Huang Tingjian's representative works include "Huayan Shu", "Postscript to Dongpo Cold Food Poems", "Zi Shu Songfeng Pavilion Poems", "Liu Guest's Poems on Fubo Shrine", etc. Among them, "Huayan Shu" is strong and bold, and has formed his own physique, and the pen and ink are relatively gentle. Although the silk silk has been damaged by the cursive script, the calligraphy spirit has not been lost. It is a masterpiece of his middle-aged calligraphy. The words in "Postscript Dongpo Cold Food Poems" are very close to each other, but the strokes are loose and ups and downs, sharp and upright, showing a strange and stubborn spirit in the cramped and uneven situation. It seems that he was emotionally affected by Dongpo's poetic calligraphy style, so he worked hard and deliberately competed with him. "Zi Shu Songfengge Poetry Songfengge Poetry Volume" was written in the first year of Chongning (1102). The central palace is tightened, the strokes are unrestrained, and the characters are knotted and concentrated at the center of the characters. The pen is used to exert the power of the heart. In fact, Liu Gongquan's calligraphy is used, but the posture is abnormal and the vertical strokes are exaggerated, so it makes people feel completely new. Poetry is about reincarnation, turning stone into gold, and turning decay into magic. Valley calligraphy is just like his poetry.
"Poems on Winter Plum Blossoms" and "Poems on Bamboo Branches by Liu Mengde" are thin and vigorous, rich on the left but sick on the right. The pen is like a thousand umbrellas withered vines, and the force is like a slanting wind and a sudden rain. "Li Bai's Reminiscences of Old Travels" is full of vigor and vitality, with twists and turns, twists and turns, and many changes. The whole poem is like a wind and rolling clouds, and it is completed in one go. Just like what is written in "Zhou Bida's Taibai Poems in Cursive Script in the Valley": "Gai Fei's witty words to banish immortals are not enough to inspire the flying spirit of dragons and snakes."
"Zhu Shangzuo Tie" is a paper version , now preserved in the Palace Museum, is a cursive script of Huang Tingjian's annotation of "The Sayings of Zen Master Wenyi" written by Huang Tingjian for Li Rendao during the Five Dynasties. Huang Tingjian wrote in the postscript: "This is a matter of birth (and death) of a real man. Don't take it lightly, otherwise you will be blinded. Little devils often eat at the sight, like a blind donkey eating grass, so I wrote this article for you." Friend Li Rendao, the bright windows are clear, it is the time to meet the ancients, the old man in the valley wrote: "This post has majestic and unique characters, and the writing style is flowing and elegant. It not only inherits the brushwork of Zhang Xu and Huai Su, but also There is also Huang Tingjian's own cursive style, which should be Huang Tingjian's proud work in his later years.