1, I miss you like water, how can I be poor? -"Room Thinking".
Translation:
I miss you, just like a trickle, how can I not stop?
Appreciate:
The poet compares untouchable feelings to running water, and the image concretely expresses the love of the boudoir for distant lovers.
2, tears in front of the pillow * * * step before the rain, every window drops to the bright. -"partridge sky".
Translation:
I only shed tears silently on the pillow, and it was raining secretly in front of the steps, dripping through the window into the morning!
Appreciate:
Partridges and Love by Nie Shengqiong in Song Dynasty. This is a word based on how you felt when you left. Although Nie Shengqiong is a famous prostitute in Beijing, she knows many people, but her feelings are sincere and single-minded. The first part of the word is about parting, and the second part is about the feeling of parting and the feeling of missing after parting. Reality and imagination writing are integrated into one, and reality and imagination are integrated into one.
3, thousands of dollars to buy each other like Fu, is complaining about this situation. -"fishing".
Translation:
Even if my daughter and I bought the famous painting "Fu", who can I confide in this affection?
Appreciate:
The contents of this word include: first, anxiety about the future of the country; Second, I am frustrated and sad in politics; Third, the dissatisfaction of those in power in the Southern Song Dynasty.
The first part of this word is mainly about lazy spring, and the second part is mainly about the decline of beauty. Some anthologies think that this word is the author's use of spring to set off his sadness. I'm afraid this understanding is not entirely correct. Although this word writes the author's personal feelings, it is more important to write his worries about the bleak future of the Southern Song Dynasty imperial court with implicit pen and ink. The author brings personal feelings into the affairs of state. The chill of spring actually refers to state affairs, rather than the resentment and leisure that often appear in the works of ordinary poets.