Poems on the Image of Moonlit Flowers on the Spring River 1. Images described in the first ten sentences of Moonlit Flowers on the Spring River
The poet started to tackle the topic, and at the beginning of the topic, he sketched a magnificent picture of moonlit flowers on the Spring River: the river tide is connected with the sea, and the moon is born. The "sea" here is empty. The river tide is boundless. Magnificent momentum. At this time, a bright moon is born with the tide, and the scene is spectacular. A word "life" gives the bright moon and the tide a lively and splashing life. The moonlight shines thousands of miles away, and where is the Chunjiang River that is not in the bright moon? The river meanders around the Yuan Ye in spring, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of white snow. The poet is really a brilliant painter, and with a gentle stroke, he touches the strange "flowers" in the moonlight on the riverside. At the same time, he skillfully pays enough attention to the topic of "moonlight on the riverside". The poet's observation of moonlight is extremely subtle: the moonlight cleans up the colorful things in the world. "White sand is invisible", but only the bright moonlight exists. The delicate brushwork creates a mythical and wonderful realm, which makes the moonlight night on the riverside look particularly beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condense on a lonely moon.
2. The image of a moonlit night on a spring river
Zhu Guangqian said in On Poetry, "Poetry is a reflection of the world of life, and the realm of every poem must have two elements: interest and image."
Zong Baihua also said: "Artistic conception is the crystallization of emotion and scene (image)." So what's the interest in "Moonlit Night on a Spring River"? How does it merge with the images of poetry to form the artistic conception of poetry and cause readers' aesthetic feelings? I use the following structural formula to express the structure of the artistic conception of the poem "Spring": natural beauty, philosophical beauty, human feelings, beauty of the moon, the color of the moon, the feeling of the moon, the soul of the month, the image, the reason, and the feeling. "Moonlit Night on the Spring River" includes the most beautiful scenery in life, and it is composed of spring, night, river, flower trees and bright moon, among which spring and river constitute a beautiful picture.
In the poem "Spring", the image of the moon is beautiful and pure, and everything in the moonlight is pure and quiet, which reflects the artistic beauty of a moonlit night on the riverside. The moonlight in the poem "Spring" is extremely open and beautiful. "The Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide, and it goes with the waves for thousands of miles. Where there is no moon on the spring river?" A bright moon rises from the Ran Ran on the spring river. This image is so broad and beautiful that people have the feeling of holding their breath in the face of magical nature.
Under the bright moon, the water waves and the fragrant garden with flowers and plants are like flowers covered with frost and snow and silver beaches. Everything is so beautiful and mysterious. Under the moonlight, the poet's heart became clear and pure, and his heart had a spiritual exchange with nature.
Qu Yuan, a great poet, once wrote Tian Wen, which showed the continuous exploration of the natural universe by human beings. More than a thousand years later, Zhang Ruoxu also questioned the universe, which fully reflected the unique "cosmic consciousness" of China poets. Mr. Wen Yiduo once emphasized the cosmic consciousness embodied in his poems, and thought that "in the face of magical eternity, the author has only consternation, no longing and no sadness" (Wen Yiduo's essays on Tang poetry and the redemption of palace poems).
asking for the moon's eight exclamations in the middle of the poem Spring, on the one hand, reflect the tranquility, profundity, broadness and vastness of the universe, but in the poet's mind, Jiang Yue is always the same, monotonous, lifeless, but just monotonous repetition; Although life is short, as a group, human beings are endless from generation to generation. As an individual, the joys and sorrows of life are rich and vivid. As Shen Congwen said, "For all natural scenery, when I silently understand the subtle relationship between their own existence and the universe, I feel the solemnity of life" ("Water Cloud").
after feeling the conflicts and contradictions between eternity and brevity, infinity and finiteness, the poet turned his affectionate eyes to the life he could admire, and the essence of this life was "emotion". The poet closely followed the "Spring River and Bright Moon", and Jiang Yuesheng sent out all kinds of poetic sentiments.
From the sentence "Wandering around the poor upstairs and the moon, you should leave the mirror", you can feel the wanderer's pity for the thinking woman and the regret that he can't accompany her, while "I can't get rid of it", "I will return it" and "I hope to shine on the gentleman every month" finely describe the delusion and resentment of the thinking woman. Moonlight can be annoying, but I am obsessed with being able to cross time and space like moonlight and often accompany wanderers. How touching, devoted and persistent this affection is! In contrast, the eternal and infinite nature of the universe is nothing and indifferent, while the life full of joy and trouble is rich and beautiful.
Love and worry have woven a colorful life. Although it is small, it is real and sensible. This is people's affirmation of the value of existence and the embodiment of optimistic and upward life will. The last eight sentences are depressing.
Time will pass, the years will get old, but the day of going home is far away, and the waning moon will be hidden in the sea. Under the bright moon, how many people can go back to their warm homes? Home, this is also the strength that poets use to compete with nature. "I don't know how many people will return by the moon, and the moon will shake the trees all over the river."
