According to Tong Qingbing's definition, the relationship between artistic conception and image can be seen as follows: first, image is a typical expressive image, a subjective image, and it is perceptible, real and concrete; Artistic conception is a kind of realm and artistic conception, which is expressed or induced by images. It is understandable, abstract and an atmosphere. Secondly, images or the combination of images constitute artistic conception, and images are the means or ways to constitute artistic conception. Correctly grasping both requires imagination, that is, thinking in images. In other words, in literary creation, image is always the first, and artistic conception is the last. There are images in the author's mind first, and then they are combined into an artistic conception.
Image and artistic conception are two easily confused concepts. There are similarities between them, but they belong to two different aesthetic categories with their own unique connotations and aesthetic characteristics. At the same time, there is an inclusive relationship between artistic conception and image, and the infinite tension of image forms the infinite charm of artistic conception as a whole, and the formation of artistic conception contains many objective images. They are complementary, complementary and interdependent. In other words, without images, it is difficult to combine and merge into an artistic conception; And if there is no artistic conception, those images are just scattered sand and have no soul. The difference between them is that:
First, image is an artistic image implied by image, and artistic conception is an artistic atmosphere born from implied image. For example, Bai Pu's "Qiu Si" says: "The sunset in the lonely village, the smoke from the old tree in west Western jackdaw, and a small flying gull in the shadow. Green mountains and green waters, white grass, green leaves and yellow flowers. " * * * The juxtaposition of 12 images, although also vividly presents gorgeous autumn pictures, is not full of profound emotions. Without the natural integration of "emotion and scenery" and "emotion and reason", it is impossible to form an "aesthetic space" that "induces" people's imagination, and it is certainly difficult to impress people without artistic conception. Look at Ma Zhiyuan's "Clear Sand? Qiu Si is a masterpiece with beautiful artistic conception through the organic combination of a group of images: a dead vine, an old tree, a faint crow, a small bridge, a mobile family, an ancient road, a thin horse in the west wind, a sunset, and a heartbroken man at the end of the world. This Sanqu creates a sad mood that wanderers can't miss home. In order to complete the creation of this artistic conception, the author constructed images such as "dead vines, old trees, faint crows, ancient roads, westerly winds, thin horses, sunset, heartbroken people and the end of the world", which directly connected the images to create a sad atmosphere, namely artistic conception. Through these two poems, we can feel the sharp differences in image and meaning. Second, the image is real, and the artistic conception is illusory charm and meaning. For example, Haizi's diary is a poem written by Delingha in Qinghai before his death. If those images are picked out, they are: Delingha (place name), Gobi, grassland sister, tears, desolate city and so on. However, through these images, the author combined them one by one and expressed his thoughts about "Sister". Please look at the original poem: "Sister, I am in Delingha tonight, and the night is shrouded. Sister, I only have Gobi tonight. At the end of the grassland, empty-handed. I can't keep a tear when I am sad. Sister, I am in Delingha tonight, which is a desolate city in the rain. Except those who pass by and live. Delingha ... tonight, this is the only and last lyric; This is the only, last, grassland. I gave the stone back to the stone and let the victory win. Hanger-on belongs to herself tonight. Everything >>
Question 2: The connection and difference between image and artistic conception in ancient poetry. Image and artistic conception are two commonly used terms when poets write poems and critics comment on The Book of Songs. It is also two key points and two difficult points that we must master when appreciating ancient poetry. For example, Li Bai's poem "Smelling the flute in Los Angeles on a Spring Night" was tested in the Chinese National College Entrance Examination: "Whose Yu Di flies secretly, and the spring breeze fills Los Angeles. In this serenade, I heard the willows, and no one can stand the nostalgia. " What is the moral of "breaking willow" in the poem? "Folding willow" is an image in this poem, which expresses two meanings: first, it refers to the title of the song, that is, an ancient Han Yuefu song "Folding willow", which describes the pain of parting. Second, it refers to a custom, a scene and a mood. In ancient times, when parting, willow branches were often broken off from the roadside to send them away, just to express reluctant feelings. Folding willow is almost synonymous with parting. In the study and appreciation of ancient poetry, there are many images similar to "folding willows". Let's talk about images and artistic conception first.
