The last film is dominated by scenery and full of affection. Start with the homesickness caused by the thrilling sound of writing flute. When Ma Rong lived in Pingyang in the Han Dynasty, he was very sad to hear someone playing the flute in the guest room. I wrote Flute Fu because I missed my relatives and friends in Luoyang. Li Bai also wrote a poem, "Smell the flute in Los Angeles on a spring night". Xiaoling set a deep emotional tone of missing her hometown and old friends from the very beginning. The second sentence, "the water in front of the mountain is wide and the clouds are low", reminds the writer of his hometown, because he can't help looking in the direction of his hometown when he smells the flute. However, it is a vast spring water and drooping clouds. This picture is unfolded in the sound of the flute of the sad side, giving people a feeling of depression and depression. The so-called landscape language is also the language of love. Behind these two pictures. Readers can also see the author's mood at this time. Continue to write what you see in three or four sentences. This sentence has been swallowed thousands of miles away, and they are also wandering thousands of miles away, just like a broken stem drifting with the tide. Bai Juyi described the lonely image of Yang Guifei in the celestial world in Song of Eternal Sorrow. It seems that ancient poets in China always like to pin their sadness on the background of rain and dusk, such as "lilacs are empty in the rain", so pear blossoms in the rain can also be used as an image to pin their sadness. The last film focuses on the immediate scene, which is very emotional and doesn't need you to worry about it.
"The most important thing is to make changes without destroying the meaning of the song" (Etymology). The second film is mainly lyrical, which directly expresses the sadness suppressed behind the screen in the previous film. Write down your nostalgia for your hometown in the first three sentences of the film. "Show" and "selling praise" are ancient folk customs. The author lists the names of two festivals, and it seems that wanderers in a foreign land are counting the festivals in their nearby hometowns. "There is only a dream in my hometown", and a "only" road has exhausted the author's deep difficulties buried in his heart. In the word "Crossing the River Cloud", the author describes his wandering in other places like this: "Where does the barren state wander?" Maybe I haven't been able to write down my homesickness in my dream, and then I will write down my homesickness with concrete actions: I couldn't get rid of my sadness because I didn't sleep well last night. I strolled across the river and brought back a new willow tree. Although it doesn't belong to my hometown of Su Causeway, its sadness is enough to arouse my homesickness. Willow is originally a symbol of parting, and folding willow far from home can only increase trouble. The author also wrote in Chao Zhong Cuo: "Who will be released when you break a willow?"
This poem is very natural, whether it is about scenery or lyricism, without the slightest affectation and affectation. The author also successfully used ordinary scenery, immediate things, layout rendering, from the shallow to the deep, from the hidden to the deep and moving themes, showing the author's ability to capture artistic conception and express emotions.