Silent Night Thoughts"
Li Bai
chuǎng qiǎn míng yuè guáng
The moonlight shines brightly in front of the bed,
yíshìdì shàngshuáng
It is suspected to be frost on the ground.
jǚtóu wàng míng yuè
Raise your head to look at the bright moon,
dí tóu sī gù xiāng
Lower your head and miss your hometown.
About the author
Li Bai (701-762), born in 701, Han nationality, six feet six tall, courtesy name Taibai, nickname Qinglian Jushi, a native of Jiangyou, Sichuan, Tang Dynasty The great romantic poet. His poetic style is bold and elegant, his imagination is rich, his language flows naturally, and his music is harmonious and changeable. He is good at absorbing nutritious materials from folk songs and myths to form his unique magnificent and gorgeous colors. This is a new peak of positive romantic poetry since Qu Yuan. He is also known as "Big Li and Du" together with Du Fu. He is one of the greatest poets in Chinese history. , also known as the "Poetic Immortal". Li Bai's ancestral home was in Chengji, Longxi (now Chengji Township, Jingning County, Gansu Province). At the end of the Sui Dynasty, he migrated to Suiye City in Central Asia (near today's Tokmak, northern Kyrgyzstan), where Li Bai was born. When he was five years old, his family moved to Mianzhou Mingming County (now Jiangyou, Sichuan). When he was twenty years old, he left Sichuan alone and began to roam extensively, from Dongting to the Xiangjiang River in the south, to Wu and Yue in the east, and lived in Anlu (today's Anlu City, Hubei Province). He traveled around, hoping to make friends and meet celebrities, so that he could be recommended and climb to a high position to realize his political ideals and ambitions. However, after ten years of wandering, nothing was achieved. He continued to travel north to Taiyuan and Chang'an, to the east to Qi and Lu, and settled in Rencheng, Shandong (now Jining, Shandong). By this time, he had made friends with many celebrities, composed a large number of excellent poems, and his poems were famous all over the world. In the early years of Tianbao, he was recommended by the Taoist Wu Renjun. Emperor Xuanzong of the Tang Dynasty summoned him to Beijing and ordered him to serve the Imperial Academy. Soon, due to the slander of the powerful, he was squeezed out of Beijing in the third or fourth year of Tianbao (744 or 745 AD). After that, he wandered around the Jiang and Huai areas, feeling extremely depressed. In the winter of the fourteenth year of Tianbao (AD 755), Anlu Mountain rebelled. At this time, he was living in seclusion in Lushan Mountain. When Yong Wang Li Lin's army marched eastwards, he invited Li Bai to go down the mountain and join the shogunate. Later, Li Lin rebelled against Su Zong and was eliminated. Li Bai was implicated and was sentenced to exile in Yelang (today's Guizhou Province). He was pardoned and released on the way, and traveled between Xunyang (today's Jiujiang, Jiangxi) and Xuancheng (today's Xuancheng, Anhui). Waiting places. In the first year of Baoying's reign (762 AD), Dai Zong died of illness in Dangtu County, Anhui. Li Bai lived in the heyday of the Tang Dynasty. He had the progressive ideal of "helping the common people" and "anli Yuan" and worked hard to realize this ideal throughout his life. His large number of poems not only reflected the prosperity of that era, but also exposed and criticized the dissoluteness and corruption of the ruling group, showing his positive spirit of contempt for the powerful, resisting the constraints of tradition, and pursuing freedom and ideals. In terms of art, his poems have novel imagination, strong emotions, magnificent artistic conception, and fresh and bright language. They form a bold and ultra-forward artistic style and reach the peak of positive romantic poetry art in ancient my country. There are more than 900 poems in existence, including "Collection of Li Taibai". His poems are rich in imagination, unique in conception, powerful and magnificent in style, and he is a representative figure of romantic poetry in the prosperous Tang Dynasty.
Edit this historical biography
"New Tang Book·Volume 202·Li Bai Biography"
The ninth grandson of Emperor Xingsheng. First, in the late Sui Dynasty, he moved to the Western Regions due to his crimes. In the early days of Shenlong, he escaped and returned to Brazil. When Bai was born, his mother dreamed of Chang Geng Star, so she ordered him to live there. He was proficient in poetry and calligraphy at the age of ten. After a long time, he hid in Minshan Mountain. The state examination has its own rules and should not be punished. Su Ting was the governor of Yizhou. When he saw Bai Yizhi, he said: "This son is talented and intelligent. He has learned a lot. He can be compared with others." However, he likes to do martial arts and fencing. He also stayed in Rencheng and lived in Cuilai Mountain with Kong Chaofu, Han Zhun, Pei Zheng, Zhang Shuming and Tao Mian. They drank heavily every day and named themselves "Zhuxi Liuyi".
