Wearing a white dress, the ground was covered with dark lines of rusty butterflies, a butterfly tassel was raised on a head of moss, and the butterfly carved into pearls on his forehead overnight exuded a faint light. Emei brushed her face lightly, but she still couldn't hide her amazing face. A crystal necklace around its neck is becoming clearer and clearer, a white jade bracelet on its wrist is lined with snow skin, and a pair of gold-plated shoes on its feet are decorated with precious stones.
On the third day of March, it was a sunny day. Many beauties were walking along the Chang 'an River. They were receptive, indifferent, sweet and sincere, with soft skin and well-proportioned bones. Their embroidered silk robes sparkled in the spring sunshine, and a group of golden peacocks and silver unicorns hung on their temples? Cui is a lotus leaf hanging on his lips; The beads behind them pressed tightly against their waists and bodies. -Du Fu's "The Second Way" Hu Ji is fifteen years old and has a spring outing alone. She is wearing a long skirt with wide sleeves and a tie. She wears a lantian jade on her head and a big Zhu Qin behind her ears. She is gentle and has no good life. One is 5 million, and two are.
3. The dress description of ancient court women is wrapped in a light pink dress and covered with a white tulle dress, revealing a graceful neck and a clearly visible collarbone. The pleats of the skirt flow lightly on the ground like snow and moonlight, with more than three feet of arms and a more graceful gait. Three thousand locks were tied up with hair bands, and a lock hung down on the chest, and light makeup was applied, only adding color and cheeks. The whole person is like a butterfly flying in the wind, and like a clear and thorough ice and snow, wearing a peony green gauze skirt, a green leaf skirt, pink daffodils scattered flowers, wearing a thin golden gauze skirt.
The drooping sideburns are inlaid with pearls and jasper, and the flowers look like water hibiscus. Wearing a pale white court dress adds a bit of dust to the elegant place.
Elegant and luxurious behind the wide skirt. Black jade hair is simply tied into a dancing fairy bun, and a few full and round pearls are randomly dotted in the hair room, making the dark cloud-like hair more supple, shiny and moist.
Beautiful eyes look around, colorful, red lips chuckle. Dressed in a long light blue dress embroidered with Bai Hongmei, a white ribbon was used to bind the fragile waist. A head of hair was tied into a wishful bun, and only one plum white Hosta was inserted. Although simple, it looks fresh and elegant in a light blue court dress with finely embroidered cherry petals.
She wore a Hosta with thin silver beads on it. She is wearing a lavender dress with a small pink gardenia embroidered on her face. Hair is tied into a loose bun casually, and a lavender hairpin is inserted obliquely, some of which are casual but elegant.
Slightly put on makeup, lips are not red. A turquoise sweater, a pleated skirt with scattered flowers, water mist and green grass, wearing a turquoise gauze water, if the shoulders are cut, the muscles will be coagulated and faint.
Charming, boneless, brilliant, three points. She wore a white tulle skirt, tied her waist in a soft bow with water-blue silk, and gently rolled up her black hair with an oblique Ling Wei hairpin.
Skin as bright as jade, no makeup. I was walking alone in the purple bamboo forest, wearing a thin rose-scented Xia Ying yarn corset, a soft smoked skirt with green flowers around my waist, and a white plum blossom cicada yarn sweeping the floor. If the waist is thin, if the shoulders are cut, you will smile and look forward to it.
The pale pink court dress is embroidered with pale blue butterflies flying with wings and covered with a layer of white gauze. The breeze blows gently, but there is a feeling of going with the wind.
Silk-like black hair floating around the waist at will, slender figure, weak waist line, more lovely, light green. It is covered with a layer of golden gauze, and the wide clothes are covered with purple patterns. 3,000 Tesla is simple, the rest is hung around the neck, and a small red gem is hung on the forehead, which is just right. She has a hollowed-out flying phoenix on her head, which makes a tinkling sound as the lotus moves gently.
A golden yellow Yunyan shirt embroidered with orchids is beautiful and elegant, and a yellow ancient double butterfly cloud-shaped thousand water skirt is held together with a Luo peony mist yarn. Ji Yun towering, wearing a hollow LanZhuChai, charming as the moon, eyes, heart sultry.
If the shoulders are cut into pieces, the waist is like a vegetable, the eyebrows are like jade feathers and the muscles are like snow. Dressed in plain brocade palace, covered with light blue tulle, the breeze blew and the tulle danced, giving off a faint aura.
