1. Poems about the Yellow Crane Tower
The first poem about the Yellow Crane Tower is "Yellow Crane Tower" by Cui Hao of the Tang Dynasty
People in the past have ridden the Yellow Crane Go,
The Yellow Crane Tower is vacant here.
The Yellow Crane is gone and never returns.
The white clouds remain empty for thousands of years.
Qingchuan Lili Hanyang tree,
Fragrant grass luxuriant Parrot Island.
Where is the countryside at dusk?
The smoke waves on the river make people sad.
It is said that when Li Bai came to this building, he was also full of poetry. When he discovered this poem by Cui Hao, he called it "excellent" and wrote four limericks:
One punch Beat the Yellow Crane Tower to pieces,
Kick over the Parrot Island,
There is a view in front of you,
Cui Hao wrote a poem on it.
So he stopped writing. Later, some good people built a Li Bai "pen-holding pavilion" on the east side of the Yellow Crane Tower. Now there is Cui Hao's poem wall in Yellow Crane Tower Park, opposite is Li Bai's Pen Pavilion.
Li Bai wrote no less than five poems related to the Yellow Crane Tower, one of which is "Listening to the Flute Playing on the Yellow Crane Tower with Shi Lang Zhongqin": "One is moving to Changsha, looking west to Chang'an No home. The jade flute is played in the Yellow Crane Tower, and the plum blossoms fall in May in Jiangcheng." From then on, "Jiangcheng" became the nickname of Wuhan.
Yan Boli, a writer of the Tang Dynasty, described in his "Yellow Crane Tower" that "it is a towering structure, leaning on the river above and facing the river below..." It can be said: "It's dangerous, it's so high!" No wonder Li Bai With the words "Yellow Crane in the West Tower, the love for thousands of miles of the Yangtze River. The spring breeze is thirty degrees, and the city of Wuchang is remembered in the sky. It is difficult to say goodbye, but the cup is not poured. The lakes are connected to the happy land, and the mountains are followed by rafting. The promise is that the people of Chu are important, and the poem is passed down Xie Tiaqing. I have a song in Canglang, a message and a song to express my feelings.
There is a poem on the mural on the main floor of Yellow Crane Tower, "Farewell to Meng Haoran in Guangling": "The old friend bids farewell to the Yellow Crane Tower in the west. Fireworks descend from Yangzhou in March. The shadow of the solitary sail is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky." This poem has also become a quatrain in chanting the Yellow Crane Tower.
"Yellow Crane Tower" by Jia Dao
The high threshold and dangerous eaves are as strong as flying, and the lonely clouds and wild water are lingering. The green mountains will remain as they were for eternity. When will the Yellow Crane go and not return? The bank reflects half of the city of Xizhou, and the trees in Nanpu are about to fade away in the smoke. I must know that Yu Ke has no reason to see, and the messenger in the air looks at Luo Hui affectionately!
Questions of the Song Dynasty
There is no difference between Han and Guang, and the boat travels like an immortal. The clear river spends the warm day, and the yellow crane makes clear smoke.
Yue Fei
When will he ask for a tassel to carry a sharp brigade and cross the Qinghe River and Luo River with a whip? But he returned and continued his tour of Hanyang, crossing the Yellow Crane.
Lu You
How late is it to return to Canglong Quejiao? I don’t know how drunk I am in the Yellow Crane Tower. The Han River exchanges waves are faint, and the relics of the Jin and Tang Dynasties are scattered.
Fan Chengda
Who plays the Mid-Autumn Festival with the flute, and the Yellow Crane returns to reconnect with old friends. The Han tree is full of love across the North Dipper, and the Shu River is speechless embracing the South Tower.
Bai Juyi
The thoughts of Chu are vague, the clouds are cold and the water is cold, and the sound of business is clear and orchestral in autumn. White flowers splash in Toutuo Temple, and Parrot Island is caged in red leaves.
Liu Yuxi
I felt suspicious in my dream, and my boat suddenly traveled thousands of miles. The Yellow Crane Tower is missing, but the cold sand and snow look similar.
Wang Wei
Canglangshui below the city, Yellow Crane Tower on the riverside. Zhu Lan will be surrounded by powder and the river will be reflected leisurely. 2. Cui Hao's poems about the Yellow Crane Tower
1. Original text
Yellow Crane Tower/Climbing the Yellow Crane Tower
Author Cui Hao
Dynasty and Tang Dynasty
People in the past had gone there by Yellow Crane, and the Yellow Crane Tower was vacant here.
