Original text:
Zhouzhuanghe
Tang dynasty-Wang Wei
The breeze blows the green willows, and the white water reflects the heart.
Sailing on the blue waves, people are traveling in a picture world.
Translation:
Green willows blow gently in the breeze, and clear lake reflects brilliant red peach blossoms. We (poets and friends) boarded the boat, wandered on the blue waves, and looked at the beautiful scenery on both sides of the strait, as if we were visiting in a beautiful painting. "
Extended data:
Appreciation of Sailing on the Blue Waves, People Traveling in the Picture World;
Cruise ships sail on the green river, and the tourists on board are like visiting in a beautiful picture. Expressed the author's praise for Guilin's landscape.
The poem "Zhouzhuang River" should be called Zhouzhuang, a small town in the south of the Yangtze River. It has the reputation of "the first water town in China" and is the first batch of 5A scenic spots in China. The old name of Zhouzhuang Town is Zhenfengli. From the Spring and Autumn Period to the Han Dynasty, there was a saying of "rocking the city". According to legend, the King of Wu and the King of Han and Yue were both sealed here. Zhang, a writer in the Western Jin Dynasty, Liu Yuxi and Lu Guimeng, poets in the Tang Dynasty, all lived in Zhouzhuang.
According to historical records, during the Northern Song Dynasty (1086), Di Gong of Zhou believed in Buddhism and gave 200 mu (13 hectares) of Zhuangtian to Quanfu Temple as temple property. The people felt its kindness and named this field "Zhouzhuang". 1 127, Jin Erxiang moved here with Dunan, Song Gaozong, and the population gradually became dense.
Zhouzhuang belonged to Changzhou County, Suzhou in Yuan Dynasty. In the mid-Yuan Dynasty, Shen You, the legendary father of Shen Wansan, a rich man in the south of the Yangtze River, moved from Nanxun in Huzhou to Dongzhai Village east of Zhouzhuang (and moved to Yinzibang at the end of the Yuan Dynasty). As a result of his business, he gradually became rich, making Zhenfeng look prosperous and forming an old market town on both sides of the river with Fuan Bridge as the center.
In the Ming Dynasty, the outline of the town expanded, and it developed westward to the areas of Fuhong Bridge in Hougang Street and Puqing Bridge in Zhong Shi Street, and moved into Hougang Street. In the middle of Ming Dynasty, it belonged to Huating County, Songjiang Prefecture. In the early Qing Dynasty, it was returned to Changzhou County, and the residents were more dense. Tashi area has gradually become a row, and the business center has been transferred from Hougang Street to Zhong Shi Street. At this time, it has evolved into an important town in the south of the Yangtze River, but it is still called Zhenfengli. It was not until the early years of Kangxi that it was officially renamed Zhouzhuang Town.
The author introduces:
Wang Wei (692-76 1 year, once called 699-759), whose real name was Moju, was originally from Qixian County, Shanxi Province, and his father moved to Zhou Pu (now yongji city, Shanxi Province), so he was named Hedong. Shi Fo was an idyllic poet and painter in the prosperous Tang Dynasty, with more than 400 poems. Important poems include Acacia and Autumn Night in the Mountain.
Influenced by his mother, Wang Wei is proficient in Buddhism, and his word "magic tool" is taken from Vimalakīrti Buddhist classics. Together with Meng Haoran, they are called "Wang Meng". Wang Wei had positive political ambitions in his early years, hoping to make a great career. Later, the political situation changed, and he gradually became depressed, fasting and chanting Buddha. In his forties, he specially built a villa in Wangchuan and Zhong Nanshan Mountain, Lantian County, southeast of Chang 'an.
Live a semi-official and semi-secluded life. A Message from a Farewell to Wangchuan is a chapter in the poet's seclusion life. Its main content is "expressing ambition", which expresses the poet's desire to stay away from the secular and continue to live in seclusion. The scenery in the poem is not deliberately laid out, natural and fresh, as if it is handy, and the distant place is self-evident and has profound connotations.