Recalling the original exploration, the wind in Yang Liuyi was blowing in the wind; Now back on the road, snowflakes are flying everywhere.
The road is muddy and difficult to walk, and people are thirsty and hungry.
-"The Book of Songs Zheng Feng"
Looking back on the expedition that year, the willows fluttered gently. Now on the way home, the snow pollen has fallen.
Sweet Love Song of Fantasy Night in Chang 'an (1)
—preface—
When you leave the White House gate temporarily, Yangliu can hide from Wu.
Joy is like agarwood, and Nong is like Boshan furnace.
-"Yang Rebellion" by Yuefu in Southern Dynasties
Chang 'an Fantasy Night Part IV "The Golden Dressed Childe" (I)
Jin Jia feasts in precious trees are rare, but the atmosphere of many colors is wrong.
The moon in the shape of Yaotai points to the clouds in Wushan.
Youth is rare, and eroticism increases fragrance.
Whoever enjoys the fragrance complains of peerless ignorance.
-Chen Ziang's Song of Colored Trees
Gongzi in Golden Clothes (Part Two)
Spring scenery is beautiful, and the new dew is crying and the new plum blossom is crying. Spring leaves are staggered and new flowers overlap.
Flower shadows fly away, and birds bring songs. Money looks at the snow, how can he jump back?
-Xie Yan's "Song"
Chang 'an Fantasy Night Part 5 Peony Lion (1)
I heard that Xiliangzhou used to be densely populated.
Pu Tao wine is ripe and romantic, and the vermicelli floor is red and blue.
In front of me, a hundred plays are stirring, and the meatball sword jumps over the frost and snow.
The lion shook his hair and stood upright, and Hu Teng danced softly.
-Yuan Zhen's West Cool Geisha
Chang 'an Fantasy Night (Part 2) Peony Lion (5)
Tears hung down and wet the strings, and the ice spring sobbed to make the warbler's voice astringent.
Because of this, I play the rain bell, and the wind and rain are gloomy and ghosts cry.
One shot after another, it was dead of night and windy.
Go back to the mountain slowly and think about it, sitting opposite Ran Yanqiu.
-Yuan Zhen's Pipa Music
Chang 'an Fantasy Night Part VI "Evening Crane"
Take the mirror in the box to bid farewell to the kitchen god, and cover the moon with clothes.
I used to look good, but I will listen to the news tonight.
There are very few people in front of the door, and no one is at fault for going home.
Deeper and weaker, cold as iron, embroidered with rhombic arms.
Copper, copper, if there is a spirit,
I wish I could see a thousand miles of pedestrians.
-Li Kuo's "Listening in the Mirror"
Strange talk about puppets (part two)
Don't cry, dive. Nothing to say, dark acacia. No one knows outside the heart.
A lone bird, locked in a cage at night, broke its branches with one sword.
Although the river is cloudy and sunny, aconite is black and white.
There is only seclusion and dark parting, and each other is willing to have no later period.
-Bai Juyi? Potential separation
Bai Juyi fell in love with Xiangling, a girl from an ordinary family when she was young, but she failed to get married formally because of family values and fashion reasons. When breaking up, the poet wrote, "Don't cry, sneak away; Silent, dark acacia; Except for two hearts, no one knows ... there is no end to each other. "
Tears can flow for a long time, but parting is far away. Tears at this time are the poet's helplessness of "hiding away" and a concession to his family's views.
"I can't talk, I miss you secretly." Acacia can spread. Only the poet knows this kind of missing best, but he is speechless, but there is no object to tell, leaving himself with only acacia.
No one knows except two hearts. Young and innocent, the two young people have no guesses. Do two unknown hearts still know each other and love each other after parting? Isn't it a long time ago that they met?
"Lonely birds lock deep cages at night, and spring swords break branches." Night follows, devouring the sun, locking the lonely bird at night, stiffly poisoning love, and cutting blood with a sword.
"Although the river is turbid, there are sunny days and black and white aconite." No matter how muddy the river is, it will be paid off one day. After all, black hair always gets old. Does heaven have eyes to see clearly the feelings of Chu people from youth to hoary head, and that unforgettable love has not changed?
"There is only seclusion and darkness, and there is no end to each other." Acacia's silent departure has no result. Whether it's seclusion or dark separation, it's a day away when you turn around and never see each other again.
