Li Qingzhao's Song Ci "Dianjiang Lips and Boudoir Thoughts"

The author of "Dianjiang Lips and Boudoir Thoughts" is Li Qingzhao, who was selected as a Song Ci. It is a poem written by in my heart forever to hurt spring and get rid of resentment. Let us enjoy it together!

Dianjiang Chungui Temple

Author: Song Li Qingzhao

Lonely boudoir, one inch sad and tender. Cherish the spring to go, when to rush the rain.

Leaning over, just not in the mood. Where people are, even the sky and grass are everywhere, and the way home is broken.

To annotate ...

① "Solitary" Sentence: This is a new implicit change of related sentences in Ying Tianchang written by Wei Zhuang.

② Where is the person: Where is the person you miss? The "people" here refer to the author's husband, Zhao Mingcheng, when they are consistent with "Wu Lingren" in The Phoenix and "Nobody Arrives" in Man Fang Ting.

③ "Liantian" sentence: Use the sentence meaning of "Wang Sun swims without returning, and spring grass grows luxuriantly" in "Songs of the South Recruit Hermits" to express the hope of waiting for good people to return.

Enjoy 1

This is a poem written by in my heart forever, which expresses his feelings of parting with hatred. The whole poem is sincere, exquisite and leisurely, which profoundly reveals the infinite sadness in the heart of the lyric heroine.

First of all, the poet compares "one inch" with the melancholy "thousand strands", which gives people a strong sense of oppression, as if she was heartbroken and could no longer bear it. The two sentences in Xi Chun no longer express their worries, but show the psychological activities of women in the contradiction of "Xi Chun Qu". The sound of falling rain urges the red to fall and return to spring. The only spring flower that can give a little comfort to women in the boudoir has withered, and the raindrops that urge flowers leave only a few empty echoes. Cherish spring and flowers, which is also a portrayal of cherishing youth and cherishing time.

The next article was written from a distance. In China's classical poems, "leaning on the bar" is often used to indicate that the characters are depressed and bored. Here, the word "times" is added after the verb "thin", which vividly depicts the boredom and distress of a boudoir woman. The next sentence, "just" and "give everything" echo each other, setting off the "no emotion" brought by sadness, which strongly shows that sadness is deep and cannot be resolved.

Finally, I asked "where are people" from a distance, pointed out the purpose of looking at the distance from the aperture, and hinted at the root causes of "one inch of sadness in my heart" and "only existence without emotion" Here, the poet skillfully arranged a layout with questions and answers, but turned around and followed the woman's line of sight to describe the endless lush grassland, which was spreading along the only way for her lover to return and extended to the distant horizon. However, in the end, I only saw "Liantian Cao Fang", but I didn't see my lover.

The first part of the word is injury to spring, and the second part is injury to farewell. Wounded spring parting melts into a thousand strands of deep sorrow. It depicts a boudoir image that is persistent in love and sincere and delicate in emotion. I wrote 1000 deep sorrows that make people feel deeply grieved: loneliness, spring injury, parting injury, and returning home. At the end, I wrote the word "hope to break" to express the sadness that I can't return. At this time, feelings have accumulated to the highest peak, and the whole word has reached a climax.

Appreciate II

The basic content of this word:

The first sentence in the last movie, Lonely Boudoir, describes a young woman hiding in her backyard and feeling very lonely. The second sentence, "An inch full of tenderness and sorrow", describes the sadness of young women, and an inch full of tenderness and sorrow. What about the whole person? It can be seen how serious her loneliness and sadness should be. The third and fourth sentences "cherish spring scenery and spend rain in a hurry." Write about the sad environment of young women: the spring that brings hope and makes people feel sorry has gone, and it has rained again, urging the spring flowers to wither. Can't all this increase people's worries? This is the content of the last movie.

The first and second sentences of the next film are "leaning on the bar, just not in the mood!" Or write about the sadness of young women. Staying in the boudoir is "an inch of sorrow" and you have to go out of the boudoir. But in the past, young women were not allowed to walk down the boudoir stairs casually, so they had to lean against the railing and think about it. Think about what? It was the phrase "urging flowers and rain" that made her think of "where is the person?" I thought about leaving me. Where is the right person now? Is it raining, too? What time are you coming back? This is the reason why young women are really sad; Then what is she looking at? Look at the scenery outside? No, I'm watching my imaginary scene-the scene where the right person comes back. Can you see it? No. What do you see? I saw "it's getting dark, the grass is fading, and I can't see the way back." Yes! What you can see is the endless grass connecting the horizon, and the road you can't see-the road for the right person to return. This is the result of the desolate scene, psychological state and hopelessness of young women leaning against the fence.

The above is the basic meaning of this word in 4 1 word.

The structure and artistic technique of this word;

The whole word, from loneliness to sadness of hurting spring, to sadness of parting, is more anxious about homesickness, which shows the situation of young women's worries accumulating step by step and is a progressive writing method. A word "rain" connects the upper and lower pieces together; In the distance, there are boundless weeds, and in the vicinity, it is rain that urges flowers to fall; Inside the boudoir, it's sad, outside the boudoir, it's sad. What a beautiful mood! The poet really wrote the "sadness" of young women here, which can be described as incisively and vividly! Therefore, the Ming Dynasty praised this poem as "Tears are exhausted" in the Classic of Ci, and Shao Yun Ji also praised this poem as "Love and Ci win together, and the charm is carefree."