The author affirmed a short, small but beautiful and rich life, which deeply moved me in the aftertaste. When writing landscapes, many poets often lament that nature is eternal and prosperous, and often choose to turn to the latter in the sharp contrast between life and nature, and between finiteness and eternity. The eternal natural landscape is higher than the fleeting prosperity of the world, and they emphasize giving up on life. However, in "A Moonlit Night on a Spring River", the poet envies the wanderer who goes home on a moonlit night, but what he imagines is a warm and real home.
Wandering wanderers in the great era are not rootless duckweeds, but they need a sense of belonging to contend with the helplessness that life can't always get together and the confusion of eternity and brevity, finiteness and infinity. This is the significance of the image of "home". The poet takes the moon as the object of observation, from describing the scene of the riverside last month to making a rational exploration of the universe, and then expressing his longing for life.
As the moon rises and sets, nature is flowing, time and space are changing, and poetry goes from the universe to the heart, from rational questioning to emotional expression, resulting in the psychological feeling of God traveling with the moon and achieving the perfect fit between interest and image. As Goethe heard: "Once an artist grasps a natural object, it no longer belongs to nature, and it can also be said that the artist is creating that object in the moment he grasps it, because he has obtained something meaningful, distinctive and fascinating from it, which makes it more valuable."
(Zhu Guangqian's History of Western Aesthetics) The successful grasp of the bright moon image comes from the poet Zhang Ruoxu's love for life, from the poet's contradictory and confused heart, self-reflection and profound pursuit of human spirit. In Chinese traditional aesthetics, the emphasis on emotion is consistent.
The Preface to Mao's Poems says, "Emotion moves in the middle and forms in words", and Lu Ji thinks that "Poetry is beautiful because of emotion". For poetry, emotion is the essence of poetry.
Zhang Ruoxu's "Moonlit Night on a Spring River" is full of deep feelings, which can be described as a childlike heart, which is also the charm of the poem "Spring". The author of the poem "Moonlit Night on the Spring River" is Zhang Ruoxu in the early Tang Dynasty. At the beginning of Kaiyuan, he, He Zhizhang, Zhang Xu and Bao Rong were called "Four Scholars of Wu Zhong".
There are not many works left by him to later generations. There are only two poems in The Complete Poems of Tang Dynasty, and this one is the most famous one. It claims to be "a lonely poem that completely destroys the whole Tang Dynasty", which established Zhang Ruoxu's immortal position in the literary history of Tang Dynasty. This poem also writes about spring, river, flowers, moon, night and related scenery.
3. Moonlight on the Spring River > What are the five images?
The title of the poem is fascinating.
Spring, river, flowers, moon and night, these five things embody the most touching beauty of life, and constitute a fascinating and wonderful artistic realm. The poet began to grapple with the topic, and at the beginning, the topic came to life, sketching a magnificent picture of a moonlit night on the riverside: the river is in the sea, and the moon is in the tide.
The word "sea" here is empty. The river tide is vast and boundless, as if connected with the sea, and its momentum is magnificent.
At this time, a bright moon was born with the tide, and the scene was spectacular. A word "life" gives the bright moon and the tide a lively life.
The moonlight shines thousands of miles away, so where is the Chunjiang River that is not under the bright moon! The river winds its way around Yuan Ye in spring, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of white snow. The poet is really a wonderful hand of Dan Qing. With a gentle stroke, he touched the strange "flowers" in the moonlight on the riverside.
At the same time, the topic of "Moonlit Night on the Spring River" was skillfully filled in. The poet's observation of the moonlight is extremely subtle: the moonlight cleanses the colorful things in the world and turns the world into a dreamy Yin Hui color.
Therefore, "the frost can't fly" and "the white sand can't be seen", just like the bright moonlight exists. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlight night on the riverside look particularly beautiful and quiet.
these eight sentences, from big to small, from far to near, are gradually condensed on a lonely moon. The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet's reverie and meditation: "Who on the riverside first saw the moon?" When did Jiang Yue take photos at the beginning of the year? " The poet leaps forward in thinking, but closely connects with life, exploring the philosophy of life and the mystery of the universe.
This kind of exploration has existed in ancient times, such as Cao Zhi's "Seeing Ying Shi": "Heaven and earth have no ultimate, life is like frost", and Ruan Ji's "Life is like dust and dew, and heaven is graceful", etc. But the theme of the poems is mostly to feel that the universe is eternal and life is short. Zhang Ruoxu is unique here. His thoughts have not fallen into the trap of predecessors, but have turned out a new idea: "Life has been endless for generations, and Jiang Yue is only similar every year."
Personal life is fleeting, while human existence lasts for a long time. Therefore, the life of "endless generations" and the bright moon of "only similar every year" can survive. This is a kind of comfort that the poet feels from the beautiful scenery of nature.
Although the poet is short-lived and sentimental, it is not decadence and despair, but the pursuit and love for life. The keynote of the whole poem is "mourning without hurting", which enables us to listen to the echo of the voice of the early Tang Dynasty.