The yellow crane will never return, and the white clouds will remain empty for thousands of years.
There are Hanyang trees in Qingchuan and Parrot Island with luxuriant grass.
Where is Rimu Xiangguan? The smoke on the Yanbo River makes people sad.
2. Translation
The immortals in the past have flown away on the Yellow Crane, leaving only an empty Yellow Crane Tower.
The Yellow Crane never came back. For thousands of years, he only saw white clouds.
The trees of Hanyang are clearly visible under the sunlight, and there is a green grass covering the Parrot Island.
It’s getting late. Looking into the distance, where is my hometown? All I could see in front of me was a mist covering the river, bringing me a deep sense of melancholy. 3. Ancient poems about the Yellow Crane Tower
Yellow Crane Tower (Tang Dynasty) Cui Hao People in the past have taken the Yellow Crane to go there, and the Yellow Crane Tower is vacant here.
The yellow crane will never return, and the white clouds will remain empty for thousands of years. Qingchuan is full of Hanyang trees, and the grass is luxuriant and Parrot Island is green.
Where is the country gate at dusk? The misty waves on the river make people sad. Introduction to the poet Cui Hao, a native of Bianzhou (now Kaifeng City, Henan) in the Tang Dynasty (704?-754 AD), was a Jinshi in the 11th year of Kaiyuan of Emperor Xuanzong of the Tang Dynasty (723 AD).
He was quick-thinking and good at writing poems. He was a poet in the prosperous Tang Dynasty. "Old Tang Book·Wenyuan Biography" mentioned him along with Wang Changling, Gao Shi and Meng Haoran. However, he had ups and downs in his career and ultimately failed to achieve his ambition. There are not many records about him in history, and few legends and stories about him have been handed down in his hometown of Bianzhou. The old "Book of Tang Cui Hao Biography" is very brief and does not even mention his literary achievements. These are all. What is it for? It's worth thinking about.
The works are passionate, bold and magnificent. Translation: The legendary immortal flew away on the Yellow Crane long ago, leaving only the empty Yellow Crane Tower.
The flying yellow crane never returned, only the long white clouds remained the same for thousands of years. Looking across the river from the Yellow Crane Tower on a clear day, you can clearly see the trees in Hanyang, and the grass grows extremely luxuriantly on Parrot Island.
At dusk, I don’t know where is my hometown? Facing the misty waves, the big river is worrying! Appreciation of the original poem says: "People in the past have gone away on white clouds, and the Yellow Crane Tower is empty here. The Yellow Crane has gone and never comes back, and the white clouds have been empty for thousands of years.
There are Hanyang trees in Qingchuan, and Parrot Island with luxuriant grass. Where is the hometown at sunset? The misty waves on the river make people sad."
This poem's seven rhymes can be roughly divided into two levels. The first four lines talk about the loneliness of the immortals who have passed away, and the last four lines talk about the melancholy of the common people. . As for the explanations of myths, legends and geographical events in the poem, I will not go into details. Many other people's explanations are very detailed and much better than my nonsense. Readers may wish to read them on their own.
I am just talking about the Shinto story passed down because of this poem. After the Tang Dynasty, this poem was widely circulated and considered to be the best paradigm of Qilu.
In fact, this poem is compared according to the precepts of the Seven Rules. Its oblique sentences and heavy words are taboos. Unfortunately, Cui Hao is an expert in creating scenes and ideas. The frustration and loss caused by the loneliness caused by the immortal riding a crane and never returning leave you with unclear feelings and emotions. What else can you care about? Frustrated? The next thing is that the clear river is clearly visible in front of you, and the luxuriant grass is visible, which adds to the leisurely thinking of where the immortal is.
So, what followed was the homesickness caused by thinking about immortals, and the sorrow on the Yanbo River was really endless. Putting aside the factors of Li Bai's later evaluation, do you think this poem should be applauded after reading it? What is truly good lies in its wonderful artistic conception.
Later, there was a legend about Li Bai's evaluation, which made the poem that was originally a high-quality poem even better. According to "The Biography of Talented Scholars of the Tang Dynasty", after Cui Hao finished his poem and mentioned it on the Yellow Crane Tower, Li Bai also went there on a trip. "When Li Bai came, he said: 'There is a view in front of me and I can't find a way to do it. Cui Hao wrote a poem on it. Above.
