The story of the Miluo River (Qu Yuan) has been circulated here since ancient times. There are green apples and green algae floating by the river for sacrifice, but the remains of Qu Yuan's investment in the river are gone, and there is no place to pay homage. Only the fishing songs on the river can still be heard.
Note 1 ape sorrow: apes moan. Yong: Jump up. 3 Miluo River: Mi, Miluo River is in Yueyang, Hunan, and it is the largest tributary of Xiangjiang River in northern Hunan. 4 apple algae: apples generally refer to floating plants without roots; Algae generally refers to plants that grow in water.
Appreciation of Central Hunan Since Jia Yi was relegated to Changsha in Han Dynasty and wrote Mourning for the Wrestling, it has become a common technique in poetry to use Qu Yuan as a metaphor to express his frustration. Han Yu's poem is unique. Instead of writing about Qu Jia's sufferings, he writes about the feeling that the hero's soul has nowhere to place his grief. Instead of using allusions positively, it sets off the confusion and melancholy in the heart with mysterious and ethereal artistic conception, which more profoundly shows the loneliness and sadness of this world without a confidant. The main idea of this poem is: the ape cries sadly on the Miluo River, and the fish jumps and waves turn over on the Miluo River. The story of Qu Yuan has been circulated here since ancient times. Now a tray of grass is full, but there is no place to pay homage to Qu Yuan. I only heard fishermen singing by the boat.
At the end of Zhenyuan (785-805), Han Jianguo was the censor. Because of the drought and flood in Guanzhong, he was asked to be exempted from corvee tax and was named Yangshan Order of Lianzhou. The sudden political blow aroused an irresistible tide in the poet's mind, thus forming the abrupt and turbulent momentum of the poem "Xiangzhong": "The ape is worried about the fish, and it has been circulated as Miluo since ancient times." These two sentences are inflected in tone and strange syntax. According to the usual rules, we should first name the Miluo River and then describe the scenery on it. However, although the meaning is fluent, it is easy to become a simple description of the scenery. Here, the poet highlights the river scenery by inversion: the ape cries sadly, the fish leaps in the river, and the waves roll in Hunan, which is a mysterious and sad atmosphere, reflecting the poet's grief and indignation. The first sentence uses the words "ape", "fish" and "brave" alternately to render the poet's excited voice, which is full of rhythm. Therefore, although the poet did not directly express the infinite emotion generated by seeing the Miluo River, he had his own indescribable infinite meaning.
The poet came to the Miluo River to pay tribute to Qu Yuan, but even here, he could not find emotional comfort: there were green apples and green algae floating in the river to offer sacrifices, but the remains of Qu Yuan's investment in the river have disappeared; At the beginning, Jia Yi could throw a book and cry, but at this time, there was no way to find a place to pay homage. Only the fisherman's boat songs on the river can be heard. According to legend, Qu Yuan was exiled and placed on the bank of the river, describing himself as haggard. When he met a fisherman, he advised him: "There is a cloud in the world, why not go with the flow and set off its waves?" Everyone is drunk, why not feed them? "Say, the drums are far away, and the song says: The clear water of the surging waves can support my tassels, and the turbid water of the surging waves can support my feet. Qu Zi is gone, but the fisherman is still there. Although the fisherman at this time is no longer the fisherman in the past, the poet at this time is just like Qu Yuan in the past. A saint loses and gets back, a hermit gets back, and he is clear and drunk again. Therefore, the melodious song always seems to ridicule those people with lofty ideals who insist on reforming politics and refuse to go with the flow. Here coincides with the allusions of "Fisherman" in Chu Ci, and the scene blends without leaving any trace, which constitutes an empty realm. In contrast with the first two sentences, it achieves a high degree of harmony, vividly shows the poet's sense of loss in the face of boundless water and sky, and implicitly expresses the grief and resentment of being dismissed for no reason.
This poem combines the feeling of resentment and sadness with the trend of refusing ups and downs in the ethereal artistic conception and profound verve, and successfully combines the characteristics of novelty-seeking with traditional expression techniques, fully embodying Han Yu's innovative spirit and profound artistic attainments.
Appreciating the first two sentences of Hunan, the poet's sudden political attack aroused an irresistible tide in the poet's heart, thus forming an abrupt and turbulent momentum, inflected tone and strange syntax in the poem. Here, the poet uses inverted sentences to highlight the mysterious and sad atmosphere of apes crying, fish jumping on the river and waves rolling in Hunan, which reflects the poet's grief and indignation. The first sentence uses the words "ape", "fish" and "brave" alternately to render the poet's excited voice, which is full of rhythm. Therefore, although the poet did not directly express the infinite emotion generated by seeing the Miluo River, he had his own indescribable infinite meaning.
In the last two sentences, Han Yu used the story of Qu Yuan meeting a fisherman to feel like Qu Yuan in those days. Therefore, the leisurely singing seems to mock the generation after generation of people with lofty ideals who are obsessed with reforming politics and refuse to go with the flow. Here coincides with the allusions of "Fisherman" in Chu Ci, and the scene blends without leaving any trace, which constitutes an empty realm. In contrast with the first two sentences, it achieves a high degree of harmony, vividly shows the poet's sense of loss in the face of boundless water and sky, and implicitly expresses the grief and resentment of being dismissed for no reason.
The whole poem is not about Qu Jia's sufferings, but about the feeling that the hero's soul has nowhere to mourn. Instead of using allusions positively, it sets off the confusion and melancholy in the heart with mysterious and ethereal artistic conception, which more profoundly shows the loneliness and sadness of this world without a confidant. In the ethereal artistic conception and profound verve, the whole poem contains feelings of grief and indignation and the trend of ups and downs, and combines the characteristics of exploring novelty with traditional expression techniques.
Xiang Zhong's creative background was in the late Zhenyuan period (785-805), and Han supervised the Imperial History. Because of the drought and hunger in Guanzhong, he was exempted from corvee tax, and was demoted to the remote Yangshan County of Guangdong Province by Tang Dezong. The poet came to the Miluo River to pay tribute to Qu Yuan, but even here he could not find emotional comfort. There are green apples and algae floating by the river for sacrifice, but the body of Qu Yuan who threw himself into the river is gone. At the beginning, Jia Yi could throw a book and cry, but at this time, there was no way to find a place to pay homage. Only the fisherman's boat songs on the river can be heard. So, I wrote this poem with emotion.
Poetry: Poetry in Central Hunan Author: Tang Dynasty Han Yu Poetry Classification: Mourning