Question 1: Whether you come or not, I will be here. The meaning of the whole poem "Seeing and not seeing"
You see me, or you don't see me
Me It’s right there
Neither sad nor happy
You miss me, or you don’t miss me
Love is there
It doesn’t come or go
You love me or you don’t love me
Love is there
It doesn’t increase or decrease
You follow me or you don’t follow me< /p>
My hand is in yours
Never give up
Come into my arms
Or
< p> Let me live in your heartLove each other silently
Love silently
There is no gorgeous word in the poem, only simple and unpretentious emotions, only any No matter how the world changes, his love remains unchanged. The love that is there is like the stars in the sky, which remains unchanged even after all the vicissitudes of life. “You see me or you don’t see me/I’m there/I’m neither sad nor happy” “You miss me or you don’t miss me/My love is there/It doesn’t come or go” “You love me or you don’t love me/My love is "There/Neither increase nor decrease", the whole poem uses the rhetorical technique of parallelism, repeatedly chanting the love in the poet's heart that will never change no matter how the world changes. It has a strong sense of rhythm, good organization, beautiful melody, and richness. Artistic appeal.
From ancient times to the present, love is a topic that countless people chant. There are too many poems and lines that prove the beauty of love, but also prove that love is a heart-breaking injury.
Thinking of the beautiful snow-covered plateau, the passionate Tsangyang Gyatso walks through the snow to meet his lover at night because of his lovesickness. Is it destiny or calamity? When dawn broke, people read the clear night-running footprints left by a man in the snowy wilderness. The footprints quickly and powerfully connected the Potala Palace and the depths of the alleys, and they became confused, thoughtful, and then shocked and panicked. While Yang Gyatso sang openly in the name of love, he also wrote about betrayal of religion.
Thinking about Tsangyang Gyatso’s helplessness and inability to control himself as a living Buddha. Although he had no way to change the rules and precepts, he still chose to apostatize and abandon his rights and change his destiny. , how much courage does this require? If love is not true and pure, what force makes him give up his rights? There is only one answer: because of love.
In the vast river of time, time can obliterate everything, but how many things can people remember forever? However, Cangyang Gyatso achieved this with his true and pure love and poetry. Cangyang Gyatso's love poems have been translated into many languages ??and widely circulated, allowing people to remember him forever, even though the years have passed. Centuries passed.
In today's highly utilitarian real society, how many people's love can reach this true and pure state of selflessness? How many people's love remains unchanged no matter how things change? In the world of mortals, although I once realized the selflessness in the highest state of love, with the turmoil of the world, I gradually no longer feel this way in my heart. Perhaps there are too many realistic factors in real life that make people’s hearts confused about the state of love. It is difficult to be selfless, perhaps because there is too much helplessness in the chaotic world of mortals. However, Tsangyang Gyatso did it. He loved truly and purely, without a trace of fame or fortune, and gave up his status and rights for the sake of love.
Reading this kind of true and pure love and poetry, I am not only moved and sighed, but also have an unspeakable emotion. Tsangyang Gyatso's poems are like a piece of heavenly music that shakes the soul and touches the heartstrings. The pure love without a trace of distracting thoughts knocks at the door of the heart for a long time.
The Sixth Generation *** Tsangyang Gyatso is worthy of being a generation of love monks. His poems, whether they are passionate or calm and lingering, also contain an indestructible deep feeling. From "That year, I kowtowed on the mountain road, not to meet you, but just to be close to your warmth." to "You follow me, or you don't follow me," in "See and Not See". My hand is in your hand, never give up." When love comes, it is easy to be as passionate as fire and lingering as vines; it is not easy to be as light as a cloud shadow and as still as a deep stream. "Seeing and Not Seeing" expresses this kind of quiet affection, just like the breeze, the bright moon, and the rain moistening the plantains. There is no thirst in this kind of relationship, there is no sigh of deep love and shallow love, and there is no torment of burning one's body in flames and suffering from thousands of arrows piercing one's heart. In "Seeing and Not Seeing", we can't see the lingering pathos or the oath of friendship, but we can read a kind of deep love that is as solid as a rock. Just a few simple lines, a few clear sentences. There is no rhythm of twists and turns, ups and downs, but it constitutes a kind of emotion that turns over and over again and surges like a tide. Such emotions are like magma surging underground. Its power is enough to break through rocks, but it is calm on the surface. This comes from profound Buddhist cultivation and wisdom.
Such feelings are like the grass clinging to the land, the clouds clinging to the sky, and the stars admiring the moon.
I won't disturb your life, nor will I disturb your peace. I just like you silently and will never leave you... >>
Question 2: How much do you give me? The meaning of an ancient poem, urgently needed, (preferably add an ancient poem) Thank you! Drinking alone under the moon----Li Bai
A pot of wine among the flowers, drinking alone without any blind date.