"I left without doing anything, and gathered my hands for the wise craftsman." This poem by Cui Hao actually embarrassed the poet, and everyone stopped here in the future, which shows that it is a poem. The charm! Later generations conducted research and believed that this incident seemed to be a figment of imagination.
Let’s just believe this “research” and let’s just say it’s just a figment of our imagination. But two points are true: First, Li Bai really swam through the Yellow Crane Tower, as evidenced by a poem: "My old friend left the Yellow Crane Tower in the west, and the fireworks descended from Yangzhou in March.
The lonely sail is far away The shadows in the blue sky are gone, and only the Yangtze River can be seen flowing in the sky." ("Farewell to Meng Haoran at the Yellow Crane Tower in Guangling"). There is also a long five-character and ten-rhyme poem "Looking at the Yellow Crane Tower" that can also be used as evidence.
Secondly, Li Bai really envied Cui Hao's poem, because at least two of Li Bai's poems with seven lines are imitated from "Yellow Crane Tower". One is "Parrot Island", the poem goes: "Parrots come to the Wujiang River, and the name of parrots is spread on the river.
The parrots fly west to Longshan, and the trees in Fangzhou are green. The orchid leaves are blooming and the wind is warm. , The peach blossoms are blooming on the shore.
At this time, the tourists are looking to see who the lonely moon of Changzhou is. "The other poem is "Ascend the Phoenix Tower of Jinling", which goes "Phoenix Tour on the Phoenix Tower." , the phoenix leaves the Taikong River and flows by itself.
The flowers and plants of the Wu Palace are buried in the secluded path, and the clothes of the Jin Dynasty are transformed into ancient hills. Floating clouds can block the sun, but the absence of Chang'an makes people sad." Think about it, why did Li Bai imitate Cui Hao's pattern and write these two poems? He must have been extremely envious and decided to find a subject to try his skills on, so he chose the two locations "Parrot Island and Phoenix Terrace" to write poems about.
What was the result? I think there are two kinds of evaluations. One is Li Bai himself. He must think that writing like Cui Hao is not a problem, let alone a problem. It is just Cui Hao's successful artistic conception. If I had other realms, I would be stronger than him.
Therefore, Li Bai's poems always lead with intention and must win in the subsequent years. According to the evaluation of outsiders, this imitation of Li Bai is really not as good as Cui Hao's, and future generations should be warned that imitation is a taboo.
But I always feel that apart from this poem, Cui Hao's poetry is really not excellent. How can it be compared with Li Bai's? Later, he was not as good as Li Bai. Was Cui Hao proud, or was his inspiration no longer there? In fact, Cui Hao's poems were just a moment of "accidental enlightenment", while Li Bai's life was a thorough and magnanimous "enlightenment". The difference between the two is just this. Therefore, I thought of a common saying in the Buddhist and Taoist circles called "wisdom root". It is believed that wisdom root is innately endowed, but it can only be stimulated and generate wisdom through acquired practice - this is what I said. .
I thought about the conditions for the generation of this wisdom: newborn children are similar to each other. It should be said that they all have good wisdom roots. The remaining question is how to stimulate the emergence of wisdom. There are two methods in the religious world, one is concentration-based practice, and the other is qigong-style practice.
The former lies in the enlightenment and wisdom gained after meditation and meditation, while the latter lies in the sublimation of wisdom after meditation and meditation. Friends may ask, how can you practice it when it is so difficult and difficult? Do you still need to become a monk? No! I wonder if you have paid attention to the state of mind of calligraphers and painters. That kind of concentration is similar to the tranquility of Qigong. Therefore, when they paint for books, they have inspiration to accompany them. Therefore, not only are they inspired, but they also live longer.
The wisdom we call coming from the root of wisdom is this kind of inspiration. However, the wisdom generated by Qigong is a relatively continuous process, while the inspiration generated by focusing on a certain event is a short-lived process. The difference is just that. At this point, it is probably made clear that doing any kind of knowledge or writing any kind of thing must be accompanied by wisdom or inspiration. Only with this kind of thing can one transcend the world and become a saint, and only poetry is possible. 4. Cui Hao's famous line from the ancient poem about the Yellow Crane Tower
Cui Hao's famous line from the ancient poem about the Yellow Crane Tower is: Once the Yellow Crane is gone, it will never return, and the white clouds will remain empty for thousands of years.
