build house is surrounded by people, and there are no chariots and horses.
what can you do? The heart is far from self-centered.
under the east fence of picking chrysanthemums, you can see Nanshan leisurely.
the weather is getting better every day, and the birds are returning.
there is a real meaning in this, and I have forgotten to say it if I want to distinguish it.
under the east fence of picking chrysanthemums, you can see Nanshan leisurely. The mountains are getting better and better, and the birds are returning. There is truth in this, and I want to distinguish and forget to say it. "This is a poem that has always been praised and has different views. From the artistic point of view, it depicts a far-reaching artistic conception with simple and plain language and flying charm.
In the poet's works, nature is full of vitality, giving people beautiful enjoyment and satisfaction. From the ideological content, it clearly shows Tao Yuanming's life interest in seclusion, collecting chrysanthemums and enjoying the scenery, and the true meaning of life realized under the enlightenment of nature. In art, everyone's views are unified, and the differences are mainly manifested in the understanding of ideological content.
According to the poem "Picking chrysanthemums under the hedge and seeing Nanshan leisurely" and several other poems describing rural life in Tao Collection, Tao Yuanming was regarded as "quiet and carefree", and then came to the conclusion that he was an idyllic poet or a recluse poet. This is obviously not in line with the actual situation.
the reason why this conclusion is not in line with the actual situation is that it lacks a historical and comprehensive investigation of Tao Yuanming's works. Needless to say, in Tao Yuanming's works, there is indeed a "quiet" and "carefree" side, and the interest in living in the countryside is also manifested from time to time.
this is not surprising, because after all, he is neither a "poor farmer under Lushan Mountain" nor a "peasant poet", but an intellectual of the feudal landlord class.
After returning to the field, although he took part in some minor farm work, he had more opportunities to get close to the working people at the lower level, got a certain understanding of their lives, and the ideological distance was shorter than before, but Tao Yuanming was still an intellectual of the feudal landlord class.
As an intellectual of the feudal landlord class, it is understandable that Tao Yuanming shows some idle thoughts and interests in his works. Just like any famous writer and poet in the history of China literature development, their thoughts, their works, positive and negative things often coexist.
Tao Yuanming is certainly the same. We can't totally deny him just because he has a negative side. In fact, Tao Yuanming's works show the ideological interest of feudal landlord class intellectuals.
after all, it is non-essential and non-mainstream. What is essential and mainstream is his concern and criticism of the real society, his pursuit of ideals and hard exploration of life, his yearning for a better life, his praise of pure friendship, and his determination and noble personality to persist in seclusion because he refuses to go along with the common customs.
His agricultural poems reflect the difficult situation of the working people at that time in a more tortuous way. These are all positive ideological contents and essential and mainstream things in Tao Yuanming's works.
Extended information:
Twenty Drinking Poems is a group of five-character poems written by Tao Yuanming, a writer from the late Eastern Jin Dynasty to the early Southern Song Dynasty.
With the theme of drinking, these twenty poems express the author's feelings and views on history, reality and life, express the author's dissatisfaction with reality and love for rural life, and fully show the author's noble and proud moral sentiment and life interest of being poor and happy.
The combination of poetry and wine makes the author naturally reveal the deep natural state of life and reflect a unique aesthetic realm.
The fifth and seventh songs were included in the miscellaneous poems in Selected Works Volume 3 by Xiao Tong.
Baidu Encyclopedia-Twenty Drinking Songs