clear stream
Year: Tang Author: Wang Wei
[Have done Qingxi water work]
I have sailed the Huanghua River.
It is carried by the river of a green stream.
10,000 laps over the mountains.
On a journey of less than thirty miles.
The rapids buzzed on the piled rocks.
But in the dense pine forest, the light becomes dim.
Yang (a performance) is covered in water.
Weeds are overgrown on the river bank.
Deep down in my heart, I have always been pure.
Qing Chuan (Yi Zuoming) is like this.
Oh, stay on the wide, flat rock.
Drop the fishing line forever! .
Note (1) words: Verbal words are meaningless. Huanghuachuan: In the northeast of Fengxiang County, Shaanxi Province.
(2) Interest path: Interest is the same as "trend" and refers to the path taken.
3 vegetarian: all the time, all the time. Lian: Be quiet.
Enjoy 1
As soon as I entered Huanghuachuan, I heard the crisp and pleasant sound of Qingxi. The stream is clear and unobstructed, and the fish in the water chase and play happily. The lush trees contrast with the grass and wild flowers by the stream. Under the guidance of the great poet Wang Wei, we continued along the stream.
The mountain twists and turns, and the stream suddenly becomes restless In the Rocky Mountains, you push and hug and rush forward, and the whole mountain forest becomes noisy in an instant. Further on, there is a dense and deep pine forest, and the forest is getting dark and cool. The naughty stream, after the rough play just now, may be tired or assimilated by the peace in front of it, suddenly quieted down and flowed forward slowly and silently.
Walking out of the pine forest, I was once again shocked by the beautiful scenery before me. Aquatic plants such as water chestnut leaves and shepherd's purse float on the wide water surface, green and green, and water flows through them, swaying and swaying; Further on, the water surface is as clear as a mirror, and the reeds and reed leaves in the shallow water on the shore are reflected in the water, like a natural painting, bright and beautiful. Qingxi is noisy and quiet, lively and serene, deep and simple. No wonder the poet Wang Wei has a soft spot for it!
It is not difficult to imagine the poet Wang Wei's mood when he visited this place. "In my heart, I have always been as pure as this clear water." He used Qingxi as a metaphor and Qing Chuan's indifference to prove his leisure. The mental state and the material environment have been integrated here.
Although Qingxi is less than a hundred miles, it brings unparalleled pleasure, indifference and ease. Here, you have peace, no worries and such beautiful scenery. What more can you ask for in this life? I'm already in there, and I don't want to go back. No wonder the poet Wang Wei "Oh, stay on the flat rock and cast the fishing line forever!"! "I want to sit on the rock and fish leisurely. I want to live in seclusion here for a lifetime!
In fact, the scenery presented by nature is often in harmony with people's mood, and people's mood will also be integrated in the zero-distance contact with nature. The creator created such an ethereal and peaceful environment with his uncanny workmanship. I'm not ashamed to come here in my life!
Appreciate II
Wang Wei is both a poet and a good painter, and his poems are very like mountains and rivers, but his paintings are different from those in the south, and his poems are poetic and picturesque, so Su Dongpo said: "There are paintings in the poems, which are fascinating; Look at the picture, there are poems in the picture. " This is instructive for understanding Wang Wei's landscape poems. The title of this poem "Qingxi" is a little-known place in the east of Mianxian County, Shaanxi Province. When Wang lived in seclusion, he often swam with Qingxi into Huanghuachuan (now northeast of Fengxian County, Shaanxi Province). This poem is about time. Appreciating the natural scenery is undoubtedly a combination of poetry and painting. To understand this poem of Wang Wei, it is difficult to really grasp it only from the general poetry, and it must also involve painting, poetry and painting in order to see the true meaning. Wang Wei, a legend in the Book of the New Tang Dynasty, said: "The painting is fascinating, the mountains and rivers are far away, and the sea of clouds is stone-colored. The painter thought that the secret was there, and the literati were not as good as them. " Dong Qichang, a great painter in the Ming Dynasty, also said: "Two paintings in the north and south, in the Tang Dynasty ... in the south, Wang Mosuo began to use the method of changing shades into hooks." The so-called Yunfeng stone trace was touched, revealing the secret; The brushwork is vertical and horizontal, depending on the creator. " It can be seen that Wang Wei's landscape painting is characterized by the use of light and shade techniques, which is quite different from the complicated and meticulous description of predecessors. The so-called shade is rendered into two colors with ink, and this shade color is mainly light to the true color of ink, except for the traces of artificial carving, which conforms to physical properties and is natural. The paintings made in this way are "into the painting", "inspired by nature" and "involved in nature" and have artistic conception. Wang Wei claimed that "when painting landscapes, one should take a pen first", that is to say, before creating, he thought vividly, reached the understanding of God, was able to fit in with the objects before creating, and had his own artistic conception.