"The yellow crane will never return, and the white clouds will remain empty for thousands of years." This is the chin couplet in the poem. The natural picture of the river and the sky becoming more majestic and vast due to the white clouds. Infected by this scene, the poet's mood gradually became brighter.
The emotions in my chest have also been given wings to gallop: the long history and beautiful legends of the Yellow Crane Tower are replayed before my eyes, but in the end things have changed and the building is empty.
What people leave behind can withstand the test of time. She is nothing else. She is the continuous nostalgia and long-lasting nostalgia that will continue no matter how old the earth is, whether the seas are dry or the rocks are rotten.
This sentence has a universal and inclusive meaning, expressing the poet's illusory feeling that the years are hard to come back and the world is at a loss. It also pave the way for the infinite sadness of the following poem about the difficulty of returning to hometown. Therefore, it has become a poem that deserves deep attention and attention. Famous quotes to be savored over and over again.
From: "Yellow Crane Tower" is a seven-character poem written by Cui Hao, a poet in the Tang Dynasty. Original text:
Yellow Crane Tower / Climbing the Yellow Crane Tower
Tang Dynasty: Cui Hao
In the past, people had taken the Yellow Crane to go there, and the Yellow Crane Tower was vacant here.
The yellow crane will never return, and the white clouds will remain empty for thousands of years.
There are Hanyang trees in Qingchuan and Parrot Island with luxuriant grass.
Where is Rimu Xiangguan? The smoke on the Yanbo River makes people sad.
Translation:
The immortals of the past have flown away on the Yellow Crane, leaving only the empty Yellow Crane Tower here.
Once Yellow Crane left, he never returned here. For thousands of years, only white clouds floated leisurely.
The green trees of Qingchuan Pavilion in Hanyang are clearly visible, and you can even see the Parrot Island with lush grass.
At dusk, I don’t know where is my hometown? Seeing the mist on the river is even more distressing!
Extended information:
Creation background:
The specific creation time of this poem cannot be verified. The Yellow Crane Tower is named after the Yellow Crane Mountain in Wuchang where it is located. It is said that Fei Yi ascended the immortal and rode a crane here. This poem was written from the origin of the name of the building. The poet climbed up to the Yellow Crane Tower, glanced at the scenery in front of him, and was inspired by the scenery, so he created this poem.
Appreciation:
The last four sentences of this poem change the angle and write about what you see and feel when you climb the Yellow Crane Tower and look down at Jianghan. The poet is condescending, as if observing the world from heaven, and feels a sense of transcendence. This emotion is also developed from two perspectives: space and time.
Compared with the vastness of the universe, the sense of distance in the human world should be insignificant. Under the clear sun, the scenery on the vast Jianghan Plain is vividly visible; the luxuriant grass of Parrot Island is even more in front of your eyes. But my hometown is far away, beyond sight.
The range of activities in human life is too limited. Compared with immortals, it is as different as a bird soaring among the basil and a roc with a wingspan of 90,000 miles. From a time perspective, a person's lifespan is measured in years, with days turning into months and months turning into years.
In the blink of an eye, a hundred years pass, and a person's life is over. Compared with the ghost who "takes five hundred years as spring and five hundred years as autumn", it is already pitifully short; "Seven days in the sky, thousands of years in the world" come, let alone the same.
In the coordinate system of the space of the human world and this period of life, where am I at this time and place? When the day was about to end and the smoke was rising on the river, "I" who was on the Yellow Crane Tower really couldn't explain it.
It can be seen that the poet's "sadness" has rich connotations and is not just for nostalgia. In the last four sentences, the scene description is more prominent, but they are all random scenes, and the author did not deliberately depict them.
Especially when these scenery words are integrated into the poet's deep emotions, their characteristics as scenery become more diluted. It can be inferred that Li Bai's saying "you can't see the scenery in front of you" was largely motivated by this.
The brilliance of this poem "Yellow Crane Tower" by Cui Hao is that it completely abandons the external characteristics of the Yellow Crane Tower such as its location and shape, and instead focuses on the fundamental factor of its name. Make a fuss.
