Question 1:① Render a vague realm and atmosphere through comparison. (2) It implies the author's loneliness.
Question 2: "The strangeness of sentence-making" and "strangeness" lies in the poet's personification with flowers. In the poet's imagination, begonia flowers, like people, spit in the middle of the night. Therefore, I specially lit a high candle to cheer up Haitang. Li Shangyin used "ingenious conception" and "ingenious" in "After a guest wakes up in the middle of the night, holding a red candle to illuminate the residual wine", but there was no trace of an axe.
Question 1:
Test analysis: this question examines the role of poetry scenery description. Landscape and emotion are related, and the purpose of writing landscape is to express emotion. The first two sentences of this poem are about begonia in the daytime and begonia at night. The first sentence creates a blooming atmosphere of begonia with a scene full of spring. The second sentence, "Fragrant and misty", describes the bursting and spreading of begonia in dense fog. Poets write from the perspective of smell, and the fragrance is overflowing, which not only expands the space of poetry, but also improves the aesthetic realm of poetry. "The moon turns to the gallery", that is, the moon has turned to the gallery, and this begonia flower is gone. The word "Zhuan" not only shows the dynamics of moonlight, adds a sense of space to poetry, but also implies the loneliness that people can't sleep at night.
Question 2:
Test analysis: this question examines students' ability to appreciate poetry expression. The key to the ancient people's evaluation of the last two sentences of this poem is to dig out the strangeness of language expression and the ingenious conception of the poem. Its "strangeness" is personification with flowers, "for fear of falling asleep at night." This sentence is followed by the second sentence. In the poet's view, begonia flowers, like people, will be spit out at night. A "fear" writes out my worries and fears caused by unbearable loneliness, and also hides my persistence in spending the night with flowers. In two sentences, his "cleverness" uses the allusion of Tang Xuanzong's drunkenness as Yang Guifei's "Haitang Sleepless" and the poem "Drunk under the Flowers" by Li Shangyin, "When a guest wakes up in the middle of the night, he still holds a red candle to illuminate the residual wine", all of which are without trace. The two allusions to this topic are relatively uncommon and difficult for students to understand.