Raise your glass to the bright moon, and look at each other as three people.
The moon does not know how to drink, but its shadow follows me.
For now, the moon will be shadowed, and we must have fun until spring.
My singing moon lingers, my dancing shadows are scattered.
They make love together when they are awake, but they separate when they are drunk.
We will travel together forever, and we will meet each other in Miao Yunhan.
Appreciation
This is a carefully cut scene, but it is written so naturally. Li Bai was drinking alone under the moon, facing the bright moon and shadows, and seemed to have formed a scene of three people drinking together in his hallucination. On this warm spring night, Li Bai sang and danced while drinking. The moon and shadows followed the ups and downs of his emotions, as if they were also sharing the joy and sorrow of his drinking.
Logically speaking, objects have little to do with people’s inner world. But from a poetic point of view, the two are inseparable. This is also the origin of "Xing" in Chinese poetry. Since the Book of Songs, it has been endowed with anthropomorphic movements, thoughts and emotions in nature, such as "the moon rises brightly, and the people stand out", "sad moon", "sad wind" and so on. Li Bai's poem corresponds to this "Xing" writing method, giving emotions to the bright moon and shadows. As Lin Yutang said: "It is a poetic belief in harmony with nature, which makes life fluctuate with the fluctuations of human emotions."
Question 3: There is a poem that means: You It’s not me, so how do you know what I’m thinking? Which poem does it come from? From: Zhuangzi's "Autumn Waters"
Zhuangzi and Huizi were swimming on Haoliang. Zhuangzi said: "You are not a fish, and it is the joy of fish." Huizi said: "You are not a fish, how can you know the joy of fish?" Zhuangzi said: "You are not me, how can you know that I don't know the joy of fish?" Huizi said He said: "I am not a son, so I don't know about him; I am not a fish, so I don't know the joy of fish, that's all!" Zhuangzi said: "Please follow the origin. Confucius said, 'You know the joy of fish.' You know what I know, so ask me. I know what it is like."
Huizi said: "You are not a fish, how can you know the joy of fish?" Zhuangzi said: "You are not me, how do you know that I don't know the joy of fish?"
If you are not a fish, how do you know that the fish is happy? How do you know that the fish is unhappy?
You are not me, how do you know that I am happy, how do you know that I am unhappy?
Unfortunately, I am not you either. How do I know you will be happy? How do I know you will be unhappy?
Question 4: The meaning of the poem "I say you are April in the world" I say you are April in the world
The sound of laughter lights up the surrounding wind
< p> Light spirits dance and change in the light of springYou are the clouds in the morning of April
The softness of the wind in the dusk
Xingzi Flashing inadvertently
The drizzle sprinkles in front of the flowers
That lightness, that grace,
You are, you are wearing the crown of bright flowers.
You are innocent and solemn, you are the full moon every night,
The goose yellow after the snow melts, you look like;
Fresh and first budding Green, you are;
The soft and joyful water floats on the white lotus that you are looking forward to in your dreams.
You are the flowers blooming on the trees, the whispers of the swallows in the beams,
- you are love, warmth and hope,
You are April in the world.
Question 5: There is a sentence in "The Book of Songs" that says, "I want to survive". What does it mean? Going out of its east gate, there was a woman like a cloud. Although it is like a cloud, I want to save it. Wearing silk clothes and scarves, we chat and have fun with each other.
Out of nowhere, there is a woman in full bloom. Although it is in full swing, I still think about it. Dressed in silky clothes, we can chat and have fun.
The general meaning is: After leaving the east gate of the city, there were so many beautiful girls. Although there were so many, they were not what I missed. Only the girl in white clothes and green headscarf can make me happy. This poem is about a man who only loves a girl from a poor family. Although other women are as numerous as cumulus clouds and as beautiful as tea flowers, none of them can move his heart, which expresses his steadfast love.
Bi Wo Sicun: It’s not what I miss. Bandit is the same as "fei", but not the same. Think about it, miss it.
Question 6: The meaning of the pavilion in ancient poetry. In ancient poetry, what does the pavilion generally represent the author's feelings? Pavilion was a place for pedestrians to rest in ancient times. "The pavilion is a stop. It is where people stop and gather." ("Shiming") The pavilion in the garden should be the "reappearance" of the natural landscape or the pavilion on the roadside of the village or town. In waterside mountain villages, there are many pavilions along the roads for pedestrians to rest, including half-mountain pavilions, road pavilions, and half-river pavilions. Since gardens as art imitate nature, many gardens have pavilions. But precisely because gardens are art, the pavilion in the garden pays great attention to the art form. The pavilion is often a "bright spot" in a garden landscape, playing the finishing touch.