The first poem we are going to read today is the 220th "Jihai's Miscellaneous Poem", but we may know in some places that this poem is purely a spoof: I advised God to stand up again, and God yelled at me three times. Just like "he has other ladies-in-waiting, 3,000 rare beauties, and the iron pestle is ground into an embroidery needle", I don't know how Gong Zizhen and Bai Juyi feel after seeing it. This is indeed a talent, but after all, it is noisy. Don't make fun of poetry culture.
Gong Zizhen: Se, whose name is Ding 'an. Han nationality, Zhejiang Renhe (now Hangzhou) people. Thinker, poet, writer and reformist pioneer in Qing Dynasty. He advocated getting rid of bad politics and resisting foreign aggression, and once fully supported Lin Zexu to ban opium. Disappointed with the decadence and darkness of the real society, Gong Zizhen quit her job from 65438 to 0839 at the age of 48 and died in Yunyang College in Danyang, Jiangsu the next year. His poems advocated "changing the law" and "changing the painting", exposed the corruption of the Qing rulers, and were full of patriotic enthusiasm. They were praised by the poet Liu Yazi as "the first class in three hundred years".
Ji Hai's miscellaneous poems, Kyushu is angry and relies on wind and thunder/its 220.
Qing palace zizhen
Only the great explosive power of lightning can make the land of China exude vitality, but the social and political situation is not angry, but a kind of sadness.
I advise God to cheer up and not stick to certain norms to belittle more people.
Gong Zizhen's era is a stormy one, and it is this era that produced this enlightenment thinker in modern history. He realized that the feudal closed-door policy was unworkable, and the imperialist aggression exposed the essence of feudalism. With his talent, he began to discuss the issue of "governing the country" and advocated change. Finally, he had to resign and go home because of "avoiding time". This poem was written at the request of a Taoist priest when he was passing through Zhenjiang.
Poetry calls for thunderous changes in the tone of praying for the gods, so as to break the shackles of the Qing dynasty and stifle the death caused by talents, and express the author's desire to liberate talents, change society and revitalize the country.
"Kyushu is angry with the wind and thunder, and thousands of troops are mourning." These two sentences are figurative figures of speech, which show that only by relying on a sudden storm can we break the long-standing lifeless situation under the rule of the Qing Dynasty.
"Wind and thunder" is a metaphor for a revolutionary storm. This is the meaning of "thunder" in Lu Xun's "Listening to Thunder" and the meaning of "wind and thunder" in Chairman Mao's "A Storm from the Earth". The word "stone" on "wind and thunder" shows that there is no other way to save the nation and revitalize the country, which is enough to show the poet's keen vision and fighting spirit.
"Thousands of troops combined" means that under the rule of Qing Dynasty, people dare not speak, and there is a suffocating and depressing atmosphere everywhere. There is an allusion here. Su Shi's "Praise Sanma": "At that time (in the early years of Song and Yuan Dynasties), the tribute horse in the western regions was eight feet high, with a strong dragon head and a leopard seal on its back. It went out of Donghuamen and entered the heavenly prison, with a sound like a dragon and a thousand horses whistling together." The word "mourning" is used to express the poet's remorse and patriotism.
"I urge God to renew his spirit and drop talents in an eclectic way", which shows the poet's desire to overthrow the dark rule and create a new world by replacing flowers with trees. At the end of the poem, the poet noted: "When you pass through Zhenjiang, you will meet the Jade Emperor, Fengshen, Raytheon, worship the All Saints' Temple, and Taoist priests beg for green words." This paper explains the specific environment in which the poet created this poem, and shows that the poet used folk superstitious activities to serve his thoughts and feelings in the way of "Taoist begging for green words".
"Not sticking to one pattern" fully shows the poet's broad mind, broad vision and strategic vision. At that time, the Qing government was corrupt and incompetent, with internal troubles and foreign invasion, especially the imperialist invaders, waiting for the opportunity, and the heart of enslaving and destroying the Chinese nation was immortal, and the trend of partition was imminent. To save China from the storm, we must rely on a large number of talents from all walks of life. Therefore, the poet advised God to be eclectic, regain his spirit and produce talents to turn the tide and help the building collapse.
Subjective images such as "Kyushu", "Lei Feng", "Wanma" and "Tiangong" are selected in the whole poem, which shows the poet's strange imagination and warm expectation. He is looking forward to the emergence of outstanding talents, forming a new "Lei Feng" and new vitality in the general trend of reform, sweeping away the dullness and depression that enveloped Kyushu, exposing contradictions, criticizing reality and looking forward to the future.
At the same time, the word "persuasion" is still relatively positive. It is advice, not begging, which shows the poet's condescending position and his confidence in reform.
The progress of any era is inseparable from talents, but do talents really fall from the sky? Is there no talent in the world?
From this point of view, "I advise the gods to regain their spirits and drop their talents in an eclectic way." This may be the strongest voice of the times shouted by the whole Qing Dynasty.