picture
Image is the combination of (object) image and (emotional) meaning. That is, the image in the poem, which includes not only the characters, but also the scenery and things written in the poem and the author's feelings. Poetic images vary from thing to thing, some are landscapes and some are objects; Some things, some people; Some are single, some are multiple. [Art China Network Art/]
Such as Su Shi's "Bu Operator? The residential works of Dinghuiyuan in Huangzhou "lack a moon to hang sparse trees, and beginning of life is quiet. Who saw you alone? Fuzzy and lonely. At night, it suddenly becomes afraid, suddenly flies and comes back frequently, but no one always understands its infinite inner feelings. Lonely sandbars are very cold. "The poet's melancholy mood is expressed by images such as" lack of moon ","sparse trees ","secluded people ","loneliness "and" cold branches ". In Wang Wei's bamboo house, I leaned alone in the dense bamboo forest, playing the pipa and humming a song. The voice is so low that no one can hear it except my partner Mingyue. " It is composed of Bamboo Forest, Solitary Qin, Long Whistling and Bright Moon. Bai Juyi's "Recalling Jiangnan" "Red flowers are better than fire at sunrise, and the riverside is as green as blue". The two images of "river flowers" and "river water" are enough to illustrate Bai Juyi's happy life. Another example is Liu Yong's "Yu Linling? In "Where to Wake Up from Drunk Tonight, Yang Liuan, the Moon in the Wind", we can know that we convey sad feelings through the images of the Moon in the Willow and the Wind.
Artistic conception of artistic works
Artistic conception is an integrated artistic realm created by the poet's subjective feelings and objective scenery. Poetry creation is inseparable from images, and the choice of images is only the first step, which is the basis of poetry; The purpose is to create a poetic artistic realm of "harmony between meaning and context" through the combination of images. Artistic conception and image are essentially related. They are not only the product of the unity of subjectivity and objectivity, but also the product of the combination of emotion and things. But there are differences between them: from the formal point of view, images are related to words, and artistic conception corresponds to the whole article.
For example, Li Bai's "Farewell to Meng Haoran on the way to Yangzhou" said: "The old friend stayed in the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March. Lonely sails overlook the blue sky, but I can see the Yangtze River flowing in the sky. " This poem has the following images: Yellow Crane Tower, fireworks, solitary sails, the Yangtze River and so on. These images are combined to form a picture that melts in emotion: the poem does not directly express the thoughts of friends, but expresses the deep farewell to friends through the image that a poet's lonely sail disappears, the river grows and the river grows. Literally, every sentence describes the scenery, but in fact, every sentence is lyrical. It can be said that all landscape words are sentimental. Another example is He Zhu's "Jade Case", "A stream of smoke, a city full of wind, plum yellow rain". These three images form a whole, which artistically answers "How much is leisure?" It is not a simple addition of three images, but a touching artistic realm: carefree sorrow, like endless smoke and grass, like sheep flying all over the city, and like rain when sad and confused.
Generally speaking, poetic imagery is not like poetry, and whether there is poetic flavor depends mainly on imagery; Whether a poem is beautiful or not depends mainly on its artistic conception. From poetic flavor to poetic beauty, it is actually the excavation process from image to artistic conception. Without images, artistic conception is impossible. Therefore, in poetry, the starting point is the image, but the end point is the artistic conception.
The meaning of common images
Images in ancient poems generally have relatively fixed meanings, such as "Mei" is synonymous with "loneliness", "loneliness", "narcissism" and "nobility and majesty"; Cicada is synonymous with cherishing time, leaving in pain, traveling far and suffering, and feeling life experience.
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Question 3: What is the difference between artistic conception and image? Image and artistic conception are two different concepts in poetry, which have their own characteristics and are interrelated.
What is an image? Image refers to an objective thing that is integrated with the author's subjective feelings, and it permeates the author's aesthetic consciousness and personality interest. Generally speaking, when a poet creates, he will express his feelings with the help of objective things and turn them into images.