At the beginning of Tianbao, he entered Kuaiji from the south and became good friends with Wu Jun. Jun was called, so Bai also went to Chang'an. I went to see He Zhizhang. When Zhizhang saw his article, he sighed: "My son, you are banishing an immortal!" He told Xuanzong that he summoned him to the Jinluan Hall to discuss the current affairs of the world and write an ode. The emperor gave him food, and he made the spoon himself, and there were edicts to offer it to Hanlin. Bai You and the drinkers were drunk in the market. The emperor was sitting in the agarwood pavilion, feeling something about it, and wanted to get Bai as a piece of music. He called him in, but Bai was already drunk. The emperor loved his talent and met him at several banquets. He served the emperor in vain and got drunk, so he made Gao Lishi take off his boots. The powerful man was noble, but he was ashamed of it. He wrote his poems to inspire Concubine Yang. Bai Zizhi knew that he was not tolerated by people who were close to him, so he was unrestrained and did not cultivate himself. He and Zhizhang, Li Shizhi, Ruyang Wangjing, Cui Zongzhi, Su Jin, Zhang Xu and Jiao Sui were called the "Eight Immortals of Wine". He begged to return to the mountain, and the emperor gave him gold to release him. Bai Fu floated around, took a boat with Cui Zongzhi to quarry stones to Jinling, and sat in the boat wearing a palace robe, as if there was no one else around.
Anlu Mountain reversed, turned to Susong and Kuanglu, and Yongwang Lin was appointed as the official assistant of the government. Lin raised an army and fled back to Pengze. Lin was defeated and should be executed. At the beginning, when I was traveling to Bingzhou, I saw Guo Ziyi and was surprised. Ziyi tried to break the law but was saved in vain. At that time, Ziyi asked the official to redeem him, and there was an edict to Changliu Yelang. He will be pardoned, but he will also find the sun, and he will go to jail for doing things. At that time, Ruosi of the Song Dynasty sent three thousand Wu soldiers to Henan and went to Xunyang. He released the prisoners and appointed him as a staff officer. He resigned soon after. Li Yangbing was ordered by Tu, and Bai followed it. When Dai Zongli was established, he was summoned by Zuo Shiyi, but Bai died at the age of more than sixty.
"Old Tang Book·Biography 140·Wenyuanxia·Li Bai Biography"
A native of Shandong. There are few outstanding talents, high ambitions, and a transcendent mind. His father was Ren Chengwei, because of his family. Shao and other students from Central Shandong such as Kong Chaofu, Han Mian, Pei Zheng, Zhang Shuming, Tao Mian, etc. hid in Culai Mountain, singing and drinking, and were named "Zhuxi Liuyi"
At the beginning of Tianbao, the guest Traveling to Kuaiji, he hid in Yanzhong with the Taoist priest Wu Jun. Then Xuanzong ordered Yun to go to the capital, recommended him to the court, sent envoys to summon him, and waited for the imperial edict with Yun. Bai was addicted to alcohol, and he would get drunk in wine shops with other drinkers every day. Xuanzong was studying music and wanted to compose new lyrics for Yuefu. He urgently summoned Bai, who was already lying in a wine shop. When he was called in, he sprinkled his face with water and immediately ordered him to write more than ten chapters in an instant, which the emperor praised highly. When he was drunk in the palace, he led Gao Lishi to take off his boots and scolded him. He wandered around the rivers and lakes, drinking all day long. At that time, Cui Zong, the imperial censor, was demoted to Jinling and sang with Bai Shijiu. I took a boat on a moonlit night, quarried stones and reached Jinling. I was dressed in white and royal robes, looking at and smiling proudly in the boat, as if there was no one around.
At the beginning, He Zhizhang saw Bai Bai and praised him, saying: "This is the way to banish an immortal from heaven." During the Lushan Rebellion, Xuanzong was lucky to be in Shu. On the way, he appointed Yong Wanglin as the Commander-in-Chief of the Jianghuai Army and the Yangzhou Festival Ambassador. Bai paid an audience in Xuanzhou and took up a job. King Yong plotted rebellion and was defeated, so he sat in Changliu Yelang for nothing. Later, he was pardoned, but he died of excessive drinking in Xuancheng. There are twenty volumes of collected works, which are up to date.
