1. Verses about young people not knowing sorrow
Verses about young people not knowing sorrow 1. What is the full poem about young people not knowing the taste of sorrow
Xin Qiji " Appreciation of "Chou Nuer·Shu Bo Mountain Road on the Middle Wall" Appreciation of Chou Nuer·Shu Bo Mountain Road on the Middle Wall·Xin Qiji The young man did not know the feeling of sorrow and fell in love with the upper floors.
Falling in love with the upper floors, I force myself to express my sorrow in order to compose new words. Now that I know all the sorrow, I want to stop talking.
I wanted to say no, but I said it was a cool autumn. Appreciation: This is a poem written by Xin Qiji when he was impeached and resigned and was living in a lake.
While he was living in Daihu, he wandered along Boshan Road but had no intention of enjoying the local scenery. Seeing that the country's affairs were deteriorating, he was powerless and unable to relieve his melancholy, so he wrote this poem on the wall of Boshan Road.
In this poem, the author uses contrasting techniques to highlight the word "sorrow" as a clue throughout the whole poem. The emotion is sincere and euphemistic, the words are simple and the meaning is deep, making it People have endless fun. The first part of the poem focuses on recalling that when I was a boy, I knew no sorrow.
When I was a teenager, I was in my prime, not deeply involved in the world, optimistic and confident, and lacked real experience of what people often call "sorrow". The first sentence, "Young people don't know what it's like to be sad," is the core of the film.
We know that Xin Qiji grew up in the occupied areas of the Central Plains. As a teenager, he not only experienced the suffering of the people and the brutality of the Jin people, but was also deeply inspired by the heroic spirit of the people of the north in their struggle against the Jin people.
Not only did he have the courage and talent to resist the Jin Dynasty and restore the country, but he also believed that the Central Plains could be recovered and the Jin invaders could also be driven out. Therefore, he does not know what "sorrow" is. In order to imitate the writers of the previous generation and express a little so-called "sorrow", he "falls in love with the upper floors" and has no worries about looking for sorrow.
The author uses two phrases "falling in love with the upper floors" in succession. The use of this refrain avoids general descriptions, but effectively brings up the following. The former "falling in love with upstairs", the same as the first sentence, forms a complex sentence of cause and effect, which means that the author did not understand what sadness was when he was young, so he liked to go upstairs to enjoy things.
The latter "falling in love with a tall building" has a causal relationship with the following "forcing oneself to express sorrow in order to compose new words". That is, falling in love with a tall building triggered the rise of poetry. At that time, people "didn't know the feeling of sorrow" Under certain circumstances, you have to force yourself to say something like "depressed". The use of this refrain connects two different levels, and the idea of ??"not knowing sorrow" in the previous film is fully expressed.
The second part of the poem focuses on the sorrow I feel now. The author pays attention to comparisons with the previous film everywhere, showing that as he grows older and has deeper experience in life, he has a real experience with the word "sorrow".
The author defected to the Southern Song Dynasty with the intention of sacrificing his life to serve the country. He wanted to work together with the Southern Song Dynasty regime to achieve the great cause of national reconstruction and restoration. Unexpectedly, the Southern Song Dynasty regime came and went after him. Not only did he have no way to serve the country, but he also ended up in the situation of being dismissed from his job and living idle. "He was full of loyalty and anger and had nowhere to vent." The sorrow and pain in his heart could be Want to meet.
"Now I know the taste of sorrow." The word "end" here is very general. It contains many complex feelings of the author, thus completing the ideological and emotional content of the entire poem. A big twist. Then, the author uses two more sentences in succession, "I want to say it, but I still have to stop", still using the form of a refrain, and echoing the previous film in terms of structure and usage.
These two sentences "If you want to say it, stop it" contain two different meanings. The previous sentence closely follows the word "end" in the previous sentence. In people's real life, various emotions such as joy, anger, sorrow, and joy often complement each other. Extreme happiness turns to potential sadness, and deep sorrow turns into self-mockery.
The author used to have no worries but insisted on saying he was sad, but now he is extremely worried and has nothing to say. The latter one, "If you want to say it, don't stop" is immediately followed by the following.
Because the sorrow in the author's heart is not a personal sorrow of separation, but the sorrow of the country and the times. At that time, when the capitulation faction controlled the government, it was taboo to express such sorrow, so the author is not able to speak directly here, so he had to talk about the weather, "It's cool in autumn."
The end of this sentence may seem light on the surface, but in fact it is very subtle, fully expressing the depth and breadth of the author's "sorrow". This poem by Xin Qiji expresses his pain of being suppressed and excluded and having no way to serve his country through the contrast between "youth" and "now", and no worries and worries. It is a satire and dissatisfaction with the ruling group of the Southern Song Dynasty.
In terms of artistic techniques, "youth" is the guest, and "now" is the subject. The past is used to set off the present, the presence is used to write the non-existent, and the non-existent is used to write the present. The writing technique is also very clever, highlighting today's Deep sorrow and great sorrow have a strong artistic effect.