For example, the "moon" is an objective thing, but the poet writes it into his own poems to express bright, cold, reunion and scattered emotions. It contains the poet's emotional interest and becomes an image. For another example, willow stands for farewell, grass stands for parting, moon stands for homesickness, wild goose stands for homesickness and wandering, chrysanthemum stands for nobility, seclusion and loneliness, and bamboo stands for integrity and modesty. Dry represents missing, loneliness, sadness, etc. In Shan Jutu on an Autumn Night written by Wang Wei, "After the rain, there is an empty mountain, and it stands in late autumn. There is moonlight in the pine forest, crystal stones in the stream, the sound of bamboo in front of the fishing boat, and the sound of lotus leaves in front of the fishing boat. Why not leave in spring?" We first feel the "empty mountain", "bright moon", "clear spring", "rock" and "bamboo forest.
In poetry, the same thing can often form different images in different poems, such as "willow": in Zhu's "Looking at Spring", "There are thousands of willows hanging outside the building, and if you want to be young, stay less in spring", "willow" is an easy-to-be-frustrated image to describe spring; Liu Yong's Lin Yuling: "Where to wake up tonight?" The wind and the waning moon and Liu are sad parting images; Bai Juyi's "cherry Su Fan mouth, willow slender waist" and "willow" are graceful beauty images. It can be seen that image is an organic combination of objective things and emotions, and it is the author's artistic creation.
Artistic conception is a beautiful artistic realm created by the poet with the help of various artistic techniques, which combines scenes, reality and reality, and connects things with me. Usually refers to the realm created by a poem, several poems or a poem. Images are just some concrete small units that constitute artistic conception, which is formed by images and their interaction, such as "clearing sand"? Qiu Si used ten images of "withered vines, old trees, faint crows, small bridges, flowing water, people, ancient roads, west winds, thin horses and sunset" to express bleak autumn, creating a desolate and lonely artistic conception for travelers. A good poem is a beautiful picture, so we should think vividly, grasp the images one by one, and turn the language into a visible and tangible artistic conception of life. Let the sound, light, color and posture depicted in the poem appear in our minds like movie pictures. When we read Li Bai's poem "The Yellow Crane Tower Farewell to Meng Haoran in Yangzhou", "The lonely sail is far away in the blue sky of Wan Li, and only the Yangtze River flows in the sky", we will see a picture in front of us: the poet could not bear to go home abruptly after saying goodbye to his friends, but just stood by the river and watched his friends sail away, so he boarded again. Going further and further, I gradually disappeared under the blue sky, and I saw the Yangtze River rolling eastward. Through this meaningful picture, we can realize the author's deep affection and sincerity for Meng Haoran. In fact, the poet saw more than the river. Isn't this the poet's endless friendship with Meng Haoran?
Image is an objective thing that blends into the author's emotion, artistic conception is the artistic realm of poetry, and image constitutes artistic conception. We should correctly grasp the differences and connections between the two.
A Jian 2082014-11-26
Question 4: What is an image and what is an artistic conception, and the relationship between them "Image is a typical object of expression, a subjective image, and it is perceptible, real and concrete; Artistic conception is a kind of realm and artistic conception, which is expressed or induced by images. It is understandable, abstract and an atmosphere. Secondly, images or the combination of images constitute artistic conception, and images are the means or ways to constitute artistic conception. Correctly grasping both requires imagination, that is, thinking in images. In other words, in literary creation, image is always the first, and artistic conception is the last. It is to first have an image in the author's mind, and then combine it into an artistic conception. "
This is Mr. Tong Qingbing's definition of the relationship between artistic conception and image.
Question 5: The difference between artistic conception, image and emotion in poetry refers to the overall environment created by poetry and the reader's perception. Imagism usually means that something in a poem implies something else, and perhaps the poem itself has unexpected meanings. Emotion is also the emotion brought by the poet's creation, which directly affects the artistic conception of the whole poem and is also the true face (or connotation) of the image.