"The Biography of Talented Scholars of the Tang Dynasty·Li Bai"
Bai, courtesy name Taibai, was from Shandong. The mother dreamed of Chang Geng star and was born, so she gave birth to her. At the age of ten, he mastered the Five Classics. He dreamed that flowers sprouted from his writing brush. He likes to be vertical and horizontal, he is a knight in fencing, he cares about wealth and is good at charity. He also stayed in Rencheng and lived in Cuilai Mountain with Kong Chaofu, Han Zhun, Pei Zheng, Zhang Shuming and Tao Mian. They drank heavily every day and named themselves "Zhuxi Liuyi".
At the beginning of Tianbao, when he came from Shu to Chang'an, the road was not revived, so he congratulated Zhizhang on his career. After reading "The Road to Shu is Difficult", he sighed and said, "You are banishing an immortal." Xiang Le recommended him to Xuanzong and summoned him to the Jinluan Hall to discuss current affairs. Because he wrote an ode to him, the emperor was pleased, gave him food, cooked the soup himself, and ordered it to be offered to the Imperial Academy. After being drunk, he came forward and issued an edict, asking Gao Lishi to take off his boots. The strong man was ashamed of him. He quoted the story of Fei Yan from "Qing Ping Tiao" to anger the imperial concubine. Every time the emperor wanted to have an affair with an official, the concubine often resented him. Bai Yi Aofang, together with He Zhizhang, Li Shizhi, Ruyang Wangjing, Cui Zongzhi, Su Jin, Zhang Xu and Jiao Sui, were called the "Eight Drinking Immortals". He begged to be returned to the mountain, given gold, and ordered to be released.
Bai Fu was traveling around, wanting to climb Mount Huashan. He rode on a drunken donkey and passed by the county government. Unknown to the police, he was angry and led him to the court and said, "Who are you? How dare you be rude!" Bai Fu confessed without writing his name and said: "I once ordered a dragon scarf to wipe vomit, a spoon in hand, a noble concubine to hold an inkstone, and a strongman to take off his boots. In front of the emperor's gate, there is still a horse, but in Huayin County, don't ride a donkey?" The chief was shocked, thanked him and said, "I didn't know that Hanlin was here." Bai Chang Laugh away. I took a boat ride and went to Jinling with Cui Zongzhi to quarry rocks. We sat in the palace robes as if there was no one around. When Lushan rebelled, Emperor Ming was in Shu, and Yongwang Linjie traveled to the southeast. During the Bai Dynasty, he lived in Lushan and served as his assistant. Lin rebelled and fled back to Pengze in vain. If Lin is defeated, he will be tied to Xunyang Prison. At the beginning, when I was traveling to Bingzhou, I met Guo Ziyi. I was surprised and saved him from death. As a result, Guo Ziyi asked an official to redeem him and issued an edict to Changliu Yelang.
Bai Wanjie, a good old man, went to Niuzhuji, caught the moon while drinking wine, and then sank into the water. In the beginning, I enjoyed the green hills of Xie's family, but now my tomb is there. There are twenty volumes of collected works, which are popular in the world.
Or: Bai, the ninth grandson of King Hao of Wuzhao in Liang Dynasty.
Edit the author's biography of this paragraph
Li Bai (701-762), also known as Taibai, was a great romantic poet in the Tang Dynasty. He wrote a large number of poems that eulogized the country, exposed the darkness of society and despised the powerful. His poems had a profound influence on future generations, and he was called the Immortal of Poetry.
Edit the rhythm of this paragraph
○Ping tone ● Oblique tone ⊙ Can be flat or oblique △Ping rhyme ▲ Oblique rhyme The rhyme of this work is: Qiyang; it can be rhymed with "Three Rivers and Qiyang" . There was bright moonlight in front of the bed, which was probably due to frost on the ground. ○○○●△, ○●●●△ Raise your head to look at the bright moon, lower your head to miss your hometown. ●○⊙○●, ○○⊙●△
Edit notes for this paragraph
1. Quiet night thoughts: longing caused by the quiet night.
2. Suspicious: doubt, think.
3. Raise your head: raise your head.
Edit the translation of this paragraph
Sitting on the bed of the well, watching the bright moon in the sky, the moonlight shining on the ground is like layers of white frost.
