Interpretation: Looking back at Zhou Yu's spring breeze, Qiao, a peerless beauty, just married him, full of heroic spirit. Wearing a nylon scarf, the hand-rocking feather fan was talking and laughing, and the battleship of the strong enemy burned to ashes.
Appreciation: Su Shi's focus is the reflection of Zhou Lang, so the next trip was triggered by Zhou Lang. The first five sentences are about the Red Cliff War. Similar to Zhou Yu's talking and laughing debate, it is effortless for the author to describe such a vigorous war. From the "romantic figures of the ages" in the opening sentence to "How many heroes there were", and then to "Thinking back to Gong Jin in those days", my eyes were closed all the time, and I finally focused on Zhou Yu. However, what Zhou Yu wrote was not his great wisdom and courage, but only his elegant and romantic temperament.
People who don't pay attention often regard "feather fan black scarf" as a synonym for Zhuge Liang, because Zhuge Liang's clothing is famous for its feather fan black scarf. But in the Three Kingdoms, this is the usual costume of Confucian generals. Song people often call Zhou Yu a feather fan, such as Dai Fugu's poem "Red Cliff": "Zhou Gongjin has been here for thousands of years, and now it is also." The British wind waved the feather fan, and the fire broke the ship. "
Su Shi praised Zhou Yu's elegance and calmness here, but his feelings were complicated. The Old Country was transferred from Zhou Lang to himself. Zhou Yu was thirty-four when he broke Cao Cao, and Su Shi was forty-seven when he wrote this word. Confucius once said, "If you don't know anything at the age of 450, you are not afraid." Su Shi, thinking of his ups and downs from Zhou Yu's promising young career, came up with a sentence of "Affectionate Ying Xiao Wo", which seems light in language but gloomy in meaning. But Su Shi is Su Shi after all. He is not a cold Confucian who is compassionate, but a wise man who has broken the world's humiliation. Therefore, after realizing his own sorrow, he did not indulge in suffering and hurt himself like Li Yu in the southern Tang Dynasty, but observed Zhou Yu and himself in the whole history of Jiangshan. In Su Shi's view, what about Zhou Yu, who was chic and calm and famous? I thought it was washed away by the big waves. In this way, Su Shi is beyond sorrow.
Original: The river of no return is a romantic figure through the ages. Old camp west, people say it's the war of the Three Kingdoms, Battle of Red Cliffs.
The steep rock wall, like thunder waves lapping against the river bank, waves like rolling up thousands of snow. The majestic rivers and mountains are picturesque, and many heroes emerge at once.
Looking back on Zhou Yu's spring breeze era, young and beautiful Joe just married him, and he was full of heroic spirit. A white figure with a feather fan came face to face, and while talking and laughing, the enemy warships burned to ashes.
I am wandering in the battlefield today. I feel a feeling heart and give birth to white hair prematurely. Life is like a dream, sprinkle a glass of wine to pay tribute to the bright moon on the river.
Author: Su Shi (1037-1kloc-0/01), a writer and painter in the Northern Song Dynasty. The word Zizhan, also known as He Zhong, is called Dongpo lay man. Han nationality, Meishan, Meizhou (now Sichuan). Together with their father Su Xun and brother Su Zhe, they are called Su San. He is an all-rounder in literature and art, and his writing style is unrestrained and fluent. He is also known as Ou Su with Ouyang Xiu, one of the eight masters in Tang and Song Dynasties. His poems are fresh and vigorous, and he is good at using exaggerated metaphors. He has a unique style in artistic expression, and is called Su Huang with Huang Tingjian. Bold ci school has a great influence on later generations, and it is called Su Xin with Xin Qiji; Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting, like literature, I like to be a strange stone. On painting, I advocate similarity. Poems include "Seven Chapters of Dongpo" and "Dongpo Yuefu".