As for its name, the Yellow Crane Tower’s connection with magical legends is its charm, which is difficult to match with the Yueyang Tower and Tengwang Pavilion. The first two couplets of this poem describe what I see and feel when I look up at the vast sky under the Yellow Crane Tower.
When the poet first saw the Yellow Crane Tower, the most prominent impression in his endless reverie was the story of the ancients who ascended here. That "former man" was originally an ordinary person, but because he learned the Tao from immortals, he became an immortal and entered the fairyland.
Later, he rode the Yellow Crane to revisit his old place. The Yellow Crane Tower should remember his immortal spirit. The Yellow Crane is naturally a Taoist crane. After flying across the sky in front of me that time, it still belongs to the human world.
Facing the white clouds, the poet realizes the eternity of time in the universe and the shortness of life. Although there is no series of "Tianwen"-style emotions, readers can already feel the ups and downs of the poet's heart.
Understand the poet’s thoughts about the universe and the true meaning of life conveyed by images such as yellow cranes and white clouds. The first four sentences of this poem are good because they are triggered by the Yellow Crane Tower and cannot be moved elsewhere. It comes naturally, just like it comes out of your mouth.
There is no trace of chiseling at all. It is figurative and does not reveal all thoughts, but it can make people think deeply and endlessly. Written in this way, although it does not describe the shape of the Yellow Crane Tower in detail, it successfully demonstrates its spiritual outlook. 5. What are the poems about the Yellow Crane Tower?
1. The old friend bid farewell to the Yellow Crane Tower in the west, and the fireworks descended from Yangzhou in March.
——Li Bai's "Yellow Crane Tower Sends Meng Haoran to Guangling" 2. People in the past have taken the Yellow Crane to go there, and the Yellow Crane Tower is vacant here. ——Cui Hao's "Climbing the Yellow Crane Tower" 3. Holding a green jade staff, bid farewell to the Yellow Crane Tower.
——Li Bai's "A Ballad from Mount Lu Sent to Lu Shi Yuxu Zhou" 4. Nine sects flowed across China, a thread running through the north and south. The mist and rain are vast, and turtles and snakes lock the river.
——Mao Zedong's "Bodhisattva Man·Yellow Crane Tower" 5. The jade flute is played in the Yellow Crane Tower, and plum blossoms fall in May in Jiangcheng. ——Li Bai "Listening to the Flute Playing on the Yellow Crane Tower with Shi Langzhongqin" 6. Looking east to the Yellow Crane Mountain, you can see the majestic figures coming out of the sky.
——Li Bai's "Looking at the Yellow Crane Tower" 7. I once blew the wind from the Yellow Crane Tower, and the sound occupied the autumn river moon. ——Liu Yuxi's "The Old Man in Wuchang Speaks of Flute Songs" 8. There are green Han boats and pavilions and yellow crane towers.
——He Zhu's "Sending Zuo Yu to Jiangxia Lieutenant" 9. On Parrot Island in front of the Yellow Crane Tower, the sun sets in the west and the water flows in the east. ——Shi Fansi's "Nine Ode to the Ancients·Parrot Island in front of the Yellow Crane Tower" 10. The autumn water is long in front of the Yellow Crane Tower, and the river and the sky are far away in the north.
——Luo Hongxian's "Lv Huai·Part 3·Looking at the Yellow Crane Tower" 11. I think of the height of the Yellow Crane Tower in the distance, the silk tubes on the orchid steps are boiling, and the wine glasses are like weaving. ——Li Mixun's "Niannujiao·Chutian Muluo" 12. The Cangjiang River is under the city and the Yellow Crane Tower is on the riverside.
Zhu Lan will be a powdery wall, and the river will be reflected leisurely. ——Wang Wei's "Farewell to the Governor of Kang" 13. When you visit the Yellow Crane Tower, I am the Peach Blossom Spring.
——Zhao Fan's "A Letter to Wu Zhongquan" 14. It's not far from Hanyang, otherwise it's Parrot Island in front of the Yellow Crane Tower. ——Shi Zhiyu's "Twenty-one Stanzas·Sida Huanghuang" 15. The jade flute in the Yellow Crane Tower makes the sound of spring when you watch the flowers.
——Guan Na's "Inscription on Plum Blossoms to Send to Friends" 16. Yellow Crane and the Moon in the West Tower, the love for thousands of miles along the Yangtze River. ——Li Bai's "Send to Chu Yong to Wuchang" 17. The iron flute is left in the Yellow Crane Tower, and the Qingniu people are far away and the Yao compilation is left.