Looking up at the bright moon in the sky, I couldn't help but lower my head and think about it, missing my hometown even more.
The "bed" in the bright moonlight in front of the bed
Refers to the well platform
Reference: "New Class Composition"
There are already scholars The article has been verified. A retired teacher reinterpreted Li Bai's "Moonlight before the Bed". Cheng Shi, a director of the Chinese Educators Association, wrote the research results into a paper and published it in a journal. He also created "Poetry of Quiet Night Thoughts" with his friends.
Controversy over the interpretation of "bed"
First explanation: The bed Li Bai mentioned was not a bed for sleeping, but a maza, which was called "Hu Bed" in ancient times. The doors in the Tang Dynasty were very small panel doors that did not transmit light, and the windows were also very small. It was impossible for the moon to enter the room, especially when the windows were covered with paper. So this song "Quiet Night Thoughts" is actually about sitting in the courtyard, not indoors as everyone always thinks. Ma Weidu also used Li Bai's "Changgan Xing" to prove this point of view, "The concubine's forehead is covered with hair for the first time, and she plays in front of the door. The man comes riding a bamboo horse and goes around the bed to make green plums.
"It means that the little girl took a small bench and sat at the door, and the little boy rode a bamboo horse in a circle around the girl." When the mother heard this, Zhuitang was furious. "——"The Peacock Flies Southeast" by Han Yuefu, etc. Therefore, the "bed" in the article is not a bed for sleeping but a stool. "There is a big bed in the house, and the little boy is walking around the little girl ambiguously. It's not Li Bai's original intention. ”
The second explanation: “bed” is a pseudonym for “window”
The third explanation: It is more reasonable to use the word “bed” here as the edge of a well or the railing of a well. The reasons are as follows:
1. In ancient my country, windows were not yet equipped with glass. In order to protect themselves from the wind and cold, people usually covered their windows with a layer of paper. This can be seen in some martial arts films, where some knight-errants are in the dark. At night, dip your fingers in some saliva and gently poke a hole in the window paper... Can the moon shine through the window paper and shed a silvery moonlight on the ground in front of the bed?
2. If the windows are not covered with window paper, but ancient windows generally have window panes, the moonlight passing through such window panes will only leave uneven spots on the ground in front of the bed, and will not form a large area of ??moonlight. I am afraid it will be difficult for the poet to " I suspect it’s frost on the ground."
3. If the poet lives in a simple house, the windows have no panes and the windows are open. But in ancient times, people usually placed the bed against the north wall of the house. The poet If you lie on the bed and raise your head, you will not be able to see the bright moon. All you will see is the roof, and of course you will not be able to lower your head.
4. If the bed is placed against the south wall or the window. The title is "Thoughts on a Quiet Night", indicating that it is late at night and the moon is in the sky. The poet can see the bright moon without raising his head while lying on the bed; and depending on the angle of the moonlight, the moonlight may shine on the bed rather than in front of the bed. /p>
5. If the poet is sleepless at night, should he light the lamp? If he lights the lamp, I am afraid that the moonlight will not be as white as silver frost in front of the bed.
6. If the poet cannot sleep at night, he should not light the lamp. , instead of lying on the bed, he stood in front of the window and looked out from the window. First, because the moon was already in the sky, the poet might only see the eaves; second, The poet stands in front of the window, and there must be a shadow behind him. Is there enough moonlight in front of the bed to make the poet "suspect the frost on the ground"? 7. The well railings are surrounded by people squatting to wash clothes. Smooth open space. The poet could not sleep well at night, walking alone in the open space outside the well railing. Only around such a well railing could the poet look up at the bright moon, lower his head and think about his hometown, and move freely. The bright moonlight shining on such an open land naturally made him think that it was "frozen on the ground". More importantly, "well" was the name of hometown in ancient times. In ancient times, people always liked to live around water for the convenience of life. There are always residents gathered around, so people call the eight houses wells; the streets leading to the wells are called Shijing (Wangfujing in Beijing is named after the well). This can be seen from the way wells were written in ancient times. The little people who work by the well are called market men. Children like to play around the well. It is natural for rural people to "come on bamboo horses and go around the bed to play with green plums". They also like to live around a well, with men fetching water and talking at the edge of the well, and village women washing and washing vegetables in the open space around the well while doing household chores ("The Ancient Well" in the primary school Chinese textbook of the People's Education Press also reflects this situation. ); People also like to enjoy the coolness and chat around the edge of the well under the moonlight on summer nights. The well became a venue for public activities and an information release center for people at that time. Well gradually became synonymous with hometown and village. Otherwise, the "back to the well" in the idiom "leaving one's hometown" cannot mean "leaving one's hometown". The poet raised his head and looked at the full moon in the sky, and looked down at the well that has the cultural connotation of his hometown. He may have thought of the lively scene beside the old well in his hometown, and of his own happiness playing beside the well. I think that for a poet who is full of imagination and good at association, looking at the well that can represent his hometown will naturally cause him to miss his hometown. Looking at the bed as a bedding will probably remind the poet of his dreamland instead of his hometown.