4. Sum up the poems with the same artistic conception in A Moonlit Night on a Spring River
1. Never meet Su Shi
Pengcheng spent the night in the Yanzi Building, dreaming of it, so he wrote this word.
the bright moon is like frost, the wind is like water, and the scenery is infinite. Jumping fish in a curved harbor, shedding dew in a round lotus, lonely and unseen. Shen is like three drums, a leaf is loud and clear, and the dark dream cloud is broken. The night is boundless, I find nowhere again, and I feel that I have traveled all over the small garden.
the end of the world is tired of visitors, and you will return home in the mountains, looking at your hometown. The swallow house is empty, where is the beauty? Empty lock the swallow in the building It's like a dream in ancient and modern times, but there are old joys and new grievances. At different times, the night view of the Yellow House is a sigh for Yu Hao.
2. Zhang Xian's "Fairy"
"Water Tune" listened to the wine several times, and woke up drunk in the afternoon. Send away the spring, when will spring return? Near the evening mirror, the sad past years, the past is empty in the future.
On the sand and on the pond, clouds break through the moon to make a shadow. A heavy curtain concealed the lights, the wind had not stopped, the voice was quiet, and the fallen flowers will be covered with the garden path.
3. Su Muzhe (Fan Zhongyan)
Blue sky, yellow leaves. Autumn is full of waves, and the waves are cold and smoky. The mountain reflects the sun and the sky meets the water. The grass is ruthless, and it is even more outside the setting sun.
homesick, thinking about traveling. Every night unless, sweet dreams leave people to sleep. The bright moon building is high and lonely, and the wine enters the sorrow and turns into acacia tears.
4. Su Shi's divination operator
The lack of a full moon makes people feel quiet. Who saw you alone, dimly discernible solitary Hong Ying.
when you wake up, you look back, and no one can save it if you hate it. It kept wandering between the cold branches, but refused to perch on any tree, and finally landed lonely on the cold Shoal.
5. The following song "Linjiang Fairy" was written by me before, with a slight change.
it rained three inches in Huangshan, but arrived in Hangzhou without a bus. The dusty two sleeves are half spring and autumn, and the Qingyi Mountain is in chaos, and the traveler is worried.
Ten miles of long embankment is empty, and fireworks are hard to harvest. Where can I park a boat in the end of the world? The railing hurts the evening scenery, and the water in the west is leisurely.
5. The relationship between the image and meaning of the moonlit night on the riverside and poetry
The age of the moonlit night on the riverside: Tang Author: Zhang Ruoxu Style: Yuefu Chunjiang Tide Lian Haiping, the bright moon on the sea is born in the tide. Where is the moonlight on the riverside? The river flows around Fangdian, and the moon shines like a graupel. Frost flows in the air, but the white sand on Tingshang is invisible. There is no dust in the sky on the river, and there is a solitary moon wheel in the sky. Who sees the moon on the river? When did Jiang Yue take photos at the beginning of the year? Life has been endless from generation to generation, and Jiang Yue is only similar every year. I don't know who Jiang Yue treats, but I see the Yangtze River sending water. The white clouds are drifting away, and the green maple is full of worries. Who is going boating tonight? Where do you miss the bright moon building? If you wander around the upstairs and the moon, you should leave the makeup mirror. The jade curtain can't be rolled up, but you can brush it back on the anvil. At this time, you don't know each other. I hope that the flowers will shine on you month by month. The geese will fly in the sky, and the fish will jump into the water in Long Qian. Last night, I dreamed of falling flowers in the idle pool, but I didn't return home in the poor spring. The river water flowed to the end, and the river pond fell to the west. The slanting moon was full of sea fog, and the stone was raining. Falling flowers shake the trees all over the river. Annotating the title of the poem is fascinating. Spring, river, flowers, moon and night are the five things that embody the most touching beauty of life and constitute a wonderful artistic realm that is attractive to explore. The poet started to solve the problem and started with the topic at the beginning, sketching out a magnificent picture of the moonlight night on a spring river: the river is in the sea, and the moon is in the tide. Here, "the sea" Magnificent momentum. At this time, a bright moon is born with the tide, and the scene is spectacular. A word "life" gives the bright moon and the tide a lively and splashing life. The moonlight shines thousands of miles away, and where is the Chunjiang River that is not in the bright moon? The river meanders around the Yuan Ye in spring, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of white snow. The poet is really a brilliant painter, and with a gentle stroke, he touches the strange "flowers" in the moonlight on the riverside. At the same time, he skillfully pays enough attention to the topic of "moonlight on the riverside". The poet's observation of moonlight is extremely subtle: the moonlight cleans up the colorful things in the world. "White sand is invisible", but only the bright moonlight exists. The delicate brushwork creates a mythical and wonderful realm, which makes the moonlight night on the riverside look particularly beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condense on a lonely moon. The clear and clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet to meditate: "Jiang, When did Jiang Yue take photos at the beginning of the year? " Poets have made great strides in thinking, but they are closely linked with life, exploring the philosophy of life and the mystery of the universe. This kind of exploration has also existed in the ancients, such as Cao Zhi's "Seeing Ying Shi": "There is no ultimate heaven and earth, life is like frost", Ruan Ji's "Life is like dust and dew, and heaven is graceful", etc., but the theme of poems is mostly to feel that the universe is eternal and life is short.