Put the form of Zhu Ziqing’s poem into at least three paragraphs Urgent! ! ! ! !

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The full text *** has 5 natural paragraphs, which can be divided into 3 paragraphs. The first paragraph: (The first natural paragraph) raises the question of why our days are gone forever. Second paragraph: (Natural paragraphs 2 to 4) Visualize the passage of days in the description. The third paragraph: Ask the questions raised in the first natural paragraph, echoing them from beginning to end.

Appreciation of Zhu Ziqing's "Hurry"

Zhu Ziqing's prose poem "Hurry" was written on March 28, 1922. It was the ebb of the May Fourth Movement, and reality kept disappointing the author. However, the poet was not willing to sink in the hesitation, and he pursued persistently from the standpoint of "neutralism". He believes: "Various processes in life have their own independent meaning and value - every moment has the meaning and value of every moment! Every moment has its own appropriate position in the duration of time." (Zhu Ziqing's "To Yu Pingbo") "Letter" November 7, 2022) Therefore, he must "step on the soil step by step and lay deep footprints" (Zhu Ziqing's "Destruction") in order to obtain "the satisfaction of the paragraph." The whole poem reveals the poet's inner complaint of injustice in a touch of sadness, which also reflects the common mood of intellectual youth during the ebb of the "May Fourth Movement".

"Hurry" is the poet's inspired work. The spring scene in front of him suddenly aroused his emotions, and the poet expressed it with the help of imagination. Imagination "makes unknown things take shape and appear, and the poet's pen makes their images complete, giving the ethereal nothing a place to live in and a name to call it." (Shakespeare's "A Midsummer Night's Dream") The poet makes the ethereal nothing Time, an abstract concept, is expressed through phenomena, and the poet follows the clues of his emotions to select and capture the vivid image. The poet's emotions show undulating waves as time goes by, from invisible to tangible, from looming to clear, a set of constantly changing pictures.

"The swallows have gone, but they will come again; the willows have withered, but they will bloom again; the peach blossoms have faded, but they will bloom again." The poet outlines a light picture with a few strokes. The author does not describe the actual feeling of the spring scene, but brings the readers into the picture, accepts the emotional infection, and at the same time makes visual hints: the prosperity and decay of nature shown in this picture are traces of the passage of time, from which the poet Follow the path of your own life. But "my" days are "gone forever", invisible and intangible. Was it "stolen" or "escaped"? The signs of natural metabolism contrast with his invisible days, revealing the poet's feeling of loss in a series of questions.

"Like a drop of water dripping in the ocean, my days drip in the flow of time." Comparing my more than 8,000 days to a "drop of water" is a novel metaphor, an extreme exaggeration, and a metaphor for the ocean. Compared with the vastness of the flow of time, it highlights the "no sound, no shadow" characteristics of my own life. In fact, there are traces of my own life here, and a drop of water is its embodiment. When water drops in the sea, it has its slight sound. The poet tries his best to feel it visually and aurally, searching for the past days. But more than eight thousand days "slipped away" quietly. The ruthless nature of time and the shortness of life made the poet "weeping" and "crying".

How "hurried" is time? The poet did not make abstract discussions. He expressed his feelings and latent consciousness through images, "penetrating the familiar surface and looking for the "fresh things" where no one has been before. (Zhu Ziqing's "Poetry and Feelings") Therefore, the ethereal time is visualized, and the poet's "unique secret" is revealed in the accustomed life pictures

"In the morning, two or three directions shot into the hut. The slanting sun. The sun moves gently and quietly. "The sun is personified. He steps forward like a young girl, quietly walking past the poet, following the sun. The "movement" also "followed the rotation in a daze." Then, the poet uses a series of parallel sentences to show the flow of time. Eating, washing hands, and meditating are details of people's daily lives, but the poet keenly sees the flow of time. When he tried to keep it, it "stepped over" nimbly, "flyed" lightly, "slip away" quietly, and "flashed" quickly, and the pace of time became faster and faster. The poet uses lively words to describe that the image of time is constantly changing, giving people a sense of living life. We hear the light and lively footsteps of time, and also hear the trembling of the poet's heart.

In the rush of time, the poet wanders, ponders and pursues stubbornly. The dark reality conflicts with his own enthusiasm, and the rush of time contrasts with his own inaction, which makes the poet see more clearly: "The past days are like light smoke, blown away by the breeze, like mist, evaporated by the early sun." Melting." If the third section still uses the author's specific feelings of a day to reflect the passage of time, and the individual to reflect the general, here, the author makes a high-level summary of the passage of more than 8,000 days, making time rush. The various images that have passed away are condensed into one point, making the passage of time more clear and perceptible: there is color, which is light blue and milky white; there is movement, which is "blown away" and "evaporated" ". The poet saw it, touched it, and consciously felt the passage of time with all his body and mind, pursuing the "gossamer traces" of his life.

As the poet's emotions fly, he creates a situation, visualizes the ethereal time, and adds a series of lyrical questions, naturally revealing his soul's self-struggle and self-confession of pain. See his wandering and persistent pursuit. There is a strong lyrical atmosphere in the simplicity and plainness.