——Zhong Shijie's "Super True View·Part 2" 18. The leaves in front of the Yellow Crane Tower are yellow, and the white clouds are flying across the vast expanse of wild geese. ——Chen Fu's "Evening View of Hubei" 19. The Yellow Crane Tower was low the day before yesterday, and the trees in Hanyang City were in chaos and crows were crying.
——Li Mengyang "Farewell to Friends at Night in Xiakou" 20. The setting sun is at the Green Mountain Pavilion, and the floating clouds are at the Yellow Crane Tower. ——Tian Xi's "Reading Hanlin Collection" 21. I smashed the Yellow Crane Tower for you, and you also knocked down Parrot Island for me.
——Li Bai's "Jiangxia Presents Ice to Wei Nanling" 22. Without the Yellow Crane Tower, the cold sand and snow look similar. ——Liu Yuxi's "Two Poems of a Pocketed Minister Leaving the Border of Ezhou" 23. Qianfeng smiled and pointed to the way he came, the month before the Yellow Crane Tower was the king.
——Chen Lu "The World's Qings Visited Chu Yuntai and Presented to the World" 24. Send you off to Yangjingzhou, and send you west to Yellow Crane Tower. ——Dai Yugeng's "Farewell to the Marquis of Zhao" 25. A visitor wanted to climb the Yellow Crane Tower, so he hung up his sails and left Yangzhou in October.
——Wen Peng's "Autumn Flood of the Chu River for Wu Zi" 26. Zhang Zi bid farewell to the Yellow Crane Tower and returned to Yangzhou on a crane. ——Huangfu Zhang's "Send Zhang Zi back to Guangling" 27. Qi Jun is at a different time and on a bright moonlit night, he drinks at the Yellow Crane Tower in Yueyang.
——Huang Tingjian's "He Shi Bi's Ode to the Mid-Autumn Moon" 28. The yellow crane never comes again, and the clouds leave somewhere else. ——Chen Tao's "Two Songs of Huaixian" 29. The Yellow Crane Tower leans high for half a day, and the yellow crane in the building has been gone for thousands of years.
——Jiang Wanli's "Inscription on the Yellow Crane Tower" 30. Where do hundreds of thousands of Buddhas live? The poems about the Yellow Crane Tower are inferior to them. ——Shi Faxun's "Ten Ode to the Ancients: Where Do the Hundreds and Thousands of Buddhas Live?" 31. The jade flute is played at the head of the Yellow Crane Tower, but I have no chance to see the woman on the Blue Bridge.
——Zhang Fengxiang's "Red Plum" 32. Fu Zui once climbed the Yellow Crane Tower, facing the Parrot Island in Hanyang City. ——Fang Xiaoru's "A Picture of Rivers and Mountains" 33. There is a restaurant selling wine in the east of Yellow Crane Tower, and Wang Sun Qingxiao is stationed in the tour bus.
—— Naixian's "Two Spring Days in the Capital·Part 2" 34. You must know the place where it is difficult to hide your body, Parrot Island in front of the Yellow Crane Tower. ——Shi Huifang's "Where Do All the Buddhas Live?" 35. This place should have a Ci Immortal, who will support the plain clouds and yellow cranes, and play games with you.
——Jiang Kui's "Yin of Cuilou·Chunxi Bingwudong" 36. A guest from Qingyun visited the Yellow Crane Tower three times. ——Li Bai "After the chaos, Tianenliu Yelang recalled the old travel book and presented it to Jiangxia Wei Prefect Liangzai" 37. The moon is white in the Yellow Crane Tower, and the water flows in front of Parrot Island.
——Zhang Fu's "Autumn Evening in Taihu Lake·White Moon in the Yellow Crane Tower" 38. The head immortal of the Yellow Crane Tower will never return, and the people in the Qingluan Mirror will never grow old. ——Xu Yong's "Sent Off to Mr. Chen Mengying for Xu Yiwu's Tour to Wuchang" 39. There is an autumn appointment outside Biji Pass, and the rain is falling in front of the Yellow Crane Tower.
