Baijiachi Pavilion, flowers and plants in the Wu Palace, could have done that at that time. The most sympathetic place is the realization that he still hates history. The "White Tiger in the Mountain" at the beginning of this song refers to the Tiger Hill in the northwest of Suzhou. According to legend, He Lv, the King of Wu, was buried here after his death. Three days later, "the white tiger fell on it, hence the name Tiger Hill". The works with Tiger Hill as the theme are often reflections on ancient love and laments the rise and fall. "Yunzang Temple" refers to the scenery of Huqiu Mountain Temple. Su Shi once wrote a poem about Tiger Hill here: "Dongxuan has good intentions, and there are thousands of hectares of sea of clouds in Shui Li". The Tiger Hill Temple at the tip of Yunga Tower is surrounded by clouds and sparkling. Green hills are lush, surrounded by white clouds, and the Golden Temple appears. When the reader was immersed in the tiger hills and mountains in Xianpa, Yuen Long, the author magnified and described "Old Mei on the Pool". The pool here is a sword pool under the tiger hill. There are several old plums on the flying cliff by the pool. Combined with the above sentences, the distance brings out the best in each other, and the height is strewn at random, showing the emptiness caused by the pen.
The inspiration of "Reviving Dongting" comes from the human feelings of mountains and rivers, which leads to the author's association. "Returning to the Dongting" borrowed Fan Li's "Book of Retirement". Later generations often praise this contempt for fame and fortune. In the sentence "Exocarpium Citri Grandis", the author thinks of the particularly famous Dongting tangerine produced in Dongting Lake, where the fruit is fresh all the year round, and recalls the story that Huai tangerine returned to its mother in the Three Kingdoms. "Perch _ Silver Line" is a classic by King Hans Zhang. The author uses three allusions, which not only fits the theme of nostalgia, but also expresses the epiphany of the author's life-long suppression of official career: all fame and fortune, the rise and fall of honor and disgrace are just fleeting, and retiring early will do harm to the whole body.
"Home Pool Pavilion" describes the remains of Bai Juyi's visit to Tiger Hill when he was the secretariat of Suzhou. "Flowers and Plants of the King of Wu" was translated into the poem "The Path of the Palace of Wu is overgrown with weeds" in Li Bai's "Climbing the Phoenix Terrace in Nanjing". According to legend, the Wu Palace was built by He Lu and Fu Cha, and there were many exotic flowers and plants, which were burned after Wu's death. There is a feeling of mourning for the past. "Poetry is like its slope" is the purpose of the previous two sentences. It is said that the Tiger Hill is still as beautiful as that described in Su Dongpo's Tiger Hill Temple, but it has changed and it still stays here.
People who leave footprints are unpredictable, and eventually they are scattered in the long river of historical vicissitudes, leaving only the beautiful scenery of Tiger Hill to warn the world of the rise and fall of history and the disillusionment of the world.
The author inherited the Flowers and Plants of the King of Wu, and further felt the rise and fall. History seduced the king of Wu with beauty, which eventually led to the demise of Wu. Now under this deserted mountain, the shrill cry is still telling the hatred of debauchery and the wrong country. This bleak artistic conception has deepened the ups and downs of "pity for others".
The poem expresses the nostalgia for the past and the sigh of injury to the present from the scene. The author is also good at using allusions, with almost no word and no source. As the Ming dynasty said, "the beauty of flexion is not used, nor is it used", but whether it is "being used" ("The Theory of Flexing Law and Using Things"). Although the author frequently uses allusions and many people's poems in his songs, he combines the author's understanding and conception to create a new artistic conception, which is a masterpiece in Zhang Xiaoshan's poem Nostalgia.
References:
Zhao Yishan 1. Appreciation Dictionary of Yuan Qu: Commercial Press International Limited, 20 12.05438+0: 633-634.