Three thousand locks of hair tied into a simple blue bun, put on an elegant plum blossom hairpin, and walked alone to the imperial garden. The wind bun exposes the temples, and the eyebrows and eyes sweep with spring. The skin is as smooth as jade, the cherry mouth is not red or tender, and the two strands of hair on the cheek gently move with the wind, adding a bit of attractive amorous feelings. A purple dress embroidered with rich peony, water-green silk tied at the waist, the perfect figure is undoubtedly a pale yellow smoky shirt, a white palace satin plain snow silk cloud-shaped thousand water skirt, a smoky hibiscus bun on the bun, a faint moth eyebrow powder on the face, a bright blue gauze skirt hanging on the ground, holding milk clouds. Tie a fairy bun in your hair and insert a sapphire butterfly hairpin diagonally. Your eyes are like two black crystals rising in mercury. They are clear and bright and covered with a thin layer of powder. They have the color of a beautiful country, and their manners are generous, which adds elegance to them. When their eyebrows are swept away, they are beautiful.
Light-colored Luo skirt with silver silk edge, watercolor yarn with waist, wearing purple painted hibiscus long skirt with waist and vibrating sleeves. Smiling slightly, young and ignorant, a pair of spirit beads are as smooth as pearls, and their eyes are as clear as streams under the ice, free from the dirt of the world. Their eyelashes are long and dense, and they are slightly tilted like cattail fans. They held out their hands and pointed to a small nose. A pair of soft and long white orchids embroidered on the cuffs were lined with chopped onion-like fingers, and the lips of * * * were crystal clear.
Jade has a light blue tassel pendant on the earlobe, which is light and can dance slowly with a little wind. Light green flat dress, long and mopping the floor, without a single pattern, only the cuffs are embroidered with a few half-opened oleanders with red silk thread, the waist is tied with ivory silk sash, a small sachet is hung, and a sapphire chain is worn, which makes it more and more attractive and timid.
The hairstyle is also very refreshing and concise, but the bangs are scattered neatly at will, and the hair on the forehead seems to be inadvertently separated. Then, the white jade eight-tooth comb is loosely tied behind the head, and two broken bead pins are inserted, and a golden bead peach blossom pin is obliquely inserted on the smooth and flat low bun. The long pearls and jade wreaths add exquisite and beautiful colors and leave a little silver tassel. Water-colored eyes are clear and bright, but they seem to see through everything with the coldness of speaking. Small and exquisite nose, small mouth as thin as cherry, rippling smile on delicate and flawless face, delicate and charming face. Dressed in a light pink tulle dress, with a soft white cigarette gently around her waist, nine orchids embroidered on the edge of the skirt corner and silver flashing lines, showing off in a light pink.
I want to find some words to describe women's dresses in Qing dynasty. The skin is slightly plump, the figure is harmonious, the cheeks are condensed with new plums, and the nose is greasy with goose fat, which is warm and silent and amiable. The second one has a thin waist, a slender figure, an oval face, delicate eyebrows and eyes, looking forward to flying, and the essence of literary color has been forgotten.
Colorful embroidery is radiant, just like a fairy princess: wearing a bun embroidered with golden silk and eight treasures beads on her head, a hairpin embroidered with five phoenix beads under the rising sun, a red gold plate and a garland hanging around her neck, a bean green palace sash hanging on her skirt, a rose handkerchief balanced on both sides, a golden butterfly wearing a narrow coat inlaid with bright red satin, a colorful carved azurite silver mouse coat and a jade pendant.
From The Red Chamber.
5. A paragraph describing the costumes of the Qing Dynasty. The "cheongsam" of the Qing Dynasty was brought into Guanzhong by Manchu, but in international occasions, "cheongsam" has long been synonymous with the beauty of China costumes.
Manchu women usually wear robes that are enough to cover their feet, from which the later cheongsam evolved. At first, the cheongsam was very wide and had no waist. Later, it gradually narrowed and the waist was tight and narrow. The collar and cuffs are embroidered with lace, which is full of strong characteristics of the times.
There is a vest outside the robe, also called vest, which is similar in style to men's vest. Although Han women in Qing Dynasty were ruled by other nationalities, they still had greater freedom to dress under the norm of "men are superior to women".
Generally, women wear cloaks and skirts, and there are big coats and small coats in the cloak. Small coats are women's close-fitting clothes, and the color is mostly red.
The color of the lower half of the clothes is also red, but the style changes with the years. By the end of the Qing Dynasty, it was still popular to wear pants, one was full crotch pants and the other was set pants.
Female foot-binding reached its peak in Qing Dynasty, but it was limited to Han women. In order to satisfy women who don't bind their feet, most of them wear embroidered shoes with wooden soles. It is said that in the last years of HD and the early years of the Republic of China, China was in a chaotic moment of regime change, and the old and new ideological trends presented a strong impact, which made women at that time look traditional and conservative in appearance, although they had tried to innovate and change to some extent.
