The last sentence that I regretted teaching my husband to find a title was: I suddenly saw the willow color in the strange head.
from Wang Changling's always in my heart in the Tang Dynasty: Young women in boudoir don't know how to worry, so they put on makeup and go to the green building in spring. Suddenly saw the green willows green, in the heart afflictive; Oh, regret should not call my husband to find fenghou.
A young woman in a boudoir doesn't know what it's like to be sad. Make-up in the spring, and climb the Cuilou alone. Suddenly I saw the willows on the roadside spitting blue, and I regretted asking my husband to fight in the border for fame and fortune.
Poems value songs but avoid straightness. Wang Changling's seven verses are subtle, tortuous and wonderfully profound. Throughout the poem, he narrates other feelings without other words, and leaves sorrow without words. The writing method is extremely economical and the meaning is extremely profound. It can be said that the least words can accommodate the most semantics.
Creative background:
In the early Tang Dynasty, the national strength was strong, and it became an important way for people to "seek a title" by going on expeditions in the army and making meritorious deeds. "Fame only comes from the horse, and it is really a hero and a husband", which became the life ideal of many people at that time. Wang Changling's always in my heart was written in this environment. In the 15th year of Kaiyuan (727), Wang Changling went to the northwest to sleep around this year, and this poem was written at about the right time.