Brush calligraphy is a unique traditional art in China. Throughout the ages, Chinese characters were created by the working people. They began to represent words in the form of pictures. After thousands of years of development, they evolved into today's characters. In ancient times, calligraphy was produced when writing with brushes was used for a long time. Let me introduce to you some famous poems and poems that praise calligraphy (selected 95 sentences). Welcome to read! Famous poems praising calligraphy Part 1
1. In ancient times, those who were good at calligraphy had a long life because they had a calm mind. If a person can set his mind, there is nothing he cannot do.
2. Calligraphy is also based on Buddhism. It starts from the precepts, is mastered in concentration and wisdom, is realized in the source of the heart, is wonderful in understanding, and to the extreme, it cannot be transmitted by words or hands.
3. The inner classic "Golden Sutra" says: "What is illegal is not illegal." Calligraphers understand this trick, so there is no need to follow the past and not change it.
4. A pure heart and few desires, words generate spirit, which is a proof of Yicheng’s form and appearance.
5. When the dross goes away, the clear light will come. If the mind is complicated, even if the writing is excellent, it will not be appropriate. Therefore Yangzi said: Words are pictures of the heart.
6. There is a couplet from the ancients that says: What should I do? Is it natural? The most truthful sayings. You should also know this when writing books.
7. When Qi is strong, the length of the words and the pitch of the voice are both appropriate. The same goes for books.
8. Copying the ancient method is like a ghost enjoying a sacrifice, but inhaling its breath but not eating its substance.
9. If you are careless and careless, you will never achieve anything. Although the book is a small road, it must be calm and composed.
10. Look at the pens used by the ancients and avoid distracting thoughts. This is also a way to keep your mind at ease. Famous poems praising calligraphy Part 2
1. If the form is similar, the calligrapher is the best. However, there is very little information in this, so don’t let it die at the end of the sentence.
2. The way to hold the pen is to hold the pen with the virtual palm and the real finger. If the fingers are gathered together, the palm will be strong, and if the fingers are strong, the palm will naturally be empty.
3. If the fingers are dead and the wrist is alive, there is no curse for calligraphers. If the finger is dead, it will be straight, if the wrist is alive, the word will be smart.
4. The reverse stroke is the most powerful. Chu Henan's books are all reversed, and they are also official.
5. The words must be delivered pen-by-pen. When the pen edge is collected, the pen is still straight before it can be delivered.
6. When writing regular script, you must clearly understand the official rules, and avoid regular script when writing official script. To be a slave, you must have the atmosphere of thousands of valleys and rocks rushing towards your wrist.
7. When you first learn to write calligraphy, you should first look for similarity in form. If you don’t have a good frame, let alone a good writing style.
8. The pen must be flying in the air, which is solid. However, scholars misunderstood Sri Lankan language and slipped all the way into the sky. It must be said that if the Qi is empty and the pen is solid, there will be no harm.
9. Books are more valuable if you are familiar with them, and if you are familiar with them, you will be happy. It is taboo to be familiar with books, and familiarity will lead to vulgarity. Failure to draw straight and straight lines and seeking magic suddenly is like deviating from the rules in order to seek cleverness, which is not something I dare to know.
10. There is no fixed law in books. Could it be that nature calls it law? The official law promotes the Han Dynasty, and the regular script promotes the Jin Dynasty. It is natural. People in the Tang Dynasty regarded the law as too strict, so the official script was not as good as that of the Han Dynasty, and the regular script was not as good as that of the Jin Dynasty.
11. It is appropriate to learn regular script from the Tang Dynasty to the Jin Dynasty, but it must be the Han Dynasty.
12. The Han official pen is reversed and the pen is accumulated. The starting point is reverse, the ending point is accumulation.
13. The vertical and horizontal characters are like the beams of a house. They should be straight and not tilted.
14. It’s important to be familiar with ancient stele and look at it, but not to experience it once and for all. Only by borrowing a pen to express it can you achieve spiritual resemblance.
15. The meaning comes first, and the form follows the law.
16. When you want to know, you start writing later, and your intention is to stop the previous writing. If you understand this, then the writing will echo, the words will be connected, the front, back, left, and right, and they will be able to create each other in one breath.
17. The brushwork should be round, but if it is too round, it will be weak and boneless. The genre should be square, but if it is too square, it will be rigid and unrhymed.
18. Practice makes perfect, as is the case in everything. The book is not yet familiar and he specializes in bizarre and demonic ways. It is better to be clumsy than to be clumsy.