Clothing hasn't changed much. Generally, it is in the form of a coat and a skirt, with a coat above and a long skirt below. The cuffs are narrow and cut short for easy movement. Young women wear long narrow turtlenecks and long black dresses.
In other words, they are all cut in a straight line, with no twists and turns at the waist. Bottom shoes ",commonly known as" flowerpot shoes ".
Hair is influenced by men's braiding in the early stage, and women are used to cutting hair. However, influenced by social traditions, they soon grew long hair again and tied it into various buns. Young women leave a pinch of hair on their foreheads, which is called "Thousand Willow Seas". The styles range from the sight of the sky, suspension spring and starry sky. Cheongsam: After the Republic of China, influenced by Manchu costumes, Han women also became popular in wearing cheongsam. Due to the upsurge of European and American culture in China, the style of cheongsam absorbs the advantages of European and American clothing, and the fabric is cut very closely, which sets off the curvaceous beauty of women.
Cheongsam, popular in the 1920s, was born out of Manchu women's clothing in the Qing Dynasty, and was shaped by the continuous improvement of western clothing styles absorbed by Han women. At that time, there was no professional clothing research center, and the changes of clothing styles exceeded thousands of households, constantly changing under the influence of the times and fashion.
Cheongsam became a very popular dress at that time and became the national costume of women in China. Impatient dress: it was also a kind of dress worn by women in the early years of the Republic of China. The upper part of this two-piece dress is in the style of cheongsam neckline.
The skirt of the lower body is light and pretty, more convenient to move, and full of the breath of the new era.
6. Describe the clothes of the rich lady in Qing Dynasty, and describe the housekeeper in words:
A face familiar to her was faintly reflected in the fuzzy bronze mirror. Black hair was combed into a hollow ring and hung over her ears. This is a double bun combed by girls in this period. There is no jewelry in my hair, only a delicate rose, and a plum blossom that was very popular at that time is stuck on my forehead.
Dressed in a fairy skirt with narrow waist and narrow shoulders, she set off her exquisite figure. The women's facial features in the bronze mirror are picturesque, and the feminine taste in their brow is unparalleled, especially those black crystal eyes, which are beautiful and charming when you look around. This is undoubtedly the most beautiful face people have ever seen.
A pair of embroidered shoes are looming under the girl's light blue dress, with long hair hanging down to her temples and picturesque eyes. Beauty is natural, and the clean water makes hibiscus clean, which is more romantic than rouge and pink in Beijing. Especially those blinking eyes staring at him unblinkingly, so cute.
Dressed in plain tsing yi, with a silky hair and simple sideburns, the water-green hairpin flowers are elegant and moving against the background of black hair. You don't need a woman to look back. Just look at this slender figure and charming temperament, you will know that this woman must be a beauty.
The woman turned around, with white and attractive skin, gently raised eyebrows, moist eyes and scarlet lips.
Ancient concubines:
Dressed in a crimson cloud palace costume, it is dazzling red and thick as blood. The elegant cloud skirt is beautifully lined, with a light skirt and a wide belt, as if the whole person was carrying it.
The style of return air dancing is very chaotic. Handle, hair smoothing, makeup adjustment, applique, blackening, crimson lips and rouge. Soon I saw the enchanting beauty in the bronze mirror. This just got up with satisfaction and hooked the corners of the mouth with charm.
Looking at the scarlet skirt, it looks like Zhen Hong but lighter than Zhen Hong, and suddenly I feel extremely dazzling. One day, I will be aboveboard. ...
In a bun, a jade hairpin is inserted. Shui Yang fairy skirt in the lush sky is woven into graceful daffodils with finely divided rice beads, and the soft yarn that penetrates in the sun is a little like daffodils, which is more and more Chu.
Chu is poor. In a good mood, I came to the imperial garden on the lotus steps.
A beautiful young woman is sitting in front of the dresser. She is wearing a colorful brocade court dress. Although the color is not very bright, good materials and embroidery needles are enough to make this dress attractive. Although wearing a Chao Huang bun, it looks beautiful, but it is a little less bright. Although still young, but the makeup is complicated, showing a little different from usual.
She gently touched her cheek with her hand painted with bright red chlodan. The white face and cheeks are somewhat delicate because of the rouge embellishment, but they are not as natural as girls. Beauty is beauty, but like a bunch of fake flowers, it looks a little stiff and soulless.
A crisp female voice came at the right time, dressed in a pale pink twelve-broken fairy dress, which set off her slim figure and showed a large white skin on her chest, which made people see straight. She smiled gracefully, with a hint of purples on her smooth white face.
