Characteristics of poetic language

We often say: "Writing is like a person". To accurately grasp the linguistic features of poetry, it is necessary to understand the styles and schools of different poets in different periods. Only by putting people first and knowing people and commenting on poetry can we accurately analyze, judge and appreciate the linguistic features of poetry. Appreciation of the overall style of language focuses on the use of some special nouns and terms related to style types. Common ones are as follows:

(1), plain and simple. It is characterized by choosing exact words to state directly, or using simple drawings without modification, which is true, profound and approachable. For example, Jia Dao's See the Guest: "I asked your students under a pine tree," he replied, "My teacher went to collect medicine." However, through these clouds, how can I know which corner of the mountain it is facing? "The whole article is 4 sentences and 20 words, which is not difficult. There are also Tao Yuanming's poems and Li Yu's words.

(2) Implicit and meaningful. Poetry is full of aura, and the aura of poetry lies in meaning and "conciseness". There is always a "blank" between the lines to inspire people to think and understand. For example, Li Shangyin's "Sending North on a Rainy Night": "When you ask about the return date, the rain will rise in the autumn pool in the evening. When * * * cut the candle at the west window and talk about the late rain. " Couples who live far apart miss greetings, their feelings at that time and their desire for long talks at home are all obvious and hidden in the blank. There are also Du Mu's quatrains and Li Qingzhao's later poems.

(3), fresh and elegant. Its characteristic is that the language is novel and unique, unconventional, giving people a fresh and beautiful pleasure. For example, Yang Wanli's "Xiao He only shows sharp corners, with a clear dragonfly standing on the top" ("Little Pool"); Meng Haoran, Prepare chicken rice for me, old friend, you entertain me on your farm. Green Woods surround the village and green hills are located outside the city. Open the window facing the valley vegetable garden and pass the glass to talk about crops. I'll come back when the mountain is on holiday and it's chrysanthemum time. "Green trees, green hills, cottages, nurseries and Sang Ma blend harmoniously. This is a beautiful and quiet rural scenery, fresh and natural.

(4), vivid image. The language of poetry is often touching because of its vivid images. For example, Su Shi's "Shake Over the Air, Hit the Shore, Roll Up Thousands of Snow" ("Red Cliff Nostalgia") is both a poem and a painting, vividly showing the magnificent scenery of Red Cliff, with great momentum and an open realm.

(5) Gorgeous and elegant. For example, Li Bai's "Rizhao incense burner gives birth to purple smoke, and the waterfall hangs in front of Sichuan." Flying down three thousands of feet, it is suspected that the Milky Way has set for nine days. "The whole poem is colorful, beautiful, unpredictable and beautiful.

(6) concise and lively. Its characteristics are: the language is concise, concise, simple, clear and unadorned. Such as Jia Dao's poems and Ma Zhiyuan's Sanqu.

(7) magnificent. Its characteristics are: strong bones and strong mountains and rivers. For example, Cao Cao's Looking at the Sea is open-minded and full of lofty sentiments. The most representative is the frontier poets represented by Gao Shi and Cen Can in the poems of the prosperous Tang Dynasty. In their works, there are wolf mountains, deserts, secluded fields, isolated cities, extreme cold and heat, grief and indignation of unity, and determination to defend the frontier to the death.

(8) Rough and bold. Li Bai is a master of the uninhibited school, which is characterized by intense emotion, high style, strange imagination and exaggeration. "Don't you see how the water of the Yellow River flows down from the sky into the ocean and never comes back?" ("Into the Wine") magnificent, a thousand miles; "The grass is green and white, and the west is restored to the east." (Antique) depicts the rapid passage of time and the rapid change of personnel in one go, seamlessly. Su and Xin are the most outstanding representatives of the unrestrained school of Song Ci.

(9) Depression. Depression refers to the profundity, richness, anxiety and suggestibility of emotions. "Sinking or not floating, it is not thin." Du Fu's poems are extremely rich. Sadness is the main content of Du Fu's poems. His sorrow is not only personal, but also national, national and people's. Therefore, this kind of sadness has rich emotional levels, which makes him depressed and gain deep feelings and lofty values. His "Three Officials", "Three Farewells", "Car Shop" and "Cottage Broken by Autumn Wind" are all melancholy masterpieces.

(10) tragic and generous. Generally, poets lament the ever-changing diseases, the speed of youth passing away, the seriousness of people's disasters, the ups and downs of fate and the anger of unfulfilled ambition, while those who are concerned about the country and the people and are generous and sad look at them with sadness. It can be seen that compassion is the voice of the times and the cry of the poet. Faced with the turbulent reality, the poet expressed compassion out of a serious sense of responsibility. Chen Ziang's poems are famous for their sadness. Youzhou rostrum is the most exciting elegy.

(1 1) lingering sadness. Poetry is graceful and delicate. For example, Liu Yong, Li Qingzhao and Jiang Kui.