First of all, the "boat" is a symbol of "naive children", that is, primitive humans, and is also the poet's self-image in essence.
Rambo, who wrote Drunk Boat, was a child, while primitive humans were "children" in the history of human progress. The drunken boat carries innocence, ignorance, primitiveness and magic. Secondly, "ship" is also Rambo's definition of the poet-the interpretation of "sailing". "Voyant" is the title of prophet in the old French Bible, and Rambo equates prophet with poet. Wizards and prophets tell people the truth in ecstasy, and so does Rambo's psychic. "I am someone else", this state of freedom is the premise of becoming a psychic. In traditional witchcraft activities, wizards often play the role of being temporarily possessed by gods-that is, the role of others. The words and deeds of wizards are regarded as oracles, similar to Rambo's Others and Sailing in a Drunk Boat. In addition, the image of "ship" reminds us of Noah's Ark in Genesis. The ark that Noah's family took to escape the flood was a religious refuge for mankind, but the boat that young Rambo took was a "drunken boat" that escaped from Dionysus' irrational spirit under religious enlightenment. Rambo's Drunk Boat has also undergone a ritual test: the illusion of human beings returning from primitive civilization to primitive. The century created by God in the Bible was abandoned by Rambo's Drunk Boat, and the Drunk Boat Journey is like a revolution, opposing traditional religion and a ceremony to start the new century.
"Sea" is the source and support of human civilization, and the sea has become an exile for drunken boats to escape the shackles of civilization. In this primitive and free exile, all violent things become a kind of enthusiasm (combined with Rambo's use of vowels, we can find the infinity of the sea). Sea travel, the symbol of civilization, is the exploration of human civilization to personify the drunken boat. The process of exploration is contradictory and intertwined. The object of exploration is a completely free paradise different from God's Genesis. It is irrational and even primitive, but it was once owned by ancient Europe in its first blue days.
In the last few paragraphs, puddles and boats became miniature simulations of the sea and drunken boats in the ceremony, which more strongly expressed the sense of loss of civilization. The dream illusion before the poem is combined with the last ritual prayer, and "ship" and "sea" construct their own cultural "myths". Finally, he returned to the primitive, away from the civilization entrusted by the traditional sea, and came to the sea of unknown civilization. He thinks fantasy with primitive images and constructs heaven with irrationality. This is a myth that Rambo wants to create.