Smiling and winking, I dressed up today to let people see my blood. The soft waist is like a willow swaying in the wind, and every step is elegant.
I saw a maid-in-waiting serving a young woman, twisting gold and silver threads and slipping through a silk brocade skirt with a tassel bun. It's neither tedious nor too dull. A good face is bright and natural, but a smile is sincere as fire.
This picture, it is easy for people to have a good impression on her, only feel that this person's mind is transparent and frank.
7. Description of ancient women's clothing 1. Light-colored Luo skirt with silver silk edge, watercolor yarn with waist, wearing purple hibiscus long skirt with waist and vibrating sleeves. The elegant orchids embroidered on the cuffs are lined with onion-like fingers, and the lips of * * * are crystal clear, gently bending a beautiful arc. Jade has a light blue tassel pendant on the earlobe, which is light and can dance slowly with a little wind.
2. A plum blossom friedensreich hundertwasser skirt with a white smoking cage. The outer cover is embroidered with moon satin, magnolia flying butterfly shroud, lined with light pink brocade, the cuffs are embroidered with exquisite golden butterflies, and some lace is hooked outside the chest skirt.
The skirt is as thin as silk gauze in a fog-clearing cage, and the waist is tied with a gold belt, which makes it look elegant. If it is blue, there is a gold wire in front of the neck to lie quietly, which adds a little elegance.
There is a pair of silver butterfly earrings hanging by the ear. Hold the black hair with a silver hairpin, coil it into a delicate willow hairpin, and then put on a magnolia flower, which looks fresh, beautiful and elegant.
I wore a long plain white brocade dress, embroidered branches with dark brown silk thread on the cloth, embroidered plum blossoms with pink silk thread, extending from the skirt to the waist, and a wide purple belt tightened the waist, showing a slim figure.
Instead, it gives people a feeling of elegance and luxury. Wearing a light purple tulle dress outside makes the tulle dress feel a little sparkling and elegant, and a jade Yu Pei is tied around the waist, which adds a bit of elegance.
4. A blue dress, a blue pomegranate skirt and a blue tulle dress. There is a cloak made of light yellow silk on the shoulder, which goes well with the skirt. The skirt is embroidered with white lilies, which are a little red, just like that white and ruddy face. The hair on it is round
With a few emerald-inlaid hairpins, there are 3,000 green hairs on the shoulders scattered on the lower floor. The earrings are also inlaid with emeralds, a white jade neck, and a pearl emerald necklace, which adds a lot of elegance to the jade neck. The lips on the white face are petite and lovely, which adds a lot of charm to the white face. Jade hand carefully holding rosewood piano, sending out the faint scent.
Extended data:
In ancient China, characters began to appear in the Yin and Shang Dynasties. At that time, most of the characters were hieroglyphs, even pictures. From Oracle Bone Inscriptions, we can see clothes, shoes, Huang Shang, belts, dresses and other words that reflect clothes.
From the unearthed figures, we can see Yu Pei, Yuhuan, earrings, necklaces, combs, silk, linen and bronze ornaments, and distinguish exquisite ornaments from elegant clothes, but these are all owned by nobles. It shows that clothing and clothing system are being further improved.
The appearance of clothing shapes such as clothes, skirts, crowns, shoes, hats and socks shows that people's understanding of clothing is also increasing day by day, and gradually develops from simple practical function to decorative embellishment, thus making ancient clothing tend to be complete and unified.
In the Western Zhou Dynasty, the hierarchical system was gradually established, and the Zhou Dynasty set up the official positions of "Si Fu" and "Inner Si Fu" to take charge of the royal costumes. According to the literature records and the analysis of unearthed cultural relics, China's crown service system was initially established in the Xia and Shang Dynasties, and was perfected in the Zhou Dynasty, the Spring and Autumn Period and the Warring States Period. In order to show honor and dignity, royal officials and ministers should wear their crowns in an orderly manner and adopt different forms, colors and patterns on different ceremonial occasions.
The most famous one is the twelve chapters of costumes contained in the Book of Art: "Painting the sun, moon, stars, mountains, dragons and insects, embroidering Zong Yi, algae, fire, pink rice, flounder and glutinous rice, all in colors." Chapter twelve tattoos became the service system of emperors' dresses in past dynasties, and continued until the abdication of the Qing emperor and the restoration of Yuan Shikai as emperor. From the anthropomorphic cultural relics unearthed in the Zhou Dynasty, it can be seen that although the clothing decoration is complex and simple, it is clear from top to bottom, which has laid the basic shape of China clothing.