What is Emo (emotional rock)?

Emo was originally an artist-like music from hard-core punk, but in the late1990s, it became an important force in underground rock, joining punk and indie rock musicians at that time. Some Emo music tends to be radical, and the works are full of complex guitar playing, unconventional song structure, artist-like noise and extreme changes in the position of musical instruments; Some Emo music is closer to punk pop music, although it still looks a bit difficult to understand. Emo's lyrics are very personal, usually either fantasy poems or personal confessions. Although Emo is not so masculine, it is still a direct descendant of hardcore as a pursuit of truth and anti-commercialism. Emomausic is convinced that commercial music is too false and artificial to express any true feelings. Because the concept of Emo is a real and deeply touchable Emotion, it opposes rational analysis, so it tends to use more pitch and release in music than before, but the best emo music works will have a thorough power, making it content, challenging and private at the same time. The foundation of Emo was laid by Husker Du's landmark album Zen Arcade (1984), which enabled hardcore bands at that time to involve more intimate personal themes and write more harmonious songs with higher technical requirements. Shortly after Emo appeared in Washington, D.C., the remnants of the hardcore music movement produced a slight threat and bad brain. The word Emo (sometimes elongated as "Emocore") was originally used to describe hard-core bands with expressive voices on top of roaring and impassioned speech music; The first real Emo band was "Ritual of Spring", followed by "Hug", a short band of little threatening singer Ian McKay. MacKaye's Dischord label has become the center of the emerging Emo music phenomenon in DC. At that time, The Sacrifice of Spring, The Dog Be Anxious, The Country of Ulysses were all publishing their own works, and MacKay himself cooperated with the members of the Sacrifice of Spring and Fugaz. Fugazi became an authoritative early Emo band, whose music spread to other rock listeners and began to urge them to have the same uncompromising anti-business attitude. Except for the relatively stable Dischord brand, most of the early Emo bands were underground, often recorded by temporary and short-lived bands, and only a few vinyl records could be made by small brands; Some singers really cried at the climax of their works when they performed on stage, which attracted the ridicule of die-hard orthodox bands. Despite the existence of bands like Fugaz, Emo has not been able to break its predicament until the emergence of SDRE in the mid-1960s, and its early works defined this music style in many ways. SDRE combines Fugaz's rough guitar with Seattle's junk music, pointing directly at pro-rock, with a deep voice, which inspired thousands of imitators to combine vivid melody with introspective mysticism. In this new generation, some bands can be directly equated with twisted and annoying introspection, and there are punk pop albums like Pinkerton in Weiser. Although individual artists (including quicksand and drivers like Jehu) continued to advance on the innovations before Fugazi, most other Emo bands in the1990s were a combination of Fugazi, Sunny Day Real Estate and Weezer. Such as Promise Ring, Wake Up Kids, Braids, Texas is the reason, and bands such as Jimmy Eat World, Joan of Arc and Jet to Brazil have gained loyal followers in indie rock, which makes Emo a more popular underground rock music type at the turn of the millennium. from_/question/27035468.html