Delighting in Rain on a Spring Night, The Eighth Fantasy Night in Chang 'an (I)
Chu women don't return, building Xie Jiang.
The moonlight is lonely, the wind rises again, and the apricot blossoms are sparse.
Hosta oblique, heavy, there is a golden phoenix on the skirt.
Eight-line script, a thousand miles dream, flying south.
-Wen tingjun? Jiuquan child
Chang 'an Fantasy Night Part 8 "Delighting in Rain on a Spring Night" (Part Two)
Good rain knows the season, when spring comes.
Sneak into the night with the wind, moisten things silently.
The wild path is dark, and the river is bright.
Look at the red and wet place, the flowers in Jinguancheng are heavy.
-Du Fu's "Delighting in Rain on a Spring Night"
"Good rain knows the season. When spring comes," praise "rain" with a word "good" from the beginning. Personify the rain, saying that it "knows the season" and knows how to meet the objective needs. Spring is the season when everything germinates and grows. As long as it rains, it begins to rain. Next, it further explains that rain is "good", but "moistening things quietly" is good. Spring rain, usually accompanied by a breeze, carefully moistens everything. However, there are exceptions. Sometimes, it will be accompanied by cold wind, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although this kind of rain is in spring, it is not a typical spring rain. It will only hurt things, and it will not "moisten things quietly." Naturally, it will not make people "happy" and it is impossible to get a "good" evaluation. Therefore, the "knowing season" of the first couplet alone is not enough to fully show the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by a continuous drizzle that the word "good" was implemented.
"Sneak into the night with the wind and moisten things silently." This is still anthropomorphic. The combination of "sneaking into the night" and "silence" not only shows that rain is drizzle accompanied by breeze, but also shows that rain is intended to "moisten things quietly" and has no intention of seeking "goodness" If you are interested in seeking "good", it will come during the day and create a little momentum for people to see and hear clearly. Just because it deliberately "moistens things quietly" and has no intention of seeking "goodness", it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping.
"The wild path is black, and the river boat is bright." If it rains so well, I hope it rains enough and stays up all night. If only for a while, the clouds will disperse, then "moistening things silently" is very incomplete. The poet grasped this point and wrote the third couplet. On a less gloomy night, the path is easier to see than the field, and the river is easier to distinguish than the shore. Look around: only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. It looks certain that it will rain until dawn.
"Xiao looks at the red and wet place, and Jinguan City is heavy." The tail couplet is about an imaginary scene. After a night of such "good rain", everything will be nourished and prosperous. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. Wait until tomorrow morning to have a look! The whole Jinguan City is a peanut tree, "red and wet", red and heavy, and it merges into a sea of flowers.
Through the above analysis of poetry, it is not difficult to see that Du Fu conceived and wrote according to such an emotional thinking, that is, looking forward to rain-listening to rain-watching rain-thinking about rain. As the saying goes, "Spring rain is as expensive as oil", which is true. Everyone expects this precious spring rain to be like oil, and so do poets. When the spring rain floated down, the poet was even more surprised, even lying in bed listening, completely sleepless, eager to have a good play, lest it suddenly stop, so he pushed the door and looked into the distance, looking at the boundless spring rain, and saw the dense spring rain. The author was pleasantly surprised to associate it with the spring scenery of Jinguan City the next day.
Poetry is praising the lofty quality of Spring Rain's obscurity and selfless dedication. The description of this love for the spring rain is so delicate and realistic, full of twists and turns, which can't help but make people marvel at Du Fu's artistic skill in observing things and feelings. No matter in tempering words, or in capturing images and describing details, it embodies the superiority of observing words and observing colors and being meticulous. By comparing and appreciating Du Fu's poems with his gloomy style, we will certainly deeply understand another life interest in Du Fu's poems.
Fantasy Night in Chang 'an Part 9 Mirage
Carved incense sticks, cold popsicles and painting halls are all unique scenery.
The host was affectionate and gave a banquet in red makeup.
Tired of jade round rubbing the neck, lotus root is tender and newly woven fairy clothes.
Double songs, empty eaves turn to the bright moon, and the aftertaste is still melodious.
On the earth, where there is, there is ordinary, which should be called ordinary.
There are fanatics in the seat. They are upset and worried.
It is said that the golden hairpin fell, pointing to the thin bamboo shoots.