Four explanations: refuting the above point of view. The original meaning of a bed is an instrument for sitting and lying. "The Book of Songs·Xiaoya·Siqian" has "a bed for sleeping", and "Yi·Peeling Bed·Wang Duzhu" also has There is a saying that "it is safe to be down below." This means that it is a bedding.
As for the Tang poems that mention beds everywhere, people in the Tang Dynasty who had at least some status mostly slept on beds, so how could they "live on the floor"? For example, in the popular "Du Fu's Song of Thatched Cottage Broken by the Autumn Wind", "The quilt has been as cold as iron for many years, and the arrogant son hated it when he stepped on it. There is no drying area at the bedside, and the rain is like hemp on the feet. The menstrual period is disordered and I seldom sleep, and the long night is stained Why is it so wet?"; "Six-foot white rattan bed" in the poem "Bai Juyi·Xiaotai"; "It's the dog days of summer, and the weather is as hot as soup. I am undressing under the bamboo window. . A piece of light gauze and a six-foot quilt. The day is quiet without guests, and the night is cool when the wind blows. ""Li Bai·Miscellaneous Songs·Three Songs of Acacia" "The embroidered quilt is not rolled up in the bed, so far. It still smells fragrant after three years." "Li Qiao·Bed" "It is said that there was an elephant bed in the past. It was made of tortoise shell and made of gold, and the osmanthus banquet was filled with cypress fragrance. May the night be filled with silk curtains. "Bai Juyi's Three Poems on the Swallow Tower" "The window is full of moonlight and the curtains are covered with frost. I lie in bed under the frosty light. Autumn comes only for one person." What kind of elephant bed, dental bed, emerald bed, gold bed, tortoise shell bed, etc.
There are obviously quilts, tents, and pillows, and they are used for sleeping. Why does it mean that "the term bed did not exist at that time"? Let's talk about windows. For example, the poem "Bai Juyi·Bamboo Window" says: "In early February this spring, Bu lived in Xinchang. Before he had time to build a stable, he had to build a hall first. Open the windows without papering, and plant bamboos without following the rows. The intention is to take it under the northern eaves. "The window is as good as bamboo." "The Emperor Luo Bin Wang Chapter" says: "The treasure cover is carved with a golden horse, and the orchid window is embroidered with a jade dragon. The embroidered pillars are inscribed on the pink wall, and the golden jade is reflected by the prince." "Four Quatrains" also says: "The window contains the snow of Qianqiu in the Xiling Mountains, and the door is docked with ships thousands of miles away from the Eastern Wu Dynasty." "Mao Wenxi·Screen Window Hate" has: "In the back garden, I can see the flowers blooming, the fragrant breeze blows, and the embroidered doors have golden doors. The moon shines Screen windows, hate Yiyi." The styles of windows in the Tang Dynasty ranged from large to small, high to low, and were by no means just "mullion windows on the wall or urn windows set high up." In fact, the "Moonlight in front of the bed" in Li Bai's poem refers to the moonlight shining in front of the bed. There are too many "moon before the bed" in Tang poetry. Which one of them can be changed into a well fence? Why do some people refer to "bed" as a well railing instead of a bed? It turned out that they suspected that people in the Tang Dynasty did not sleep on beds. The windows of the house Bai Juyi built in Xinchang are almost as high as the bamboos. Why can't he "see things in the courtyard" through the windows? This is really ridiculous! There are also many poems about the bright moon shining on the bed in the Tang Dynasty. For example:
"Yuan Zhen·Chun Yue"
Although the spring moon is bright, there will always be mist. It's not like the colors of autumn and winter, it's cold and frosty.
