's boat trip to the five lakes. If Du Fu has this allusion, it will probably reveal his life pursuit. Zuo Zhuang's Night Banquet is an early work of Du Fu, which has not been burdened by worries. Perhaps the tail couplet reflects Du Fu's transcendental state of mind yearning for freedom.
The whole poem is natural and refined, and the forest wind, slender moon, dew, pure piano, dark water, flower diameter, spring star and thatched cottage make the poem full of faint vitality and wild interest; Reading, watching swords, drawing cups, reciting poems, etc., live up to the romantic, extremely close to the scene, can be described as a perfect collection of four beauties; Not only that, but also through Du Fu's skill of refining ci, the above images are skillfully embellished and connected with the words "Luo, Zhang, Liu and Dai", so that each sentence is fresh and compelling and wonderful; In the last couplet, Du Fu points out his feelings in an implicit way, which is both appropriate and sincere, which naturally causes readers to sing and can't help but revel in the harmonious beauty of the whole poem. "Modern Tang Poetry" praised this poem: "The scenery is rich and profound. Dulu is so kind, energetic and charming. Although elegant and close to Wang Meng, it is really a step in the prosperous Tang Dynasty. " The structure of the whole poem, such as "A Detailed Interpretation of Du Fu's Poems", says, "The scenery of time and place overlap and there is no trace to be found. But eight sentences are always like one sentence, all written from the word "feast", which is the best. This poem is indeed the standard of "clear poetry and new ideas" advocated by Du Fu ("Watching Xicheng at night with Yan Zhongcheng" and "Zuo's Zhai Banquet"), which can be regarded as a model of Du Fu's beautiful poems. Song Dynasty poet Huang Che's Poems on Gong Xi: "It is short to find a book and burn a candle", so it is not appropriate to light a candle to study, so it can be temporarily reviewed.
Gao Qian Tang Poetry Collection in Ming Dynasty: Liu Yun: Rise (under the sentence "LAM Raymond"). Liu Yun: The scenery is idle (under the sentence of "Spring Star"). Liu Yun: Zong Hao is natural, and the conclusion is Xiaosan (under the sentence of "boat").
Amin poet Hu Yinglin wrote "Poems": "Hometown is endless and lonely at dusk" and "A scholar with no ambition lives in Wu Chu" ... which are hard to get. Beggars' Beggars' Sect made occasional achievements at the beginning of its prosperity. In the middle and late period, it was humble and weak, and it felt that the victory was in hand. "Strict police in a cold night, the former army fell to the stars", "I don't know Nantang Road, but now I know the Five Bridges", "She looks at the moonlight in Fuzhou and looks at it from her room window alone", "I live in my old age, but I am old-fashioned" and "Wei Quhua is a rogue, and every family is annoyed and kills people" all have infinite meanings. But if the law flourished in the Tang Dynasty, it would have more spirit and less charm. Only "The Moon Falls in the Wind" and "Flowers are Shaded, Palace is Dark" are excellent, and there is nothing in the Tang Dynasty.
Amin Lu Shiyong's Mirror of Tang Poetry: Zhong Lian is a masterpiece.
Wang Siyuan, an Amin writer, wrote about Du Yi: "Fenglin" should be called "Lin Feng", which is as famous as "Yi Lu" and the night scene is even better. ..... The clothes have been sold, and the harpsichord is still open. It's nice to see the master. Qin Wei? Clothes, so use the word "net", new and wonderful. ..... A bunch of words touch the ear, Hao Zongxiao dispersed.
Zhou Zan, an Amin poet, wrote "An Overview of Selected Forests in Tang Poems": Zhao Long said: The beauty of this poem lies in its leisure, fine form and scenery, dense scenery, but no mistake in opening and closing, which is the beauty of this poem and has five or six sentences, not because of it. Zhou Wei said: The wind is surging, and the jade is beautiful. If you put it in the seven treasures, you may go with the wind.
A Qing poet Huang Sheng wrote in his Tang poems: Fourth, when there is no moon, his scenery is more accurate. There is wind, dew, stars and moon in the poem, harps, swords, poems, books and wine in the narrative, but there is no jam, so its application is wonderful.
Qiu, a poet in A Qing, "A Detailed Interpretation of Du Fu's Poems": In one chapter, drumming, reading swords, reviewing books and writing poems are all fun. However, the wind and the moon are moving, the spring stars are exposed in the night, the dark water and the flower diameter, the thatched cottage boat, the time and space scenery overlap, but there is no trace, one by one, and the eight sentences are all from the word "night banquet".
Zhang Zaihua, a poet in A Qing, commented on Chu Bai 'an's poems in this way: Good scenery is only in front of us and cannot be traced.
A Qing poet He Shang's Poems on the Wine Garden: "Reading is a short candle, looking at the sword is a long cup", and the word "say" is not as profound as the word "look".
Wu Qiao, a poet in A Qing, said, "Reading is short, but reading a sword is long.". The ancients said that this poem was not beautiful, and I decided on it.
Zhu Zhijing, a poet in A Qing, added a collection of notes on Tang poetry: 3. Beauty lies in the word "dark", which is known by sound. Fourth, the beauty lies in the word "belt", which describes the loneliness of boating with "the river is full of belts" and recommends the density of stars in spring.
Reading Du Xin Jie by A Qing Pu Yin Dragon: This poetic image comes from the word "the moon sets" and was written on the third and fourth days of early spring when the sky is clear and the ground is dark. ..... There is a poetic soul in No.3 Middle School and No.4 Middle School. The candle is short and the cup is long. It's the half-cooked season again, so the first half is a feast. ..... (Poetry) naturally flows out, quiet and delicate.
The Complete Classic of Du Family by Yang Lun in Qing Dynasty: There is a distant spirit in the knot (under the sentence of Shiba).