Poetry has the quality of musical beauty. Metrical poetry relies on meter and rhyme to reflect its musicality, while free verse also uses line division and rhyme to maintain its rhythm. Prose poetry abandons all external forms, and its musical beauty naturally emerges from the organic unity of the poet's inner emotional ups and downs and the rhythm of language. Hunter believes: "Although it is prose, it sometimes shows the sufficient existence of rhythm, so it diverges from its nominal type and obtains the name of 'prose poetry', which is a semi-form in the field of poetry. Rhythm piece”. (Translated by Fu Donghua in "Introduction to Aesthetics") "Hurry" is such a "semi-rhythmic work".

"Hurry" expresses the rapid flow of emotions caused by the author's pursuit of time traces. The whole style is unified in "lightness", the rhythm is sparse and smooth, brisk and fluent. In order to harmonize the rhythm of emotions, the author uses a series of parallel sentences: "When I wash my hands, the days pass by the basin; when I eat, the days pass by the rice bowl; when I am silent..." The same sentence pattern is streamlined, one after another. The lively yet tranquil picture unfolded rapidly with strands of emotions, making me seem to see the flow of time. Moreover, most of the sentences are short, with five or six words per sentence and appear brisk and smooth. The syntactic structure is simple, without multi-level changes, like a flowing river that is continuous, like a well-tuned piano, with continuous sound waves. Its musicality does not focus on the rhythm of the pronunciation of the words, but on the smoothness and lightness of the sentences. The author did not deliberately carve it out, but just "wrote it casually and honestly", using vivid and vivid spoken language, Express the poetic feeling without restraint, and the rhythm of the language and the rhythm of the emotion will naturally match, making the poem achieve symmetry and harmony.

The use of overlapping words in "Hurry" also gives its language a rhythmic beauty. The sunshine is "slanting", it moves "gently and pretty", "I" rotates "in a daze", time goes "hurriedly", it spans "quickly and cleverly"... The use of these repeated words, The poem not only achieves visual authenticity, but also achieves auditory authenticity, that is, on the one hand, it depicts the appearance of the passage of time, and on the other hand, it writes the sound of time moving forward. At the same time, the poet describes objective things on the one hand, and expresses subjective feelings on the other. The sound of reality causes the poet's emotional fluctuations, which are expressed through the sound of language, and the emotions and scenery are naturally integrated. We can also see that the poet's repeated words are naturally and evenly distributed in each sentence to show its distant and distant rhythm, which is consistent with the author's subtle emotional fluctuations.

The use of repetition is also a common method used in prose poetry to maintain its musical characteristics. The so-called "saying it again and again" not only shows the depth of the poet's emotion, but also adds to the melody of the poem. "Only wandering, nothing but hurrying; in the rush of more than eight thousand days, what else is left but wandering?" Words such as "wandering" and "hurrying" appear repeatedly, and a feeling of resentment echoes repeatedly. "What traces have I left? Have I ever left traces like gossamers?" The changes in numbers in sentences with the same meaning advance the emotions layer by layer, showing neat beauty in the unevenness. The repetition of the conclusion repeatedly strengthens the main theme of the work and depicts the ups and downs of the poet's emotions. The use of fuda and repeated chanting have the effect of singing three sighs.

The structure of "Hurry" is also very simple. The eleven questions are clues to the ups and downs of emotions. Questions are asked without answering, and they float by, which not only shows the smoothness of the work, but also the jumping nature of the poem's mood, allowing the image to unfold quickly. In order to show the jumping nature of emotions, general poems are often different from the general syntactic structure of language and omit some sentence components regardless of grammatical restrictions. This is not the case with prose poetry. It basically uses prose sentence patterns, and the author's emotional jumps are generally not as wide as free poetry. But it is also different from prose. There are gaps between sentences and paragraphs, which are connected by the author's thoughts. The questions in "Hurry" are asked but not answered, and the answers are implicit. This can not only inspire the readers' imagination, arouse deep thinking, and show its implicit beauty, but also the rapid flow of the collaborator's emotions, showing the poetic mood. The rhythm is beautiful.

Answer: Meeting Death - Apprentice Magician Level 2 3-3 11:31

The first paragraph of the article uses a contrasting technique to describe the characteristics of days gone forever. . There is a time for swallows to come again, a time for willows to be green again, a time for peach blossoms to bloom again, but time is gone. Once it is gone, it will never come back. The sentence "Why are our days gone forever?" seems to be asking, but in fact it expresses the author's helplessness about the passing of time and being unable to keep it, and his deep nostalgia for the days gone by.

In the second paragraph, more than eight thousand of the author's own days disappeared silently, expressing the author's infinite emotion.

The third paragraph is the focus of the article. The author uses his delicate and unique writing style to specifically describe how days come and go and are fleeting.

Finally, the author wrote down his thoughts on life. He asked himself: "What can I do in this world of thousands of households in the days when I am escaping like flying away?" The result is clear. He is not willing to waste his life: "I came to this world naked, and I will go back naked in the blink of an eye. But I can't forgive it. Why do I have to go through this life in vain?"