The empty walls are covered with powder, and half of the bed is covered by a light smoke cage. The shadows of the forest are divided by the light, and the remaining light shines on the rainbow beam.
"Yuan Zhen·Yixian"
I feel extremely dreamless, and it is easy to be frightened when my soul is lost. The wind curtain is half hooked, and the autumn moon is full and the bed is bright.
Sitting on the steps in despair, walking around the trees in deep thought. The lonely harp is in the secluded box, and the sound of broken strings bursts out from time to time.
"Weizhuang·Qing Ping Le"
I dreamed that the moon was slanting in half of my bed, and the wind from the small window touched the music harp.
Since the moonlight can shine on the bed, of course the person lying on the bed can see the moon outside. Is this so strange? Someone else suggested that the bed here refers to the "Hu bed", which is also a chair. According to this statement, the poet was sitting on a chair in the courtyard looking at the bright moon and thinking about his hometown. "Hu bed" was introduced to the Central Plains from the northern minority areas in the late Eastern Han Dynasty, so it is called "Hu". In the Sui Dynasty, it was renamed "Jiao Bed", and in the Tang Dynasty, it was called "Rope Bed". The Hu bed is a foldable and lightweight seat, which is composed of eight wooden sticks. The sitting surface is connected with brown ropes to form the bed surface. When the bed feet intersect diagonally, it can be placed stably. The bed can be folded, making it easy to take in and out. After the Han Dynasty, there were many records of Hu beds being used for outdoor outings and field operations, and they were widely used after the Wei and Jin Dynasties. "Han·Yingshao·Unknown Customs·Fu Yao": "The Ling Emperor loved Hu clothes, Hu tents, and Hu beds, and the capital officials competed for them." "Song Dynasty·Tao Gu·Qing Yi Lu·Chen Shi Men": "Hu The bed was turned around to accommodate the feet, and was draped to accommodate an old man. It weighed only a few kilograms. According to legend, the Emperor Ming had a lot of luck, and his ministers were waiting for the imperial edict to go to the mountains. They could not stand upright and wanted to rest. There was no place for him to live, so he came up with this idea and called it 'Xiaoyao Zuo' at that time. "Volume 14 of "Cheng Dachang Yan Fanlu of Song Dynasty": "Jiao Bed, the original version was made and named 'Hu Bed'. Huan Yi dismounted his horse and took the flute from the Hu bed. In the Sui Dynasty, it was predicted that there would be "Hu" and it was renamed "Jiao bed". In December of the second year of Changqing reign of emperor Mu Zong of the Tang Dynasty, he saw the ministers in the Zichen Hall and Yu Dasheng bed. "Rope bed" "Ming Dynasty Gao Lian Zunsheng Ba Jian" records: "Teng bed, made of rattan, has a leaning circle backrest and movable legs at the back for easy height adjustment." "Qing Dynasty Ruan Kuisheng Tea". "Yu Ke Hua": "Two branches of crosswood are like a chair. A bed is a chair." If we look into it more carefully, the poet's feeling when sitting on the chair should be that "the moonlight is bright in front of him, and it is suspected to be frost on the ground." ! Moreover, when the poets of the Tang Dynasty talked about this thing, they generally did not call it a "bed" alone. They either called it a "hu bed" or a "rope bed". They clearly distinguish between the two concepts of "bed" and "bed". There are nearly 900 poems involving the object "bed" in the entire Tang Dynasty, almost all of which are like this. For example:
"Bai Juyi·Five Poems on Yongxing·There is a Small Boat on the Pond"
There is a small boat on the pond, and there is a bed in the boat. There is new wine by your bedside, you can drink it alone and taste it alone.
Smokey like spring air, bright like autumn water.
"Li Bai·Cursive Script Song"
There are several compartments of hemp and plain silk, and Xuanzhou stone inkstones are ink and light.
After my master got drunk, he leaned on the rope bed and swept away thousands of them in a moment.
"Cui Rong · Joining the Army"
Faintly Shu stick is fascinated by Hsinchu, just like the old mulberry in the bed. When I came to Linhai, I heard about Hussar, and when I found Heben, I had my own Zhonglang.
"Wang Wei·Song of Climbing the Tower"
The family descended to the Qing Palace, and according to the bed, there was an empty book.
Tired of holding the halberd, I like to hide to the east of the wall.