The first four sentences explain travel, always write about the situation on the road and add some dyes.
The "interesting way" is the way to go. The journey is less than a hundred miles, the stream winds, the mountain road winds, and you turn around along the mountain peak. This takes the lead. Then write in detail, where the author paints is more interesting: "The torrent buzzes on the pile of stones, while the light fades in the thick pine." The word "noisy" creates a strong sense of sound and gives people the feeling of hearing its voice. When it flows through the flat land in the pine forest, the same Qingxi is so quiet and quiet that there is almost no sound. The clear stream contrasts with the lush pine colors on both sides, and the colors are particularly beautiful and harmonious. This couplet is suitable for both movements, sounds and sounds, and its artistic conception is very rich. These two sentences describe the sound of rocks in the stream and the calm and dynamic combination that slowly enters the pine forest, highlighting the natural sound and color changes.
The last two sentences: "The surface of an inlet is swaying with nut horns, and weeds grow along the river bank." In this couplet, "Yangyang" depicts the dynamic appearance of water, and "Cheng Cheng" looks like the static appearance of water, which is the same as the previous sentence and extremely vivid. This is the scene when water soothes; Rabdosia crassipes floats on the water, rippling in blue waves and gently rippling; The calm water in Ming Che is like a natural mirror, reflecting the reeds beside the water. Quiet colors and quiet atmosphere constitute a quiet realm, which fully shows the nature of nature.
These four poems show the author's true colors. "Riptide over the stone" is a dynamic scene with strong rigidity, but the poet's "but in a dark place in a dense pine tree" is still diluted by the static description of tone rendering, reflecting the harmony and unique nature of nature. Although these two sentences, "Yangyang" and "Chengcheng", have the magical effect of changing the scenery, they are still connected with the above, showing a quiet and quiet environment through calmness, thus achieving a high degree of harmony among the noise, rocks, pines, water and reeds. This is "painting in poetry". But "painting in poetry" does not describe the picture with poems, but the realm of the unity of poetry and painting.
The premise of this kind of statistics is the poet's unique perception of nature, and the poet sends out his own artistic conception through this life. "In my heart, I have always been as pure as this clear water." It is the poet's description of understanding of nature and achieving harmony. The subjective mind is already leisurely and quiet, and Qing Chuan's seclusion is just in line with this natural attribute, so the artistic conception of the secret realm is produced. The consistency of poetic heart and artistic meaning also means the unity of subjectivity and objectivity, so it is picturesque.
It is precisely because of the unity of poetic heart and artistic meaning that it shows the harmony between oneself and nature, so it becomes a spiritual harmony to follow nature forever. The last two sentences of this poem can be regarded as an extension of its true meaning. Compared with the previous understanding of poetry and painting, it is an ideological form after perception, another rational level besides image, and can be regarded as an independent component. "Oh, stay on a broad flat rock and cast the fishing line forever! "The author quoted the allusion of Yan Ziling, a high-quality man, fishing by the river when Emperor Guangwu of the Eastern Han Dynasty, as a sign of seclusion. These two sentences are not only the thoughts arising from the understanding of the artistic conception of the whole poem, but also the inevitable destination of the author's thoughts.
This poem Qingxi is one of the representative works of Wang Wei's landscape poems.