19. In the books of Qin and Han Dynasties, the ingenuity is accessible, but the clumsiness is inaccessible.
20. If you work hard, your structure will be stable; if you have a good posture, you will be outstanding as soon as you put pen to paper. Famous Poems and Phrases Praising Calligraphy Part 3
1. A straight heart leads to a straight pen. Su Shi, a writer of the Northern Song Dynasty, "Book of the Six Families of the Tang Family"
2. From time to time, only dragons and snakes are seen walking away. Li Bai, a poet of the Tang Dynasty
3. As graceful as a silver hook, as floating as a startling luan. Suo Jing, calligrapher of the Western Jin Dynasty
4. The study of calligraphy should be a family of its own. Ouyang Xiu, a writer and historian of the Northern Song Dynasty, "Studying Calligraphy and Becoming a Family"
5. The angry tiger makes five choices, and the thirsty one rushes to the spring. Ouyang Xiu, a writer and historian of the Northern Song Dynasty, "New Book of Tang·Biography of Xu Hao"
6. Floating like clouds, as powerful as a startling dragon. Liu Yiqing, a writer of the Southern Dynasties and Song Dynasty, "Shishuo Xinyu·Rong Zhi"
7. The dragon is powerful and the tiger is vibrating, and the sword is at war. Southern Dynasty·Liang Calligrapher and Painter Yuan Ang "Ancient and Modern Book Review"
8. The intention is in front of the pen, and then the words are written. Wang Xizhi, a calligrapher of the Eastern Jin Dynasty, "Inscribed on Mrs. Wei's "Brush Formation Picture""
9. Clouds and cranes roam the sky, and a group of Honghongs play in the sea. Emperor Liang of the Southern Dynasties Xiao Yan
10. The voice of the heart is also the heart of the calligraphy. Western Han Dynasty scholar Yang Xiong
11. Silent sound, invisible appearance. Zhang Huaiguan, a calligrapher of the Tang Dynasty
12. The dragon leaps over the Tianmen, and the tiger lies in the Phoenix Pavilion.
Emperor Liang of the Southern Dynasties Xiao Yan
13. The book written by me is impossible. Poet, lyricist, and calligrapher of the Northern Song Dynasty Huang Tingjian "Collected Works of the Valley"
14. There are paintings in the books, and there are also books in the paintings. Fang Yurun, a scholar of the Qing Dynasty, "Xing Lie's Diary Collection·Entertainment"
15. The beauty of calligraphy is mostly reflected in the sound behind one's body. Tang Dynasty calligrapher Zhang Huaiguan
16. The essence of calligraphy is unified by the word "integrity". Liu Xizai, a litterateur of the Qing Dynasty, "Art and Calligraphy"
17. All stipples have muscles and bones, and the fonts are natural and majestic. Yan Zhenqing, a calligrapher of the Tang Dynasty, "Reporting the Twelve Meanings of Zhang Changshi's Calligraphy"
18. The movement is like a lingering spring earthworm, and each word is like a coiled autumn snake. Fang Xuanling, the founding prime minister of the Tang Dynasty, "Book of Jin·Biography of Wang Xizhi"
19. Those who are strong and have strong tendons are saints, and those who are weak and have no tendons are sick. Madam Wei, a female calligrapher in the Jin Dynasty, "Bi Zhen Diagram"
20. Follow others' plans to end up with descendants, and become a family of your own before becoming realistic. Huang Tingjian, poet, lyricist, and calligrapher of the Northern Song Dynasty, "Several Kinds of Youjun Calligraphy as a Gift to Qiu Shishi"
21. He took off his hat and uncovered his head in front of the prince, and the paper fell like clouds of smoke. Du Fu, a poet of the Tang Dynasty, "Song of the Eight Immortals in Drinking"
22. The Cangshan Mountains are crumbling with angry hooves, and the mountains are bloated and unbearable. Yan Yunzhao, a literati of the Qing Dynasty, "Xi Xiang Xing"
23. The characters are majestic, like a dragon jumping over the Tianmen, or a tiger crouching on the Phoenix Tower. Xiao Yan, Emperor of the Liang Dynasty in the Southern Dynasties, "Commentary on the Pros and Cons of Ancient and Modern Calligraphers"
24. Origin of the word: The water of the Three Gorges flows backward, and the pen formation alone wipes out an army of thousands. Du Fu, a poet of the Tang Dynasty, "Drunk Song"
25. One point becomes a word, and one word is the final word. 4 Famous Poems Praising Calligraphy by Sun Guoting, a calligrapher of the Tang Dynasty
1. “With the pen of seal script, thin and hard bodies are transformed into plump and powerful ones, the structure is broad and magnificent, and the bones are strong and powerful. "Awe-inspiring" - praising Yan Zhenqing's style as thick and round as a tendon.
2. "The structure is powerful, every word is rigorous and meticulous. It is thin and powerful, the regular script style is charming, the bones are strong, and it is extraordinary and refined." - Praising Liu Gongquan's bone-like strength Powerful and powerful.
