According to the original sentence of Hong Mai's Rongzhai Essays, "Spring breeze is greener in Jiang Nanan" and "Spring breeze is" reaching "in Jiang Nanan", the word "reaching" is circled and the note says "not good". Change it to' country', change it to' gold' and change it to' people' after a circle. If it is ten words, it is designated as' green'. It has really reached the situation of "the language is not amazing and endless". In fact, the poet is not only refining words, but also refining ideas, which is in line with the situation of poetry.
The focus of Spring Breeze and Green Jiang Nanan is not a description of the beautiful spring scenery in the south of the Yangtze River, as the general theorists say. Its linguistic focus is not the word "green", but the word "you". The reason why people especially appreciate the vivid, colorful and infectious description of the beautiful scenery of spring with the adjective "green" as a verb lies in the well-known story of refining Chinese characters recorded in Hong Mai's Rong Zhai Xu. In fact, Wang Anshi does not want to describe the beauty of spring scenery in Jiangnan. He is concerned with the word "you", not the word "green". What he wants to express is that the spring breeze is still affectionate. He knows the annual "Green Jiang Nanan", but the poet himself has to leave his hometown in the south of the Yangtze River against his will and re-embark on his official career when the spring breeze turns green in Jiang Nanan. The future of this trip is unpredictable. I don't know when I can "go back" to my hometown in Jiangnan. The word "you" is a true portrayal of the poet's infinite homesickness, which is hard to get rid of.
The word "green" can be understood as the modification of the poet's words, and the blowing is changed to green for vividness. Before this, Wang Anshi also considered this word many times, tried the words "full" and "excessive", but finally changed the word to "green".