——Huang Zhong's "Send to the River to Serve the Emperor" 40. Smoke rises from the Hanyang tree in the distant river, and the swallows return to the empty Yellow Crane Tower. ——Cao Xun's "Eight Scenes Painted by Yu {扌燇}·When the Sky Is Blue Above and Below" 41. Yellow Crane Tower on green mountains, Black Dragon Pond on white water, wild apes crying to death.
——Qiao Ji "Zhonglu·Red Embroidered Shoes·Bamboo Shirt and Knife" 42. Will Mr. Ande travel with you? Buy wine and go to Yellow Crane Tower. ——Wang Mian's "Sun Yuanshi's Spring Outing" 43. The immortal is in the Yellow Crane Tower, waiting for his son to wash the pot and wine.
——Xu Zhenqing's "Meeting Xu Yuanwai on the River" 44. The green clouds and fur are covered with snow, sending you to the Yellow Crane Tower. ——Li Bai's "Jiangxia Farewell to Friends" 45. Cuihua used to station in Parrot Island, and Cheng En called to the Yellow Crane Tower.
——Zeng Lu's "Gift to the Yellow Taoist and Return to Jiugong Mountain" 46. The autumn moon is cold in front of the Yellow Crane Tower, and the river in front of the building is vast and filled with smoke. ——Rao Tingzhi's "Night Tour of the Yellow Crane Tower and Meeting a Taoist" 47. The emperor's palace in front of the Yellow Crane Tower has always been the most powerful place in Jiangdong.
——Zhou Tingzhen's "The Fall of Wuchang in the First Month of Renchen in the Twelfth Year of Zhizheng" 48. In front of Dabei Pavilion is Dingzhou, and in front of Yellow Crane Tower is Parrot Island. ——Shi Huihui's "Forty-One Stanzas·Golden Qi, Yellow Maple and Half Red Leaves" 49. The yellow crane will not come for a long time, and I will be safe in the vast sky.
——Li Bai "Meeting the public from Liangyuan to Jingting Mountain to talk about Lingyang landscape and traveling together at the same time, so I got this gift" 50. The moon in front of the Yellow Crane Tower was white, and I suddenly saw a visitor from Emei. ——Li Bai's "Mount Emei's Moon Song Sends Shu Monk Yan to Beijing" 51. In front of Dabei Pavilion is Dingzhou, and in front of Yellow Crane Tower is Parrot Island.
——Shi Huihui's "Forty-One Stanzas·Golden Qi Yellow Maple Half Leaves Red" 52. You went to Shitou Station and sent a letter to Huanghe Tower. ——Li Bai's "Reply to Pei Shiyu, who went to Shitouyi first to read the call in writing and said that the moon will be full in the cave" 53. The Yellow Crane has not come for a long time, and Zi'an is in the vast sky.
——Li Bai "Meeting the public from Liangyuan to Jingting Mountain to discuss Lingyang landscape and traveling together at the same time, so I got this gift" 54. A poem in front of the Yellow Crane Tower, painting the eyebrows with a sweep basket . ——Shi Chongyue's "Huikangbo's missionary invitation {The scholar Zhang Zhuo was held in the hall and asked hundreds of thousands of people in Changsha" 55. In March, the orioles bloom in the Yellow Crane Tower, and the poets have no return to the old style.
——Lao She’s “Congratulations on the Establishment of the National Association of Literary and Art Circles to Resist the Enemy” 56. Parrot Island in front of the Yellow Crane Tower, it’s like traveling in a dream back then. ——Jie Xisi's "Dream of Wuchang" 57. Back then, the talented man came to Parrot Island and killed the Yellow Crane Tower while stroking his palms.
——Liu Yin's "Sending Xu Sheng Back to Hubei" 58. Hu Tonggu got off the boat with wine and climbed to the Yellow Crane Tower tomorrow. ——Shi Jin's "Climbing the Yueyang Tower" 59. Smoke rises from the Hanyang tree in the distance, and the empty swallows return to the Yellow Crane Tower.
——Cao Xun's "Eight Scenes Painted by Yu {扌燇}·When the Sky Is Blue Above and Below" 60. It is suspected that there is foreign resentment in Bailongdui, and I wish I could hear it in Huanghe Tower. ——Wang Yanchang's "Wearing the Flute" 61. Throughout his life, he was down and out, and earned a false reputation. He also smashed the Yellow Crane Tower and kicked over the Parrot Island.
——Xie Jin's "Quarrying Stone to Hang Mrs. Li."