I've seen it before. I won Song Yu's victory. I imagine giving it to Gao Tang.
-Fang Ting, a man in Su Shi's works
There have been no neighbors for thousands of years.
Full of wind and smoke, Chi Taisong, Jia Chun.
The cloud is suspected to be a guest, and the moon is like a pianist.
In the warbler's silence, it hurts the wandering god.
-Lu's "Xiang Ru Qin Tai"
Phoenix Mountain Chu Qing is rainy, the water is clear and the sunset is bright. A hibiscus, the past is still ying ying.
Where did the double egrets fly? If you are interested, Mu Pingting.
On the magic night in Chang 'an, I suddenly heard that there was sorrow and affection on the river. Who will be sent to monitor? Smoke gathers in the clouds, which is auspicious according to the agreement.
I want to ask for it at the end of the song, not seeing it, counting the peaks.
-Su Shi's "Jiangchengzi"
This word was written by Su Shi when he visited the West Lake with Zhang Xian (990- 1078), a famous poet who was over eighty at that time, from five years (1072) to seven years. The author closely follows the topic of "Wen Qin Qu" with great interest, and describes the beauty and touching music of the pianist from many aspects. In the poem, the violinist was placed in the beautiful lakes and mountains of Chu and Qing after the rain, which made the characters and scenery set each other off, and the music and mountains complemented each other. In the description of characters, the author uses metaphor and contrast.
The first three sentences are about mountains and lakes, just like the background pictures of characters. The phrase "a lotus" followed closely, which not only described the water lotus, but also compared it to the beauty who played the piano, and received the artistic effect of pun.
Structurally, this surface describes the scenery, but in fact it turns to the description of the pianist, which can be said to be seamless. According to "Mo Zhuang Man Lu", the zither player is over 30 years old and "elegant in charm and generous in posture". Here, it is not only accurate but also interesting to write about her with the metaphor of "a lotus in full bloom". Then, the beauty of the pianist was set off by the admiration of the egrets. The double egret in the word actually refers to the situation that two guests are indifferent.
The next film focuses on music. From the general melody of the music, it is called "mourning for Zheng", and from the feelings conveyed by the music, it is called "bitter (extreme) affection"; "To whom" means that music is sad, and whoever has the heart to listen is written from the listener's point of view; The sadness of music is further exaggerated, which means that ignorant nature is also moved by it: smoke converges and clouds collect; Finally, to sum up, this sad music is like a perfume goddess playing a harp to pour out her sadness. Xiangling used allusions from E Huang and Nv Ying. The words written here push the sadness of music to the peak step by step. It seems that such sad and touching music is not owned by the world, but only by gods like perfume goddess.
At the same time, the phrase "Xiangling as agreed" is a metaphor for the beauty of Xiangling. At the end of the word, Cheng Yiyue is waiting for the screenwriter, but he acts hard to get. He didn't describe the characters positively, but wrote that the pianist had drifted away, only to see the green hills and peaks still standing quietly by the lake, as if sad music were still rippling among the mountains and rivers. The phrase "When no one is seen, the peaks are green" is so natural, appropriate and without trace. In the poem "Try the Hunan Linggu" by Qian Qi, a poet in the Tang Dynasty, "When no one is seen at the end of the Song Dynasty, the peaks on the river are green". It not only has a moving image, but also implicitly inherits the sentence "Xiangling as agreed", combining the upper and lower allusions. "Several Peaks Green responded to the beginning of the word" Rain on Phoenix Mountain in Chu Qing "and described the scene of rain over mountains and rivers, which was really memorable and memorable.
Chen Xiao rode out of the capital and heard that he was buried at the corner of the road.
Don't think of me as spring, I still miss you as the apple of my eye.
The ukulele sound is dead, and the grass in the three-foot solitary grave has withered.
I never knew where Lan Zhihui's heart was.
Yang Yuqing? The wounded tomb of Ying Ying.
The Tiger of Jiangdong (I)
The western hills are full of palace tides, and the palace birds sing dogwood branches.
Wu recited poems alone and stayed on the boat with Wang last night.
Zhang Ji? Wuqiqu
Qingjilian
Wei Guan guang sleeve Chu palace makeup,
It's nice to be alone at night.
Knock the Hosta on the bamboo,
A melody, the moon is like frost.
-Gao Shi "Listening to Zhang Nvge"
Many unheard-of poems ... that's all.