3. "Be good at Li, Cao, Kai, Xing and other styles, study the style carefully, imitate the style with your heart, learn from all the strengths, prepare all styles, and cultivate them in one furnace, and get rid of the Han and Wei Dynasties "The style of writing is unique in its own way" - praising Wang Xizhi's calligraphy for its gentleness and naturalness, euphemism and subtlety, and its beauty and beauty.
4. "As graceful as a startled giant, as graceful as a swimming dragon, with glorious autumn chrysanthemums, and luxuriant spring pines. It seems as if the moon is covered by light clouds, and flutters like snow in the flowing wind."—— Praise the beauty of Wang Xizhi's calligraphy.
5. "Chu Monk Huai Sugong's cursive calligraphy is as new as possible. His spirit is clear and his mind is sincere. He came to me to write vigorously when he was drunk. From the beginning, he changed from broken body to graceful appearance, one by one. The flowers are blooming late in spring, but they are suddenly withering. Dragons, snakes, and beasts are standing tall, and they are all sitting in silence. The palmist's posture is strange, and everyone is asking for details. This is wonderful, Huai Su said he didn’t know it at first.” From: “Song of Master Huai Su in Cursive Script” by Dai Shulun of the Tang Dynasty
6. “There is a screen where there are traces of Huai Su. There are still thick traces of ink on the strange rocks rushing to the autumn stream, and the old pines hanging on the cold vines. If they were taught to be near the water, the words would be like dragons. "From "Cursive Script Screen" 7. "Xiao Zi". The cursive calligraphers are not as good as me. The leaves in the Dongting are falling and the autumn wind is blowing. The flowers in the forest are blooming and the spring dew is wet. The flower branches are drooping towards the water. I can see you scattering them in rows. If you compare your writings to those of generals, I don't know who is in Lingyun Pavilion. "From: "Xiao Dan's Cursive Script Song" Tang Gu Kuang
8. "Everyone in the world has learned about Lan Tingmian, and they want to change their mortal bones without gold elixir. Who knows that Yang Fengzi of Luoyang went to Wusi Lan to write." "Postscript to Yang Ningshi Post" by Huang Tingjian of the Song Dynasty
9. It is simple and leisurely, but has a profound and infinite flavor. Fan Wen
10. The character must be bone-like, the flesh must be wrapped with tendons, the tendons must hide the meat, and the post must be beautiful and moist. Mi Fu, calligrapher and painter of the Northern Song Dynasty, "Haiyue Quotations" Famous Poems Praising Calligraphy Part 5
1. The edge of a sword comes from sharpening, and the fragrance of plum blossoms comes from the bitter cold.
2. Pen, ink, paper and inkstone depict landscapes, poetic hometowns and dreams, and the colorful Xuancheng strives to become a "Chinese Calligraphy City".
3. Interpret the spirit of calligraphy and inherit the essence of culture.
4. Inherit Chinese civilization and promote the art of calligraphy.
5. Every word is worth a thousand dollars.
6. Read thousands of poems and write thousands of words.
7. Vitality is beauty.
8. Feel beauty, appreciate beauty, create beauty, and show beauty.
9. Calligraphy is enjoyable and enjoyable, and calligraphy can lead to longevity and health.
10. Carry forward tradition and write excellence.
11. Carry forward the essence of national culture and interpret the magical charm of calligraphy.
12. The brush paints a better future, and the colors paint a magnificent life.
13. Carve out fine products with meticulous care, and turn iron into gold through repeated hammering.
14. I have studied thousands of ancient and modern books at home and abroad, and skillfully painted thousands of pictures of human nature and physics.
15. Practice pen calligraphy and inherit Chinese character culture.
16. Practice hard-pen calligraphy and inherit Han culture.
17. Practice good calligraphy and pass on civilization to a generation.
18. Practice Chinese calligraphy and inherit traditional culture.
19. Art can express culture, and art can support morality.
20. Splash ink to create things, and write flowers to bloom.
21. Everyone learns calligraphy, creating a century of innovation.
22. In the picturesque and colorful landscape, we create and enjoy the "Chinese Calligraphy City".
23. The poetic and picturesque new world is the icing on the cake of the Calligraphy City.
24. Nothing is difficult in the world, as long as you are willing to climb.
25. Calligraphy declares the city and leads a wonderful life.
26. Calligraphy has a path of hard work and a boundless sea of ??ink, a boat of hard work.
27. There is a road to the mountain of books and diligence is the path, and there is no limit to the sea of ??learning and hard work is the boat.
28. Be an upright person and write uprightly.
29. Improve spiritual connotation and cultivate noble quality.
30. Light up the art lights for you and take you into the palace of art