In the history of China's poetics, Wen Yiduo was the first to discuss the architecture of poetry, and he put forward the "architectural beauty" of poetry in his famous Three Beauties.
He said, "Metrics can be described in two ways:
(a) It is visual,
(2) it belongs to listening. "
The beauty of music (rhythm) belongs to hearing, and the beauty of architecture belongs to vision. Wen Yiduo reveals the characteristics of China's writing and reminds people to pay attention to the sense of space and concreteness when writing poems. When the school of misty poetry rose, the arrangement of modern poetry in architectural form became more diversified.
Xu Jingya believes that poetry should be transformed from "auditory art" to "visual art" to some extent. The most direct reason is that, due to the complexity and multi-level nature of poetry, it is difficult to express it directly through recitation, so it can only be arranged in words on paper: its writing and printing form is "poetic".
Reference:/s/blog _ 49fbbdf2010004bt.html.
PS: Not all works of schools are poems, such as Saint Amethyst. In ancient Greece, not only poetry, but also any other works could be branched.